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Apple Earns Record 72 Emmy Award Nominations for 'Lessons in Chemistry,' 'Slow Horses,' 'The Morning Show,' and More

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Apple TV+ has earned a record 72 Emmy nominations across 16 Apple Originals, including its first-ever nominations Outstanding Limited Series for "Lessons in Chemistry," Outstanding Drama Series for "The Morning Show" and "Slow Horses," and Outstanding Comedy Series for "Palm Royale."

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You can read the full list of Emmy nominations on the Television Academy's website. We've gathered all of Apple's nominations in the list below.
The Morning Show (16)

  • Outstanding Drama Series
  • Outstanding Lead Actress in a Drama Series: Jennifer Aniston
  • Outstanding Lead Actress in a Drama Series: Reese Witherspoon
  • Outstanding Supporting Actress in a Drama Series: Nicole Beharie
  • Outstanding Supporting Actress in a Drama Series: Greta Lee
  • Outstanding Supporting Actress in a Drama Series: Karen Pittman
  • Outstanding Supporting Actress in a Drama Series: Holland Taylor
  • Outstanding Supporting Actor in a Drama Series: Billy Crudup
  • Outstanding Supporting Actor in a Drama Series: Jon Hamm
  • Outstanding Supporting Actor in a Drama Series: Mark Duplass
  • Outstanding Guest Actress in a Drama Series: Marcia Gay Harden
  • Outstanding Directing for a Drama Series: Mimi Leder
  • Outstanding Casting for a Drama Series
  • Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)
  • Outstanding Contemporary Hairstyling
  • Outstanding Contemporary Makeup (Non-Prosthetic)

Palm Royale (11)

  • Outstanding Comedy Series
  • Outstanding Lead Actress in a Comedy Series: Kristen Wiig
  • Outstanding Supporting Actress in a Comedy Series: Carol Burnett
  • Outstanding Period Costumes for a Series
  • Outstanding Choreography for Scripted Programming
  • Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)
  • Outstanding Period or Fantasy/Sci-Fi Hairstyling
  • Outstanding Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)
  • Outstanding Music Composition for a Series (Original Dramatic Score)
  • Outstanding Main Title Design
  • Outstanding Original Main Title Theme Music

Lessons in Chemistry (10)

  • Outstanding Limited or Anthology Series
  • Outstanding Lead Actress in a Limited or Anthology Series or Movie: Brie Larson
  • Outstanding Supporting Actress in a Limited or Anthology Series or Movie: Aja Naomi King
  • Outstanding Supporting Actor in a Limited or Anthology Series or Movie: Lewis Pullman
  • Outstanding Music Composition for a Limited or Anthology Series, Movie, or Special (Original Dramatic Score)
  • Outstanding Directing for a Limited or Anthology Series or Movie: Millicent Shelton
  • Outstanding Period Costumes for a Limited or Anthology Series or Movie
  • Outstanding Cinematography for a Limited or Anthology Series or Movie
  • Outstanding Main Title Design
  • Outstanding Original Main Title Theme Music

Slow Horses (9)

  • Outstanding Drama Series
  • Outstanding Lead Actor in a Drama Series: Gary Oldman
  • Outstanding Supporting Actor in a Drama Series: Jack Lowden
  • Outstanding Guest Actor in a Drama Series: Jonathan Pryce
  • Outstanding Casting for a Drama Series
  • Outstanding Writing for a Drama Series
  • Outstanding Directing for a Drama Series: Saul Metzstein
  • Outstanding Picture Editing for a Drama Series
  • Outstanding Music Composition for a Series (Original Dramatic Score)

Loot (1)

  • Outstanding Lead Actress in a Comedy Series: Maya Rudolph

Hijack (1)

  • Outstanding Lead Actor in a Drama Series: Idris Elba

The New Look (1)

  • Outstanding Period Costumes for a Series

Masters of the Air (3)

  • Outstanding Original Main Title Theme Music
  • Outstanding Sound Editing for a Limited or Anthology Series, Movie, or Special
  • Outstanding Sound Mixing for a Limited or Anthology Series or Movie

Physical (2)

  • Outstanding Cinematography for a Single-Camera Series (Half-Hour)
  • Outstanding Choreography for Scripted Programming

Silo (2)

  • Outstanding Music Composition for a Series (Original Dramatic Score)
  • Outstanding Main Title Design

Girls State (3)

  • Outstanding Documentary or Nonfiction Special
  • Outstanding Directing for a Documentary/Nonfiction Program: Amanda McBaine and Jesse Moss
  • Outstanding Cinematography for a Nonfiction Program

Sugar (1)

  • Outstanding Cinematography for a Single-Camera Series (Half-Hour)

Hannah Waddingham: Home for Christmas (2)

  • Outstanding Production Design for a Variety Special
  • Outstanding Technical Direction and Camerawork for a Special

The Reluctant Traveler With Eugene Levy (2)

  • Outstanding Hosted Nonfiction Series or Special
  • Outstanding Writing for a Nonfiction Program

STEVE! (martin) a documentary in 2 pieces (5)

  • Outstanding Documentary or Nonfiction Special
  • Outstanding Directing for a Documentary/Nonfiction Program: Morgan Neville
  • Outstanding Picture Editing for a Nonfiction Program
  • Outstanding Sound Editing for a Nonfiction or Reality Program
  • Outstanding Sound Mixing for a Nonfiction Program

Carpool Karaoke: The Series (1)

  • Outstanding Short Form Comedy, Drama, or Variety Series

Nominees for Outstanding Commercial (2)

  • "Album Cover" — Apple iPhone 15
  • "Fuzzy Feelings" — iPhone + Mac
Apple Original films, documentaries, and series have earned 499 wins and 2,262 award nominations so far, including multi-Emmy Award-winning comedy "Ted Lasso" and Oscar Best Picture winner "CODA." The final winners of the 76nd Emmy Awards will be revealed on Sunday, September 15, on ABC.

