Howdy,
I am a video hobbyist, this is not my profession but I have a tendency to get sucked into these sort of things. I shoot a hacked GH2 with the L glass from my Canon still gear.
Until recently, I've done all my editing/etc with Sony Vegas Pro on a desktop PC tower with a couple TBs of attached storage. I have a Synology DS413J NAS for shared files, storage, and backup.
My old Dell laptop died and I have since gotten a MBP 13 (early 2011 2.7ghz i7 with 8GB/256GB SSD). I love my Mac so much more than the PC and so I got FCPX. FCPX on my MBP is also more responsive than Vegas on my old PC (a quad C2D).
So I'd like to do my projects on my MBP now, but obviously with a 256GB SSD I need to figure out a usable workflow for this since I can't keep everything on my MBP. An example is my daughter's gymnastics meet which generated about 15GB of raw footage.
I'd appreciate suggestions/recommendations.
My thought was as follows:
* After each shoot, copy raw footage to the NAS, keep there as raw archive
* For each active project, copy raw footage to my MBP SSD and work on it in FCPX
* Render final video and when all done, move/archive all project files to NAS and delete raw footage from the MBP
In future when budget allows, since it's better not to work off the OS drive, I would get an FW800 (or thunderbolt) external to hang off the MBP, and it would house all the temporary raw footage and FCPX project files while I am working on an active project.
Questions:
* Does this sound like a good plan?
* Are there any issues with FCPX projects getting confused with file paths/etc when I archive the FCPX project files to the NAS? What is the best way to do that? (I might want to bring them back at some point in the future if I need to do further work)
ETA, I found this which suggests "duplicating projects" and consolidating the media (which in my case would unfortunately result in duplicative copies of the raw footage on the NAS): http://www.premiumbeat.com/blog/how-to-archive-projects-in-final-cut-pro-x/
Wish I could just work off the NAS but that seems to be a bad idea, I think over gigabit it gets 30-40MB/s throughput at best.
Hmm, this is an interesting article about using disk images: http://www.rippletraining.com/managing-fcp-x-events-projects-with-disk-images.html
Thanks in advance!
I am a video hobbyist, this is not my profession but I have a tendency to get sucked into these sort of things. I shoot a hacked GH2 with the L glass from my Canon still gear.
Until recently, I've done all my editing/etc with Sony Vegas Pro on a desktop PC tower with a couple TBs of attached storage. I have a Synology DS413J NAS for shared files, storage, and backup.
My old Dell laptop died and I have since gotten a MBP 13 (early 2011 2.7ghz i7 with 8GB/256GB SSD). I love my Mac so much more than the PC and so I got FCPX. FCPX on my MBP is also more responsive than Vegas on my old PC (a quad C2D).
So I'd like to do my projects on my MBP now, but obviously with a 256GB SSD I need to figure out a usable workflow for this since I can't keep everything on my MBP. An example is my daughter's gymnastics meet which generated about 15GB of raw footage.
I'd appreciate suggestions/recommendations.
My thought was as follows:
* After each shoot, copy raw footage to the NAS, keep there as raw archive
* For each active project, copy raw footage to my MBP SSD and work on it in FCPX
* Render final video and when all done, move/archive all project files to NAS and delete raw footage from the MBP
In future when budget allows, since it's better not to work off the OS drive, I would get an FW800 (or thunderbolt) external to hang off the MBP, and it would house all the temporary raw footage and FCPX project files while I am working on an active project.
Questions:
* Does this sound like a good plan?
* Are there any issues with FCPX projects getting confused with file paths/etc when I archive the FCPX project files to the NAS? What is the best way to do that? (I might want to bring them back at some point in the future if I need to do further work)
ETA, I found this which suggests "duplicating projects" and consolidating the media (which in my case would unfortunately result in duplicative copies of the raw footage on the NAS): http://www.premiumbeat.com/blog/how-to-archive-projects-in-final-cut-pro-x/
Wish I could just work off the NAS but that seems to be a bad idea, I think over gigabit it gets 30-40MB/s throughput at best.
Hmm, this is an interesting article about using disk images: http://www.rippletraining.com/managing-fcp-x-events-projects-with-disk-images.html
Thanks in advance!
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