I've noticed that the Digital Photography group seems to be focusing on two different generalized topics.
The one is hardware-based: Camera X with Option A versus Option B, etc.
The other is pure photography: "what's a filter good for", how to sort out depth of field, etc. We're probably due for a composition thread.
To this end, I'm going to throw out a couple of books that I've found useful.
"John Shaw's Nature Photography Field Guide (Paperback)
by John Shaw " -- by John Shaw
"John Shaw's Landscape Photography (Paperback)
by John Shaw" -- ibid
"Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera" -- by Bryan Peterson
BTW, John Shaw's guides are a bit duplicative in that he's got a very good intro section that appears common in the beginning of each book - - it contains gems of insight, such as the fact that a camera's exposure meter is looking for the mystical 18% Gray, which is essentially why a dark composition will always be overexposed and a light one will always be underexposed.
For hardware, I've found the "Magic Lantern" guidebooks for the specific camera in question to usually be much more useful than the Manufacturer's free guide...its "always" worth the extra $20 or so on a $1000 camera.
-hh
The one is hardware-based: Camera X with Option A versus Option B, etc.
The other is pure photography: "what's a filter good for", how to sort out depth of field, etc. We're probably due for a composition thread.
To this end, I'm going to throw out a couple of books that I've found useful.
"John Shaw's Nature Photography Field Guide (Paperback)
by John Shaw " -- by John Shaw
"John Shaw's Landscape Photography (Paperback)
by John Shaw" -- ibid
"Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera" -- by Bryan Peterson
BTW, John Shaw's guides are a bit duplicative in that he's got a very good intro section that appears common in the beginning of each book - - it contains gems of insight, such as the fact that a camera's exposure meter is looking for the mystical 18% Gray, which is essentially why a dark composition will always be overexposed and a light one will always be underexposed.
For hardware, I've found the "Magic Lantern" guidebooks for the specific camera in question to usually be much more useful than the Manufacturer's free guide...its "always" worth the extra $20 or so on a $1000 camera.
-hh