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#1 |
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Canon announceEF 24-70mm f/4L IS USM
Not seen this posted up yet....announced yesterday (new 35 f2 as well)
"EF 24-70mm f/4L IS USM – high performance, high flexibility, Hybrid IS The EF 24-70mm f/4L IS USM is the latest addition to Canon’s elite L-series, and expands the range of standard zoom EF lenses available for both professional and amateur photographers. Ideal for reportage and wedding photography, it combines an essential everyday focal range with a premium quality L-series construction, delivering consistently sharp, professional-quality stills in a range of different situations. A new macro function also optimises the placement of lens groups during macro photography, allowing shooting at a maximum magnification of 0.7x – reducing the need for photographers to carry a dedicated macro lens. Its first-class optical system includes two aspherical elements alongside two Ultra-low Dispersion (UD) lenses, each with optimised Super Spectra Coatings to minimise chromatic aberration, colour blurring and flare. A constant f/4 aperture throughout the zoom range provides photographers with exceptional creative control, allowing blurring of the background of a scene at all focal lengths. A nine-blade circular iris also assists photographers in making their subjects stand out, delivering beautiful out of focus highlights (bokeh) in the background blur to add atmosphere to a shot. The EF 24-70mm f/4L IS USM also features a newly designed IS system, delivering blur-free images throughout the zoom range. Canon’s advanced optical IS offers a 4-stop light advantage, while Hybrid IS effectively compensates for angular and shift shake during macro shooting for stable close ups. Superfast AF performance is provided by a small, ring-type Ultrasonic Motor (USM). Working in combination with a high-performance CPU and advanced AF algorithms, USM technology enables accurate, silent and ultra-responsive autofocusing. Full-time manual focusing also ensures adjustments can be made even when AF is engaged. The EF 24-70mm f/4L IS USM features a high grade, usability-focused design – both inside and out. The exterior features a high quality leather-texture coating, a revised shape ensures ease-of-use, and the focusing and zoom rings have been designed for optimal operation. Additionally, a dust and drip-proof construction is resistant to dust and moisture, a lock function protects lenses from knocks when travelling, while fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear lenses – helping to maintain superior image quality and reduce the need for cleaning." I wonder how much?
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www.shaunw.com Last edited by TheDrift-; Nov 6, 2012 at 07:07 AM. |
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#2 |
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I thought I saw that the 27-70 was going to be around $1,100. I wouldn't be surprised to see Canon package it in a kit with the yet unreleased 6D. I have the 24-105 and I absolutely love it for the work that I do. However, I may have to check the 24-70 out since I really don't need the extra stop the f/2.8 model offers.
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13" MBP 2.3GHz l iPhone 5 l 4G iPod Touch l Apple TV l 5D Mark III l L glass |
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#3 | |
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15"MBP 2.66 i7 8GB; iPod Classic; iPhone5; Canon 5DIII w/24-105 f4L & 4 lenses "You can observe a lot by just watching"-Yogi Berra ![]() florcortese.smugmug.com |
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#4 | |
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www.shaunw.com |
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#5 |
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It’s listed at $1,499 US (B&H)
I find it a bit expensive, but for the type of photography that I do, I will certainly have a close look at it, especially if the IQ is high, and I have no reasons to believe it won't be. The near macro capabilities and I.S. is also a bonus. I much prefer the weight savings of an F/4 lens to the speed of a heavy f/2.8. I got rid of a 70-200 f/2.8 to get an f/4 and I am very happy with my decision.
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Robert ![]() www.robertgravel.ca If at first you don't succeed, skydiving is not for you
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#6 | ||
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13" MBP 2.3GHz l iPhone 5 l 4G iPod Touch l Apple TV l 5D Mark III l L glass |
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#7 | |
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15"MBP 2.66 i7 8GB; iPod Classic; iPhone5; Canon 5DIII w/24-105 f4L & 4 lenses "You can observe a lot by just watching"-Yogi Berra ![]() florcortese.smugmug.com |
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#8 |
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$1500 for a 24-70 f/4 is way too much. I'd either save the extra and get the 2.8 or buy the 24-105 again.
