I don't think they're going to release in a lossless format. There will still be compression.
If they want to appeal to audiophiles they should offer FLAC.
Point I was going to make... 24-bit would be nice for the small percentile, but surely the best first-step would be Apple Lossless?If they want to appeal to audiophiles they should offer FLAC.
Nothing but lossless would make sense. You either cater for audiophiles or you might as well not bother.I don't think they're going to release in a lossless format. There will still be compression.
lossless does not mean compression.
Lossless means that nothing is lost in the file. WAV files, for example are lossless. APE files (which are compressed file formats of WAV files) are lossless. Zipping or RARing up a WAV file is still lossless but you can't play a ZIP or RAR file.
However, 24bit is completely irrelevant for music that has been heavily compressed and limited (ie dynamic range compression, not data-storage compression as in lossy mp3/aac etc): the dynamic range that you can get with 24bit audio is really only of interest for jazz and orchestral music, or for other styles where there is a large dynamic range: flatline-limited rock and pop has virtually no dynamic range these days. Just google "Loudness War" or read this page:
http://flowingdata.com/2010/01/05/a-visual-history-of-loudness-in-popular-music/
There's a relevant comment on that page:
In that context, 24bit is really irrelevant.
No. Most wave files are compressed using a lossy codec. During compression, quality and dynamic range are affect, thus... not lossless. Most of the audio and video files people download to their iStuff are compressed and lossy. You sacrifice quality for portability.
Though a WAV file can hold compressed audio, the most common WAV format contains uncompressed audio in the linear pulse code modulation (LPCM) format.
There are plenty of us jazz and classical listeners who appreciate it. It may be irrelevant for Britney Spears, but that does not make it irrelevant for music.
The exquisitely crafted, apple-shaped USB drive is loaded with the critically acclaimed re-mastered audio for The Beatles' 14 stereo titles, as well as all of the re-mastered CDs visual elements, including 13 mini-documentary films about the studio albums, replicated original UK album art, rare photos and expanded liner notes. A specially designed Flash interface has been installed, and the 16GB USB's audio and visual contents will be provided in FLAC 44.1 Khz 24 bit and MP3 320 Kbps formats, fully compatible with PC and Mac.
What's the difference between "lossless" audio, such as an Apple Lossless file ripped off a CD, and this 24-bit audio?