Help on starting my mobile Pro tools setup

Are you planning on recording these bands in one take? If you're going to record tracks separately, I'd suggest you don't need the 58's. Get an extra 57 and see if you've got enough money to invest in a condenser mic. For people with tight budgets, the Rhode NT series seem to get good reviews, though I can't comment on them as I've never tried them out.
Are the bands going to be rock orientated? Or will you have acoustic styles in session as well? Acoustic/gut guitars will sound fine with a dynamic mic but I'd personally recommend AKG 451. Depending on the track, I tend to use a mixture of neumann (which would probably be out of your budget at the moment), 57, or a 451. You won't go far wrong with a 451 but it's up to your personal preference, so see if you can test it out.
When you talk about this Guitar Pod, is that the Line6 one? If so, again, this is all about your personal preferences, but I'd suggest the simple usage of the DI box and then to invest in a software simulator, like Gtr Rig3, Eleven LE, ampfarm, amplitube, etc. There will be far more freedom later to change the sound on your mix, and I personally don't particularly care for the sound of the DI in the pod (I have a pod pro that I don't use anymore).

Shure PGDMK6, or a set like that from AKG, will be great I think. You should definitely go for that, particularly if you're going to record drums a lot. The condenser mic(s) that you get for other applications could also be used there as overheads.

Grimmlock said:

Recording will be one take when recording live gigs and such. I will also be recording tracks separately. The vocalist in my band already owns and SM58 so will have access to that but am also considering buying a second mic for vocals i'll have a look into the other mics you mentioned.

I will be recording rock bands and acoustic and anything else that comes along. Will the mics in the Shure PGDMK6 be enough to record acoustic guitar or should I look into something else? Yes it is a line 6 pod but i wasn't sure on that myself but seems the cheapest option to start out with I shall have to think about that some more.

My idea for recording at home is to get the guitarist and drums to record with just a few mics to get a backing track. Then I can use all 8 channels to the record the drums over the top, then the guitar, bass and vocals in turn then delete the backing track.

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I think getting a decent DI will cost you less than a pod, though I'm not sure how much pods are sold for these days. Plus I guess you have to think about the cost of a plugin.
A very widely used one, and one I quite like is made by countryman. They're quite affordable too.
I've never tested the PG81's (condenser) that come with the Shure PGDMK6 package, so get that, see how your guitar sounds and if you like it, great. If not, maybe purchase a mic later on.
As for recording vocals. Quite a few engineers and arrangers that I know often use the SM57's (not 58) for strong vocalists in rock (I don't).
Anything else is done with condenser mics. You really should get one to maintain some flexibility in your recording process, and as I've said before, I've never tried the Rhode mics but by all accounts they're great budget mics. It's fair enough if you're really into the sound the dynamic mics from Shure gives you, but see if any of your friends have a decent condenser and
test it out.
The advantage of getting one for vocals is that you can use it for all sorts of applications, like acoustic guitar tracking or cymbals or brass, etc. If you end up recording something other than rock, maybe the guitarist will insist on the usage of a vintage amp, in which case the use of that mic, together with a couple of other dynamic mics may give you your perfect sound. Experiment like hell.
Have fun!

pods? DI's? why not mic the amps?

i'm not a fan of that shure drum mic kit, fwiw. and i prefer the cheaper and better AT2020 to the rode NT1a. as someone mentioned, go for the 57 over the 58; you'll probably want a condenser instead of the 58 for vox, anyway.

have you thought about power? monitoring? rack cases? isolation? cabling? mic stands? lots of gear needed for any kind of rig, and packing it all into a remote one is an added complication.