I liked it. None of the cutsey "trademark" stuff. A good story, well told, well acted (in the style of the time), well directed (in an unobtrusive but effective manner), good cinematography.
Olivier was excellent, accepting his frequent overplaying, Joan Fontaine was fine (even though I wanted to shake her for being such a wimp!), Dame Judith Anderson was wonderfully hateful (really wanted to slap her upside the head), and George Sanders did his usual wonderful job playing a snotty, smarmy mountebank.
I enjoy it every time I see it. Hitchcock at his best, sans the usual garbage.
Yes, I must say that I really enjoyed
'Rebecca' too, but I had also loved the excellent book it was based on (by
Daphne du Maurier - the movie stuck closely enough to the original book, which means Hitchcock was confined, constrained, or otherwise controlled, to some extent, by his primary source material, which was no bad thing in the circumstances.)
I thought the cast was excellent; Olivier's ego suited the character of Maxim, and I thought Joan Fontaine was superb as the wimpy second wife (the whole point of her perspective was her powerlessness and her feelings of inadequacy, social as well as personal - of course, I wanted to kick her, and shout at her, but she played a superb part; Judith Anderson was simply superb; and George Sanders was also excellent.
What about
Psycho? Come on guys, admit this is an exceptional movie followed closely by
Vertigo.
Was there anything equivalent in it's time? I could be wrong, but Hitchcock's product was thrilling and unique.
I admit there are many versions of Sherlock Holmes I have missed. Here is a
Top Ten List. Since the ultimate Basil Rathbone renditions, of which I watched as a child, IMO the best SH stories that followed over the decades, maintained that atmosphere. That's what makes it SH. It's been a while, but I want to say
Young Sherlock Holmes (1985) while not a great movie, Holmes was portrayed like I wanted him to be. I even rank the Star Trek Next Generation holodeck Holmes-Moriarty episodes superior to Guy Richie fare. BTW, I have nothing against Robert Downey Jr. He has lots of energy and is entertaining, but he does not embody the Holmes character as I imagine him.
Image
Image
It's in my video library- the ultimate compliment.
The other thing it has more than the 2011 version is the "who can I trust" angle.
Image
No, I'm with Shrink on Hitchcock and his ghastly and creepy obsession with blondes.
'Psycho' is clever and well made; but, having seen it, I'm in no hurry to re-visit it. This is not a deep, or compelling, or thought-provoking tale. It is a clever and well made unsettling piece of entertainment. Worth an afternoon, or evening of my life , but no more.
Moreover, I'm also stunned that
'Vertigo', a clever film with a bizarre plot, has recently superceded
'Citizen Kane' as the 'best film ever made'. This is a deeply depressing reflection of recent societal preferences for the merely clever over the profoundly intelligent.
'Citizen Kane' was superb, profoundly intelligent, deeply moral, a thought provoking examination on life itself, ambition, morality, values, relationships, an absolute cinematic tour de force, a superbly intelligent movie which demands that we examine the values of our lives, think about what we have seen, amazing acting, phenomenal narration technique (and multiple narrators), incredible cinematography and such sheer virtuoso class that I would never tire of seeing it.
I thought "Psycho" was OK. Hitchcock did something to create a feeling of total unpredictability in the audience's mind by breaking an unspoken rule between filmmaker and audience. There is an unspoken rule that the major stars ALWAYS male it to the end of the movie. They may die at the end, but only at the end. In "Psycho", he killed off a major star in the first half hour. It was startling (both the killing scene, and the fact that Janet Leigh was killed at the beginning of the movie). Having done that, he created in the audience a feeling of total unpredictability...anything can happen, if that can happen. I thought that was interesting and unique. The rest of it was pretty good. I wasn't impressed with the FX in the Martin Balsam death scene...just a nit to pick.
I really wasn't crazy about "Vertigo". I haven't seen it in a very long time (because I wasn't crazy about it
), so I can't give you specifics. Generally, I recall that I felt that it was the usual Hitchcock bloat, affectation, and "icy blond" thing. Nothing notable or particularly original, IMO.
But then...what the hell do I know.
Again, I agree with you.
Saw Lincoln last night, I must say I did enjoy it. Daniel Day Lewis really came alive as Abe Lincoln.
I have not managed to see it yet, but am looking forward to doing so.