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24" iMac, 2.93 GHz, 4 GB RAM, 640 GB HDD 16 GB white iPhone 4 S⃣ |
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#9 |
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#10 |
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24-70 f/4 not f/2.8?
What happened to the 24-70 f/2.8 with IS? $1,500 is much too pricey for an f/4 aperture at these focal lengths, especially considering the less-expensive 24-105 f/4 IS. If you have EF-S compatibility, the 17-55 f/2.8 IS is also an excellent choice for less money, and you'll have a wider field-of-view.
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#11 |
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There's been rumours of an IS version of the 24/70 f2.8 for years, but never from Canon from what I could find. IMO the focal length is so short that IS is pointless, with the ever increasing ability to up the iso you never struggle to get a shutter speed above the focal length so shake shouldn't be that much of an issue. I love my 24/70 f2.8 mk1 and wouldn't want to lose the f2.8 because of the shorter DoF and bokeh on my 5d compared to that of f4
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#12 |
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24-70 2.8 with IS would be stupid expensive.
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24" iMac, 2.93 GHz, 4 GB RAM, 640 GB HDD 16 GB white iPhone 4 S⃣ |
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#13 |
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$1,500!?!
Before I read the price, I was think »great addition to Canon's lens line-up«. Now I'm thinking »meh, most people can't afford it or will go for another lens«.
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I don't suffer from insanity, I enjoy every minute of it. |
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#14 | |
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The current 24-105 f4 IS has me wanting for nothing.Now in general (not in response to your post OreoCookie)... People have been talking a lot lately about how Apple has lost its edge, I can't help but think the same thing about Canon. Their product management is a mess (with products like this and fast primes with IS). The Yen is killing them, forcing their pricing into the stratosphere, and they seem to be lagging technically on sensor tech compared to Sony/Nikon. It's sad.
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tools: Mac Pro for creating, MBA for working, iPad for surfing, iPhone for communicating, Apple TV for entertainingCanon tools: 5D Mark III 24-105L/70-300L/35L/85L for capturing Last edited by VirtualRain; Nov 10, 2012 at 09:36 PM. |
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They're afraid that this would cannibalize dslr sales …*and they may even be right, but so what if you sell more mirrorless bodies in the process. (Just like Apple wasn't afraid to let the iPhone cannibalize their iPod sales.)
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I don't suffer from insanity, I enjoy every minute of it. |
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#16 | |
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So even if this new lens is a little bit better (which is all I think it can be), are folks going to be willing to pay twice as much for it while loosing telephoto focal lengths?... I dunno. ![]() I guess I'm not representative of the average Canon customer. Canon has not released a lens in the last two years (since the 70-300L) that has made me even want to consider it. They all seem to offer more compromises than the products they're replacing. I suppose some people must be snatching these things up, but not me. I feel their lens announcements lately are a missed opportunity... I'm a gear junky and will usually jump at the latest and greatest for any hobby I pursue. But they're alienating me. Less capability for a lot more money is not going to get me to buy
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tools: Mac Pro for creating, MBA for working, iPad for surfing, iPhone for communicating, Apple TV for entertainingCanon tools: 5D Mark III 24-105L/70-300L/35L/85L for capturing Last edited by VirtualRain; Nov 11, 2012 at 01:40 AM. |
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#17 |
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I'd rather have a 24-105 with the wide angle range spaced more evenly, to be honest. The 24-70 f/2.8L II is king in terms of image quality, but still the first 24-70 is king in terms of overall quality and usability due to its tanklike metal construction, reverse zoom and deep hood, and the above-average MM.
This new 24-70 f/4 is in a weird place, meant to replace the 24-105 but not quite being able to do so, with only a macro mode to make up for the lost tele reach. It doesn't replace either of the fast 24-70s, since nothing can make up for a full stop of exposure, not even IS. An occasionally-used macro mode and image stabilization can't compensate for the loss of reach and exposure, in my opinion. I'd take any other of Canon's general purpose zooms over this lens any day.
