Sadly not anymore. Since then it has gradually gotten worse and worse with each release. […] It's the same situation with PS. Personally I found that most things worked great in 5.5/6/previous and then CC comes along and the developers seem to meddle with the workings of certain areas and break them so they do not work as well as they did. […] Then when you actually tell Adobe what the problem is, it's as if they just don't care. They completely ignore you and you just have to put up with the new bugs... Not good enough imo. […]
Well, without turning this topic into "the middle aged grumpy graphic artists moan about Adobe topic" I really do wish serif all the best in their venture. It's a breath of fresh air to see a company trying it's best to communicate with the customer and WANT to help. It's something that I appreciate and therefore will support even if for the near future I am not specifically using your software. I'll be buying it though and as soon as it can handle my specific requirements I will ditch Adobe and it's BS.
Wow. Is it getting THAT bad, THAT fast? I figured that a constant stream of revenue should induce a certain complacency but, from your description, it sounds like they are really letting themselves go (I wouldn't know any better, as I decided to stay away from CC so I wouldn't even be tempted by or become dependent on any new features, but I guess I wasn't missing out on much after all ). I mean, I'm very sorry for the community in general, as it's probably facing enormous retraining costs and a parting of ways, but… good riddance to them! I am not spending a penny on their products ever again until they get their act together, if ever (and I am kind of waiting they don't, so I never have to face that dilemma).
As for Affinity, I second your point. My transition will be a long one, with the odd work on Photo and Designer before I can move to them full time, which will probably happen only after Publisher is stable (that meaning: out of beta) and at least 90% of the tools I use in CS are available and polished enough (I can probably live without the perspective tool and Live Trace or Live Paint for a while, and fire up Illustrator whenever I need them… Having to “fire up” InDesign, or dealing with potential inconsistencies or plain inflexibility when linking files exported from Photo or Designer – instead of using .af* formats only as Serif suggests – isn't much of an advantage, IMHO; having a full suite is a huge parte of the value proposition of both Adobe and Serif)… I did do some cool stuff with gradients in Designer and the perspective tool in Photo, so I can proudly say that I have, in fact, started it already.
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