I'd recommend Tokina's 12-24 or (if you want to spend a little bit more) the brand-new 11-16 lens. According to photozone, it's the sharpest ultra-wide angle lens for Canons to date.Anyone have this lens?
I need to use it for landscape and architectural uses.
If I have to buy the Canon EF-S 10-22 I will, but I never mind saving a couple of hundred bucks.
Thanks
I'd recommend Tokina's 12-24 or (if you want to spend a little bit more) the brand-new 11-16 lens. According to photozone, it's the sharpest ultra-wide angle lens for Canons to date.
The built-quality is definitely better and very close to L quality lenses. Most of the reviews also rave about the optical quality.
I've owned Tokina lenses before and they surpass all except for the more expensive Sigma lenses in terms of built quality which is very close to pro glass. Except lots of metal, a usable focus ring that operates buttery-smoothly.Thanks for that review link.
I'm a little hesitant about Tokina only because I have never owned any of their lenses, but I will check it out - thanks!
Anyone have this lens?
I need to use it for landscape and architectural uses.
If I have to buy the Canon EF-S 10-22 I will, but I never mind saving a couple of hundred bucks.
Thanks
For landscapes, it's a good lens, for architecture, you'll want Bibble Pro or DXO to take out the small distortion issues any ultra-wide has. Build quality is very good. You can't put filters on the front of this lens, so if that's an issue try something not quite so wide instead- but the difference between 10mm and 12mm is a lot and may be significant depending on what you shoot.
Be sure you check the distortion while you're in the time period you can send it back. The one reason I picked the Tokina 12-24 over the Sigma (when I was shooting DX) was because the Sigma's distortion, while small, is rather odd and non-uniform. As Compuwar noted, there are software solutions for this - but be sure they do an acceptable job.
I bought the Sigma not long ago, I love the images produced, colours are excellent and I love that I can take 1/10 of a second shots with shake/blur. I tried the Tokina 12-24 for a few shots, I like that is was a constant F4, but I hated the amount of chromatic aberration. If you get a chance, try them all out, pick which you like best and can afford. I am happy with the purchase, it is a solid lens in my opinion. I'll post some pictures later that I took.