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MacBook Pro 15" 2.2Ghz hi-res glossy, 8GB RAM, Razer Orochi, Seagate Momentus XT 750GB iPhone 5 White 32GB Audiophile 5TB Total External Storage
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#18 | |
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Also, it's curious that the prices for Canon lenses seems to increase significantly these days. I think they've gone too far and exceeded the pain threshold of many enthusiasts.
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I don't suffer from insanity, I enjoy every minute of it. |
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#19 |
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The current 24-70mm 2.8 II is already well on its way to stupid expensive
I'm curious to see how the just-announced 24-70 4 stacks up in terms of image quality across its zoom range. Canon has certainly put itself in a tough spot in that a) for the price, the image quality *has* to be outstanding, which would put it in the same league as the 2.8 and if that's case, b) how many people will justify the extra stops, lack of IS and lack of macro mode for $800 more? I won't complain much about another excellent ƒ/4L lens to join the proven 17-40 and 24-105, but as someone that enjoys using Canon equipment over the competitors it concerns me to see them making business decisions that outwardly don't make much sense and putting out products that just don't stack up in the value for money department IMO. |
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#20 | |
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I don't suffer from insanity, I enjoy every minute of it. |
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#21 |
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I prefer my 2.8. It also have advantage with respect to focus speed and precision in lower light.
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#22 |
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downfall meme
The new lens from Canon generated enough interest for a Hitler downfall parody video.
https://www.youtube.com/watch?v=rYts...4&feature=plcp |
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#23 |
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Canon's prices are getting painful. I had to make a decision several years ago based on what kind of photography I mainly do (which is mostly outdoors and family gatherings), which way to go L lens-wise and how much money I wanted/could spend. So over a 2-3 year period I went with the f/4 range of lenses: 17-40 (refurb), 24-105 (kit lens), and the 70-300 (actually 4-5.6). Although I lusted for the 70-200 f/2.8 IS II, I just couldn't justify paying that much for a single lens. Yes, there is some overlapping but I use them differently in different situations. And the 70-300 is nice and compact and easier for when I travel. I can see where those who do more professional shooting and need the faster lens would go the f/2.8 route. They may be able to justify it as a business expense and offset the cost by revenue earned. With the higher ISO range of the modern day DLSRs, for me the need for an f/2.8 lens is less. I really do not know where the 24-70 f/4 will really fit in unless Canon decides to fade out the 24-105. A big mistake, IMO. I still think the 24-105 makes more sense as a walk-around lens than the 24-70.
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15"MBP 2.66 i7 8GB; iPod Classic; iPhone5; Canon 5DIII w/24-105 f4L & 4 lenses "You can observe a lot by just watching"-Yogi Berra ![]() florcortese.smugmug.com |
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#24 |
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Exactly what i based the 24-70 2.8 IS on. Can you even imagine the price? Wow. lol.
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24" iMac, 2.93 GHz, 4 GB RAM, 640 GB HDD 16 GB white iPhone 4 S⃣ |
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#25 | |
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What I theorize is that Canon will make this a SECOND kit lens, as a more expensive alternative to the traditional 24-105mm kit, just like how there are 4 kit lenses for crop bodies. This would give the lens at least some position in Canon's lineup, as an alternative to the venerable 24-105. This would be an exception; I'd buy that in a heartbeat, no matter how expensive that is.
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MacBook Pro 15" 2.2Ghz hi-res glossy, 8GB RAM, Razer Orochi, Seagate Momentus XT 750GB iPhone 5 White 32GB Audiophile 5TB Total External Storage
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The current 24-105 f4 IS has me wanting for nothing.
So even if this new lens is a little bit better (which is all I think it can be), are folks going to be willing to pay twice as much for it while loosing telephoto focal lengths?... I dunno.
I support the
Linear Mode
