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#26 |
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I thought CD quality was 128kbps… guess I'm wrong?
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#27 |
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CD is about 1434kbps or over 11x as much.
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#28 |
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It's hilarious to hear from audiophiles about the quality of encoded music when the majority of them are middle aged men who have a now impaired hearing range. But hey, whatever gets them through the day. :/
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#30 |
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So you can hear the difference between 256 KBit/second AAC, especially 256 KBit/second AAC created from 24 bit, 192 KHz masters, and CD quality? Complaining about sound quality is easy, actually hearing the difference is a lot harder.
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#31 |
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As stated by others in the thread, with good hardware and a reference pair of IEMs or headphones it is easier to hear the difference. Especially if we're talking master recordings.
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#32 |
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It's actually relative. Even people with slight hearing (or sight, taste, or smell) impairments can detect quality/quantitative differences.
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#33 |
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That's just the data rate of the PCM stream though. You can easily get that number down to 700kbps or less using lossless compression without losing any quality at all (I have ALAC encoded piano pieces with a bitrate below 400kbps), and arguably modern lossy compression methods that user psychoacoustic models are transparent to the ears of practically all listeners for most kinds of music at 256kbps.
Having said that, about half of my music is still kept in ALAC and it is the format I prefer even though I can't claim to reliably detect a difference between ALAC encoded songs and their 256kbps AAC version. It's more a 'peace of mind' thing for me.
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"This tells me that they won't increase kbps. In fact, everything is moving toward cloud based streaming. e.g. iTunes Match. Streaming requires 0 space. They are looking to downgrade, not upgrade."
It's almost as if the recorded & factory-pressed CD, from about 1984 until the late 1990's (when mp3's came into vogue) will historically represent the "pinnacle" of distributed audio sound. And that we've been going downhill since! |
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Also I found some ALAC files (test tones) as low as 129kbps.
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I wasn't trying to lecture you, I only felt it was worth mentioning that CD quality can't be defined by stating a bit rate without specifying its context as well, i.e. the coding scheme used. As you mentioned, sometimes 129kbps is quite literally CD quality, bit for (decoded) bit. In most cases, modern lossy compression schemes can certainly get you pretty close to CD quality even at 128kbps, so the other poster wasn't that far off. Experiments have demonstrated that the quality of a 256kbps AAC file is generally undistinguishable from a CD track.
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#37 |
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I found the mac speakers on the retina macs to be a big improvement over the older macs and def thought them to be good. You can't tell the difference in audio quality on a pre-retina mac (not even sure you can with the retina ones, haven't compared the machines next to one another) hence it doesn't make sense to offer something if its products can't take advantage of it. Thats what apple is all about, its ecosystem.
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#38 |
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256kbps AAC is more than good enough. Most people listen to their music on the computer, at the gym/on their iPhone/iPod, and in the car. Who wants 30MB files that would only provide a very slight improvement over 8MB ones?
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#39 |
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Hmm, did not know that. Thanks for letting me know.
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At least as far as classical music is concerned, Hyperion Records sells a LOT of good stuff, all of it available in ALAC format. Great quality, good prices and liner notes.
Too bad Apple doesn't wake up and smell the coffee for those wishing for a little more than mediocre quality - otherwise, I will keep buying CDs, of course...together with the Amarra iTunes plug-in.
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iMac 27" Core i7 3.4GHz, 16GB RAM, 2GB GPU, 120GB SSD+4TB HD, Bowers & Wilkins 685, Nuforce Icon HDP, OS X 10.8.3; iPad 3 Wi-Fi+4G 64GB; iPhone 5 White 32GB. |
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They aren't looking to downgrade. For the average listening, Apple's losless 256kbps format is perfectly fine outputting from a Mac. For those who want audio-phile quality audio, why would you even be using iTunes to purchase the music anyhow? Some people are really oblivious to reality, and realistic usage scenarios. |
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iMac 27" Core i7 3.4GHz, 16GB RAM, 2GB GPU, 120GB SSD+4TB HD, Bowers & Wilkins 685, Nuforce Icon HDP, OS X 10.8.3; iPad 3 Wi-Fi+4G 64GB; iPhone 5 White 32GB. |
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#44 |
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A lot of people that listen to music on their computers have amps and reference headphones worth more than a used car. Hell, I've seen a lot of people who carry amps along with their media device.
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#48 |
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With increasing HD size, I find myself getting more "anal" with bit rate too. TBH, I have a hard time hearing a difference between 256 and 320. But I have started buying used CDs on Amazon to import as ALAC. If you have the HD size, why not? Also, many times (unless its a new release) its even cheaper.
QUESTION: Do you folks know of any website that sells downloads of NEW lossless files? Gosh, even if the record labels were to launch this, I would pay. THANKS |
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#50 |
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Could someone please explain why self-professed audiophiles get icon here raving about CD-quality music? If the industry itself gave a damn about quality, there would be no such thing as a CD-only player any more.
The industry should've moved to using DVDs and putting higher quality recordings on them. I bought a couple of DTS audio discs, which I'm assuming we're on DVDs, in the 1990s. THAT is what audiophiles should be begging for. I have never heard anything better that wasn't live. I totally get the debate because of my wishy-washy opinions on buying movies and TV shows from iTunes. The picture is pretty darn close, but give me a freaking break on Dolby Digital. If you spend $150 on an AV receiver you will get one with DTS. The codecs available with BD are even better. After watching "The Fellowship of the Ring" over the weekend on BD, I was reminded of how awesome movie sound can be. Why that isn't even close to standard on audio products baffles me. So I understand the desire for better sound. But as long as CDs are seen as some sort of quality in 2012, iTunes files are more than good enough for me. I haven't been able to find any environment in which I can tell a noticeable difference between iTunes and CDs. Ad I just replaced my car speakers with some Kenwood models that retail for $150 a pair.
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21.5" iMac 3.06 Ghz, 4 GB RAM, 500 GB HDD; iPhone 4S 16GB; third-gen iPad WiFi black 32 GB; third-gen TV
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I wasn't trying to lecture you, I only felt it was worth mentioning that CD quality can't be defined by stating a bit rate without specifying its context as well, i.e. the coding scheme used. As you mentioned, sometimes 129kbps is quite literally CD quality, bit for (decoded) bit. In most cases, modern lossy compression schemes can certainly get you pretty close to CD quality even at 128kbps, so the other poster wasn't that far off. Experiments have demonstrated that the quality of a 256kbps AAC file is generally undistinguishable from a CD track.


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