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#76 |
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I will withhold judgement until I see how it actually plays out, but on the surface, this sounds exceedingly boring. The whole of Steve Jobs' life is to be contained in these three scenes? Now, if there are lots of flashbacks and things intertwined, it could make for a good structure. We'll have to wait and see.
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#77 |
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#78 |
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The format of the social network? That's the format of basically every movie made. The reason you were pulled into it and enjoyed it is because he's a great writer.
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#79 |
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Scene 1: Apple Mac
Scene 2: Original iMac Scene 3: iPhone
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#80 | ||||
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Btw I produce films for a living. |
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#81 |
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Coming from the man that made the masterpiece that is The West Wing, bring it. I can't wait.
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#82 |
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Telling a story in real time is hardly unique. These films are called documentaries, and lots of non-documentary films have adopted the documentary format. This may be a good film because Sorkin knows how to write screenplays, but not because he's invented some new approach.
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*The season starts too early and finishes too late and there are too many games in between. Bill Veeck
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#83 |
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I'd rather see real movie of SJ himself before events(if there are any) than some actor that's going to try and display what he himself thinks SJ went through. I'd like to see the genuine expression and emotions of what made that man a true genius.
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#84 |
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#85 |
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It depends on your definition of real time. A documentary may (or may not) present a scene without editing, the way it happened from start to finish. That would be real time, insofar as that event is concerned. It could then string a bunch of events together to tell a larger story. We could debate whether the result is real time, or something else. Either way, by a strict definition, the movie Sorkin is talking about is not real time. Whatever he call it, this three, 30-minute scene idea is just a hook he's using to give his script a greater feeling of immediacy.
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*The season starts too early and finishes too late and there are too many games in between. Bill Veeck
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#86 | |
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Here was David Mamet's take on it: "Every scene must answer three questions: Who wants what? What happens if he doesn't get it? And Why Now?" Biopics tend to suck because biographical narratives are not dramatic narratives, in this respect. Fiction can be crafted so that this works every time. Of course, the avant-garde screenwriting intelligentsia out there think they're above it all, which is why their movies are naturalistic pieces of crap not worth paying to see. Let's pick a scene completely out of the blue from a movie and see if it answers the questions. You can do this exercise any time, watching anything, and you'll find that the degree to which it answers the questions is usually correlated to how good the story is. Clarice Starling introducing herself to Hannibal Lecter. She wants his help in finding Buffalo Bill. If she doesn't get it, she won't find the Senator's daughter. If she doesn't find Buffalo Bill soon, the Senator's daughter may die. Lecter wants Starling's help in getting out. If he doesn't get it, he will miss an all-too-infrequent chance to escape or at least better his condition. If not now, he doesn't know when his next chance, if any, might be. Yet her fatal flaw is that she is afraid she will fail and isn't enough of a poker face to prevent Lecter from figuring it out, while his fatal flaw is that his psychosis drives him to play mental games with Clarice because of that perception rather than being cooperative to improve his chances. Both characters have to grow in order to overcome the obstacles before them, but mostly the protagonist, Clarice. What a fantastic scene, and drama coming from both sides, in full conflict. And it works. |
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#87 |
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I think the quote is "intention versus obstacles," not "tension versus obstacles."
Also, I wonder what Jobs typically did for those 30 minutes before his product launch -- go over his notes? The one when Bill Gates invested in Apple, supposedly he was negotiating with him on the phone right before the keynote. That would be different. I wonder what his "want" will be for each act. It has to be something other than putting on a good keynote. |
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#88 |
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If it is anything like NEWSROOM, I will pass.
---------- QUOTE: I'm not remotely religious but you do realize that Jesus Christ was an actual person, right? The Roman Empire was one of the most meticulous administrative bureaucracies of all time with record keeping astonishing for its day (Nazi Germany was similar in this regard). The birth, death, and major events in the life of the man Jesus Christ are documented, amply, in original source material. To be clear, I am not saying he rose from the dead. I am simply saying that he was born and ultimately crucified under Pontius Pilate. Real people. Real events. Non fiction. END QUOTE. I did not know the JC was a actual person. I have often wondered, I mean the whole story sounds rather unlikely, virgin birth, the Dali painting of the ascension comes to mind, wow is that art or not? Was his name really Jesus Christ the son of Mr. and Mrs. Christ? I wonder why none of my Jewish friends have Christ as a last name? Oh well live and learn.
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A good traveler has no fixed plans, and is not intent on arriving. - Lao Tzu |
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#89 |
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I have to agree. Especially compared with the moronic train wreck called Ashton Kutcher.
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#90 |
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Intriguing. I was hoping Sorkin wouldn't go down a traditional narritive route so I'm encouraged that he's doing something original structurally. Looks like he's focusing on three defining public events in Job's carreer path, each of which have him in a very different emotional (and physical) state. This'll be an incredible role for the lead actor. Much prefer something daring and original over the usual biopic approach, which we'll get with the Kutcher version anyway.
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#91 |
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What a stupid ****ing concept.
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#92 | |
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It was my poor attempt at sarcasm, mainly focused on the statement that Sorkin hadn't quite found his "tension" yet. I trust he'll find it, but it struck me as funny. It was like he was saying, "Here's what makes a good movie; however, I haven't found those elements in this project yet". |
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#94 |
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Name a documentary that takes place in real time.
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#95 |
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Darn. You beat me to it. I was going to give him an 8 on the tan scale: Marilyn Manson being 0 and George Hamilton a 10.
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#97 | |
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We have no such documentation. What we have are non-contempoary, non-eyewitness, anonomous sources: St Paul and the first gospel, Mark. The other three gospels all derive from or otherwise use Mark's gospel and so are not reliably independent sources. Outside the Bible we have short, questionable and otherwise unreliable recordings (Josephus, Tacticus). They are unreliable because by the time they appear the story of Jesus would likely have been disseminated enough to make these sources simply repeatings of a growing oral tradition (which itself grew from Paul/Mark).
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#98 |
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#99 | |
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I too am afraid that a lot of good stories about his life would be missing, but you must understand this, he is Aaron Sorkin the best story teller/screen writer. Unless you own and watch multiple times over every episode of West Wing and Newsroom, please take my advise here because I simply know Aaron's style. He always sell short but completely blow you out of the water when he delivers. He gave me some of the best TV moments in my life, for example the last scene of second episode of the second season of West Wing or the first scene of Newsroom: http://www.youtube.com/watch?feature...&v=4jG6aL-V1So Also, as in the first two episodes of second season of West Wing, you could tell a very long and touching story (Bartlett's presidential primary) through flashback. 30 minutes in real world could include flash backs (u r day dreaming about a moment 20 years ago). Furthermore, I doubt the movie would be only 90 mins long cuz all his TV episode is 1 hour and social network movie was also longer. |
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#100 |
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I'm more optimistic about the Sorkin version than "Dude, Where's My MacBook?".
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