I am about to purchase a new Macbook, and the main use of the computer will be to record and produce music. I have a limited budget so would it be better for me to get the 2.0 GHz with 4 GB of memory or the 2.4 GHz with only 2GB of memory?
*runs away from battle which will likely ensue*Unfortunately the new Macbook is quite useless for any serious professional music production unlike its predecessor, since it lacks a Firewire port.
I am about to purchase a new Macbook, and the main use of the computer will be to record and produce music. I have a limited budget so would it be better for me to get the 2.0 GHz with 4 GB of memory or the 2.4 GHz with only 2GB of memory?
i dont want to make the stupid comparison again, but why do the makers with wellknown reputation of great sound cards (for their quality) like RME use firewire instead of USB?
not to mention the FW ability of direct daisy chaining. do that with USB.
and, what are your cons USB over firewire if i my ask? dont point me to a forum... tell me why should usb be enough or better over firewire?
and since when have RME and Apogee not been considered high quality?Since when have M-Audio and E-MU not been considered high quality?
great, playback is great. recording is another story. you hardly stream more than 6 channels (5.1, and thats most of the time COMPRESSED) when playing back. and 44.1/16bit CD stereo. rarely you playback 96/24, right? mostly you RECORD 96/24 bit more than 2 or 6 tracksYou have people over at Head-Fi and Hydrogen Audio spending ridiculous amounts of cash on M-Audio and E-MU stuff JUST for music playback. The USB E-MU 0404 is one of the most recommended "Cards" at Head-FI for its playback capabilities.
You know that USB supports 127 devices on a single port, right?
yeah. but high quality video cameras rarely stream realtime.High quality video cameras are USB 2.0 based these days. There really is no point in Firewire at all.
and what variety of hardware do you need? you need a good CPU good HD fast RAM and a graphic card. as far as AUDIO hardware goes, mac supports everything that windows does. 🙂And like I said, if someone is into audio recording on a professional level, a Mac is out of the question entirely. You can build a PC faster than a Mac Pro for less than half the price and have access to a much larger variety of hardware.
and since when have RME and Apogee not been considered high quality?
EMU and M-audio are great, but hardly professional.
you hardly stream more than 6 channels (5.1, and thats most of the time COMPRESSED) when playing back. and 44.1/16bit CD stereo. rarely you playback 96/24, right? mostly you RECORD 96/24 bit more than 2 or 6 tracks
USB 2.0: 480Mbit/s
FW800: 786.432 Mbit/s full-duplex
BUT i will be fair and compare it to first gen fw (400mbps).
it has sustained throughput that is faster than USB's, you can get that info anywhere on the 'net..
and when you record multitrack you WANT that.
on the other hand, high quality audio interfaces still use firewire.
you need a good CPU good HD fast RAM and a graphic card. as far as AUDIO hardware goes, mac supports everything that windows does.
because of a virus.
Go for the faster one, the ram can be upgraded cheaply in a about a years time, once it's not the highest spec anymore.
Do you use Garageband or Logic Express/Pro?
Get the previous generation 2.4. its cheap, has a firewire and is INCREDIBLY durable for what it is. also very fast and runs cool with good battery life. It can be upgraded to 4GB ram.
Firewire has some big disadvantages! (i haven tried this with USB2.0 though maybe it acts the same):
changing latency everytime you reboot.. (maybe a proper PCIe FW card (TI) would solve that)
needing of a great card (on a PC mostly) to make it NOT CRASH.
There's simply a much wider range of FireWire audio interfaces available, some of them with higher quality preamps and converters than what's on the M-Audio or E-MU USB units. Even E-MU only offers a few "entry level" (which are in reality perfectly fine for lots of people) USB audio interfaces, their better stuff is PCI. There's a world of difference choosing a card/interface for playback vs choosing one for recording.
Compared to FW, USB2 has limited capabilities for powering devices. Sound On Sound's review of the M-Audio Fast Track Ultra states that without external power, only the first I/O pair and S/PDIF works. By comparison my FW400 Echo AudioFire4 works 100% with just the bus power.
For recording purposes, I think the most important factor along with the FW port is the larger screen and higher resolution of the Macbook Pro. Most recording programs are pretty cluttered so more screen estate is desirable. The price difference between the 2.4 GHz MBP and 2.4 GHz Mackbook is fairly small anyway.
I guess the reason why Apple has dropped PCI from the Mac Pro is because now for example Digidesign (Protools), RME and Apogee have PCI-E cards available. This is of course a big bummer for those with existing PCI cards and a need for a new Mac Pro, in the same way the lack of FW in the Macbook pisses off those of us who have fine FW audio interfaces already.
8channels uncompressed 24/96 .. i never said it couldnt handle, i just said that playback over 7.1 card is not considered proaudio but entertainment/consumer audio.
by the way, on every single site USB2.0 is said to have 240-280mbps sustained data rate. thats about as half lower as the specs say.
and if the CPU is already loaded because of plugins (which could happen) you are sure to be more prone to drop outs.
especially on a mac thats known to have worse usb2.0 support...
so, saying that FW400 doesnt have better sustained throughput is hogwash, there have been zillion tests on win and mac confirming that for bigger files FW smokes USB on every OS.
-daisy chaining
if you come to anyone serious for audio and say "maudio smokes RME" it will laugh in your face, its a wellknown fact that RME's smoke the hell out of maudios and they stick with Firewire.