Okay. I'm a classical vocalist and need to lay down some demos with a pianist (and later a chamber orchestra). I have a MacBook Pro, with the basic garage band program. I have a Blue Icicle USB mic converter and am borrowing a good XLR mic.
I'd like to simply place the mic and computer somewhere between myself and the pianist in the hall and record. Will this work? Is there a way to configure garage band that would be best? Call me stupid, but I'm having trouble figuring out how to use garage band.
Alternatively, I have an old minidisc player, but it does not have USB. Not sure how to transfer those files to the MAC.
Or I could go buy a portable digital recorder, say Edirol R9 or Tascam DR-2d, and do it that way.
Any advice? Which setup would likely sound best.
There is not reason at all to buy a portable recorder. None of them work as well as a MacBook. But you will find that trying to record everyone with just one mic will not work very well. Also the "space" maters a lot. what kind of room will you be recording in?
What are you goals for audio quality. (1) only that some one can hear the sound and know that you can stay on pitch? (2) A listenable CD, even if there are obvious audio defects. (3) Quality comparable to what you'd find on a major label CD.
The first thing is to define the goal. That will set the budget. I think #3 is "out" if you have to ask anything here.
You will get the best sound if you use one microphone for each source of sound. AND if that mic is properly placed. For example a vocal mic should be very, very close, certainly within 12 inches. If you are going to mic a piano that is very hard to do right. A digital piano will sound better. See if you can find a good digital piano then you can avoid the problem and run the piaon's sudio output straight into Garage Band whithout need of a microphone. You will get dramatiically better sound. OK if you must use an Acoustic where to put the mics depends on the size of the studio
Singing into a mic is a skill that vocalists must learn. Most of them have preferences as to which mic they think makes them sound best and how it should be placed. Clasical vocalist tend to keep the mic far away, maybe a foot while more pop oriented vocalist use a closer mic, or 1/2 to 1/3 that distance. "Pop filters and windscreens are needed in any case to keep "plosives" and berath sounds off the mic.
Also you do not have to do it all in one take. You can lay down a vocal track
after the instruments are recorded. You would listen to them play in headphones while you sing. This a MUCH easier to get right and gets you the chance to make multiple takes. It also lets you use fewer microphones
Yes you could simplely place one mic in the center of the group and every one experiment with distance from the mic so the loudnesses blend and record it all in one take. That is a valid recording method if the goal is #1.
One other option: There are many small recording studios around. Some will work very cheap. Some as low as $100 per hour.
You might want to read up on home recording. If you only spend a few hours with an introductary test you'd know 1,000 times more than you do now. Most of what you need to learn is not about what equipment to buy. It is technique. Beginners in every field always think "if only I hade that $2,000 camera or a Steinway, I'd be a o much better photographer or pianist. But no. those more skilled can do great work with junk yard equipment. Same applies to recording.
Recording is a tough skill to learn and you are planning to jump right in on one of the hardest tasks (recording an acoustic piano and vocalist) It is best to practice each part. Learn to record just a vocal track. Learn about mic placement, room treatments and how the various mics sound. Then move on the piano. DOn't expect the first attempt (or the fifth attempt) to sound good.
One thing you will find you need right away is a good audio interface for your Mac. There are hundreds on the market. Think about how many microphones you will need to record simultaneousness. Two is a minimum for a piano. and then if you have a small chamber orchestra it can get complex very quickly. For that you'd want to hire an engineer and a studio unless you can learn yourself but the learning curve is steep and takes months or years. But you could handle a two mic setup with something like these
http://www.sweetwater.com/store/detail/AudioBoxUSB/
http://www.sweetwater.com/store/detail/Omega/