While the T3i is a fine camera, I would be very leery of advice on Canon cameras from someone who can't even spell the company's name.
Forgive me I misspelled the name. Was that really necessary?
While the T3i is a fine camera, I would be very leery of advice on Canon cameras from someone who can't even spell the company's name.
I'm not suggesting Full Frame. But if he wants, say a 35mm prime with the budget DSLR, get the fullframe lens, not the crop version. It will pay off in the future.
Seconded, it's my always-on lens with my D7000. It's very fast, reasonably cheap (especially compared to Canon's and Nikon's f/1.4 lenses of the same focal length) and sturdily built.Then again, I only paid $300 for my 30mm/f1.4 used, so it's not like it was a huge investment. If I only get 2-3 years out of it, it was still money well spent. The 50mm primes are just too tight for indoor work on an APS-C sensor; I really think if you're going to get one prime for a crop sensor, it needs to be in the 28mm - 35mm range. I also have a 50mm f/1.8, but I don't use it anywhere near as much as I use the 30mm.
Non-sense, it will not pay off. Lenses retain their resale value very well, so you can sell it if you upgrade to full frame later on (most people don't!) at minimal loss. I've bought mine in December 2009 or January 2010, and the resale value is only slightly ~60-70 below what I've paid. That means if I sell now, I got to use this lens for ~20 /year. On the other hand, I would have never been able to afford the full frame f/1.4 lens from Nikon (I'm a Nikonian, but Canon's 35 mm f/1.4 costs also a multiple of what I've paid for the Sigma).I'm not suggesting Full Frame. But if he wants, say a 35mm prime with the budget DSLR, get the fullframe lens, not the crop version. It will pay off in the future.
Great question. It'll be a mix of all things, but lots of nature, for sure. Mostly weather and woodlands. No macro work. All still imagery.
The Nikon D3200. It has the best IQ of all entry level cams. And remember, the Nikons have modern D-range (14-15) stops, that gives an entire different sort of Image than the old-school ones (11-12 stops) like all Canons and the Nikons before the D90/D7000/D800/D3X
The old ones have a sort of analog colour slide image, with easy to blow highlights, the newer ones more like the impossible-to-blow highlights of negative film combined with the great shadows of slide.
And do NOT get the T4i. It sucks beyond total suckness. It has IQ worse than a D200 from 2005!
This is all great information but at this point the OP's head may be spinning horribly.
With the gear that's out there now you really can't go too far wrong and $900 can go a long way. Make the move to dSLR within your budget and start shooting. You won't regret whatever choice you make. You'll learn and have a lot of fun along the way.
This.
Here's what you do .... After the current weather insanity subsides , take the E to 34th St and walk down to B&H on 9th Av. Go upstairs and handle the entry level cameras from Canon and Nikon and see which one fits you best . when you find one you like , get it with the kit lens , 18-55 or whatever . Pick up a couple of 8G memory cards and maybe a spare battery , go home , read the manual , and go out and shoot . Download the images and see what worked and what didn't . Just shoot jpeg's for now , once you get the hang of the gear then move on to RAW . Pretty much all the information in this thread re: importance of good glass is absolutely correct , but if you agonize over it you'll still be wringing your hands over what to get and it'll be next March .You gotta start somewhere and the kit lens will get you going and won't break the bank . Don't use any of the picture modes or the 'green square' brain dead mode. Just shoot on Av , Tv , P , or manual ( start with P). Get ( or borrow from the library)a copy of UNDERSTANDING EXPOSUREby Peterson , read through it and experiment . Don't stress , show us some of your images on POTD , no one will laugh . Above all , Have Fun!!
… and the Canon fanboi offers a rebuttal. I don't think that's very useful for the OP.Looks like we have a Nikon fanboy.
I'm just showing facts here.and the Canon fanboi offers a rebuttal. I don't think that's very useful for the OP.
You can get a T3i bundle for around $600 after rebate with a 18-55mm kit lens + 55-250mm telephoto + a Canon 9000 photo printer + some other goodies. You can't beat that unless you go used.
Another option is used, older, higher end bodies. The main benefit is better controls especially small displays on top of the unit to display camera settings which entry level D-SLRs don't have.
No, you're trying to arrive at the correct conclusion using factually incorrect arguments and contrived examples (putting a €€ lens on a €€€€ body). I think this really detracts from the more important issue (which I believe you're also making): it's that each and every of these cameras are more than good enough, and if you take a good photo, a (real or imagined) 1-2 EV disadvantage at dynamic range is meaningless. And you can mitigate these disadvantages if you really know your gear. m4/3 cameras, for instance, have smaller sensors and tend to be at a disadvantage when it comes to image quality. Yet, I think, in many instances, m4/3 cameras offer a viable alternative to dslrs, especially cheaper dslrs.I'm just showing facts here.
And I'm not saying "NIKON SUCKS" by any means, I'm saying try the darn cameras out before deciding.
I want to say thank you to all of you who have offered advice. I think I'll be checking out the T3i, D3200, and whatever else I can get my hands on. I'm excited!