sir giggles, you simply don't know what you're talking about, i'm sorry...
graphic designers and movie editing people need accurate, calibrated color. Most LCDs cannot meet the needs of someone who is looking for a very accurate color/contrast image on their screen. In fact, there is not yet an LCD that can match the color on say a LaCie Electron Blue 22.
Not one.
I've gotten mine calibrated pretty closely, but it still doesn't match the contrast or brightness of the CRT, and when I'm checking color, I have to pull it up on the second monitor.
Video/film editing simply cannot have ghosting problems, and there are some LCDs on the market now that have a fast enough response time to avoid ghosting (generally anything under 16-20 is fine for film), but the large apple displays are not on the list, and i'm not sure that the small ones are. There is no ghosting issue at all with a CRT.
My LCD is more pleasant to look at for long periods of time, and it's definitely more "cool" and all of that, but for down-and-dirty work, coolness just doesn't matter if it hurts productivity.
The reason you see contrast and brightness numbers on an LCD and not on CRTs is because it's so incredibly huge on a good CRT as to not matter at all. In fact, from a purely honest, no-cool-factor-involved stance, a 200 dollar 17" ViewSonic CRT is a better choice for color correctness, film editing, or game playing than any LCD currently on the market.
Like army_guy said, when contrast is up around 1000:1 on upper-mid level LCDs and brightness is about the equivalent of 400-500, coupled with a good response time and refresh rate (under 10ms would be just great), it will be time for serious visual professionals to use LCDs in critical applications. It's not yet that time.