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2) A digital copy involves no extra cost to the producer whats so ever. If you cannot reasonably afford to purchase a digital copy of media and you pirate it the creator has lost nothing. They just haven't gained anything. As for what is right "All men are created equal, they are endowed by their creator with certain unalienable rights, that among these are Life, Liberty and the pursuit of Happiness. As much as you would like to be reductionist about this issue the rights and abilities of individuals in America are being degraded by a capitalistic system run amok. Piracy while not a solution is at least a bit of a stop loss to continued wealth destabilization.
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You've really gone off the deep end if you think that. Your pursuit of happiness should not involve stealing. And if there is a price put on something, and you aren't paying for it but instead pirating it, then you ARE in fact stealing. Doesn't matter if it's digital or not. Quote:
Please. Now you're just making excuses for bad behavior. If they can afford the computer or iPod to play it on, they can afford the music too. A creator is entitled to get paid for the music you are listening to and enjoying.
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http://crooksandliars.com/node/56426/print Is why I'm ok with it, anything that lets the middle class keep its head above water is ok with me at the moment.
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Do you really think so many people would be buying iPods were it not for piracy? |
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Yeah, it might be more then $1 but life is what you make of it. You don't HAVE to have thousands of songs anymore then you have to travel to 100 different countries. When you can't afford something (like a vacation or that iPod) what do you do? You do what everyone else does...you save your money from each paycheck and spend it when you CAN afford it. You don't go into the store and swipe the iPod. That singer might only get .1 of that dollar but you know how much they get if you pirate their song? ZERO. |
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Music sales are not going to increase, and iPod sales are going to drop. I'm sure that's very good for the economy. Quote:
They can sell their songs without them online and get all the profit, so that they have much more power in negotiations. |
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But then there's the problem of not being able to collect royalties and licensing fees associated with publishing rights, synchronization rights, mechanical rights, master use rights, performance rights, etc. The business of music is far more complex than most might imagine. Please post some actual numbers... some real world financials showing the typical amount of money a "singer" might expect to make off a song via the method you suggested.
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My remake of the definitive Populuxe film on 1950s automotive, industrial/interior/architectural design: American Look (1958), Reimagined Last edited by localoid; Apr 14, 2012 at 02:06 AM. |
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Only because Lables make it so. As a musician who has made money from his talents I can tell you the Music does not need to be complicated as it is now. All it does filter our the medicore from the truly talented. Guess who stays in cultural oblivion?
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In a perfect world, musicians would create simply because they could and neither they nor anyone else would have to worry about the distraction of money. As Aristotle suggested, the best flute players would have the best flutes and beautiful music would result... But until we reach that sort of Utopia the current system will likely insist on having its way.
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My remake of the definitive Populuxe film on 1950s automotive, industrial/interior/architectural design: American Look (1958), Reimagined |
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Then there is the most beautiful, robust and accessible music of all, body percussion and singing.
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The only difference between an American and a Downunderian is that Americans only think they're free. |
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But not every musician is going to have the desire, ability, or resources to build their own instrument and it largely depends on what instrument you desire to play. I've made several NA flutes, but I haven't bothered trying to make my own digital samplers since the early '80s. It's become just too easy to buy digital excellence, ready made. On the other hand, the best trumpet player I've ever known plays a beat up Conn student model that he picked up 2nd hand in the 50s that the typical pawn shop would probably pay about $15 for... Aristotle's point was that best flutes need to be in the hands of those who would use make best use of them, because "that's what flute are for", rather than selling them to those willing/able to pay the highest price. In theory, anyone can create beautiful music, even without having access to or owning an instrument. But that's difficult to do if you can't create/ hear sound directly in your head. If everyone had that ability, the need to pirate music would be reduced, because we'd just play it back in our brains whenever wanted to hear it. But of course it'd be hard for a group of people to dance to a tune playing back in my brain...
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My remake of the definitive Populuxe film on 1950s automotive, industrial/interior/architectural design: American Look (1958), Reimagined |
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You could with hard dugs.
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http://arstechnica.com/tech-policy/n...of-physics.ars http://en.wikipedia.org/wiki/LightSquared I will leave it to others to comment on the technical specifics. Sorry, but, I'm not sure what this has to do with copyright, DRM, piracy, etc. ? |
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Piracy is about more than music.
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1: A continuous cycle of the same five insipid pop/dance tracks. Interrupted by inane radio chatter and copious advertising. 2: A mix of "oldies" 3: A mix of not-quite-yet oldies. While it is true that internet radio has more variety, it also has flaws. One of which is identifying artists (yes, I know about Shazaam), poorly organized, and not always accessible. I think there are two main points here: (1) Fewer artists get airplay/promoted by the recording industry leading to less mainstream variety and (2) it is simply easier to exchange some music and identify artists of interest. Often this is done with people that know you and what you might like. This is apparent in the film industry as well. As much as you might hear about major studios complain about "piracy", ticket sales are higher than they were in 1995 and revenue has doubled even though they are releasing fewer movies. Like the music industry, their efforts are focused on taking fewer risks on "new" things. At least half of the movies out right now are sequels or re-makes. Fewer still are aimed at adult audiences. All of them are over-priced. |
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Another problem with music is that there seem to be a significant number of music packrats out there who collect pirated music that they might listen to once if at all, but, for some reason get satisfaction out of having 100,000 songs in their hoarde. If no one ever listens listens to it, the harm in this sort of hoarding/piracy is rather difficult to discern. Everyone seems to agree that upper-middle-class professionals should pay something significant for their movies, music, and software. People don't seem to agree what college students should pay. Especially the college students ![]() Digital reproduction has flattened the world in both positive and negative ways. For example, when I was in college, classical musicians gave very inexpensive concerts at my college, and other similar colleges, midweek. Student ID required. On weekends, they gave concerts in big cities for big bucks. Likewise, we got to see movies on campus with student ID very inexpensively. Books had tiered pricing -- certain textbooks were available in India, for example, for very reasonable prices. Was it immoral for an American to acquire such a textbook instead of using the US edition? The fact is that this sort of tiered (socialistic) pricing has existed since forever. But, it is a lot harder to get tiered pricing to behave the way you want nowadays. I would like everyone to agree that this is a very difficult problem to solve, and perhaps suggest incremental pragmatic measures that allow authors and artists to be remunerated while keeping the arts accessible and available to all. |
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Sweden Grants Religious Recognition To File-Sharing Church
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You've really gone off the deep end if you think that. Your pursuit of happiness should not involve stealing. And if there is a price put on something, and you aren't paying for it but instead pirating it, then you ARE in fact stealing. Doesn't matter if it's digital or not.
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