Article Link: Apple Earns Record 72 Emmy Award Nominations for 'Lessons in Chemistry,' 'Slow Horses,' 'The Morning Show,' and More
 
Article Link
https://www.macrumors.com/2024/07/18/apple-earns-record-72-emmy-award-nominations/
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when Apple first introduced Apple TV+, I was skeptical and reticent to say the least.
But now, even talking to non-tech people, I'm surprised how much they like it.
The quality of original content being offered is like what Netflix could have been if they had continued on the strong path they started with. (Stranger Things, Daredevil, The Witcher season 1 etc)
Current Netflix originals pale in comparison.
 
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Reactions: -DMN-, CharlieBoyWoof, Ruggy and 5 others
No offense to Apple+ content/programming, but it seems more like there are too many categories. If you bat .500 here, you'll win a lackluster 32 Emmy Award's this season. Even that seems ludicrously over the top.
 
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BlairMALL said:
No offense to Apple+ content/programming, but it seems more like there are too many categories. If you bat .500 here, you'll win a lackluster 32 Emmy Award's this season. Even that seems ludicrously over the top.
Click to expand...
Each category is 5 or 6 noms, so batting .500 would be extraordinary.

Plus they're facing themselves in a lot of these categories, so .500 would be almost impossible.

That being said, having duplicate categories for limited series vs. a regular series is a bit much. Back in the old days when a limited series was something like Roots, it made sense. But now any 1 season streaming series is a limited series, so the distinction between that and a regular series has really blurred
 
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I don't care for awards but nevertheless Apple TV+ is pretty great.

I'm currently following Presumed Innocent (along HOTD) and have several shows on backlog.

Also a good value in a Apple One family subscription.
 
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nt5672 said:
It is too bad that Emmy's are not awarded for quality. They are awarded for the latest political fashion statement.
Click to expand...
Apple shows are extremely well-produced if nothing else. The stories and plot lines are very good to excellent. The scripts are average to excellent. The acting is below average to excellent,
 
roguedaemon said:
when Apple first introduced Apple TV+, I was skeptical and reticent to say the least.
But now, even talking to non-tech people, I'm surprised how much they like it.
The quality of original content being offered is like what Netflix could have been if they had continued on the strong path they started with. (Stranger Things, Daredevil, The Witcher season 1 etc)
Current Netflix originals pale in comparison.
Click to expand...
it's really quite the marvel (no pun intended, I swear) as an Apple nerd to see ATV+ as a cultural phenomenon. I felt the exact same way upon its debut; seeing people who are true devotees to some of the shows on there is a very "wow" moment for me.

72 Emmy noms is…quite something, for one distributor of content. it's clear Tim is putting a metric f—kton of money into scoping out new content + hiring people who are the absolute best at doing such.
 
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phenste said:
it's really quite the marvel (no pun intended, I swear) as an Apple nerd to see ATV+ as a cultural phenomenon. I felt the exact same way upon its debut; seeing people who are true devotees to some of the shows on there is a very "wow" moment for me.

72 Emmy noms is…quite something, for one distributor of content. it's clear Tim is putting a metric f—kton of money into scoping out new content + hiring people who are the absolute best at doing such.
Click to expand...

Apple decided they wanted to follow HBO over Netflix - quality over sheer quantity, with some prestige focused projects as well. Seems to be somewhat paying off.
 
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AlexJaye said:
The real news here is the absolute dearth of quality content these days. Apple just advantageously pumps out more crap to fill the void and infuses it with their own ideologies.
Click to expand...
Uh-huh, sure. Sugar, Slow Horses, Presumed Innocent, Lessons In Chemistry, The New Look, etc. are crap representing supposed "Apple ideologies" (whatever a fevered mind thinks those are).
 
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A bit baffled to see TMS getting 16 noms. Like.. I watch it. It's okay. But 16 nominations feels like A LOT for that series. Especially the latest season.

Tinfoi-hat me suspects some cozy high-budget campaigning to get as many noms as possible.
 
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Can’t wait for the last episode of Presumed Innocent. Jake Gyllenhaal has been great.

farmboy said:
Uh-huh, sure. Sugar, Slow Horses, Presumed Innocent, Lessons In Chemistry, The New Look, etc. are crap representing supposed "Apple ideologies" (whatever a fevered mind thinks those are).
Click to expand...
 
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psac said:
Each category is 5 or 6 noms, so batting .500 would be extraordinary.

Plus they're facing themselves in a lot of these categories, so .500 would be almost impossible.

That being said, having duplicate categories for limited series vs. a regular series is a bit much. Back in the old days when a limited series was something like Roots, it made sense. But now any 1 season streaming series is a limited series, so the distinction between that and a regular series has really blurred
Click to expand...

Is it not accurate to say though that one of the reasons they have so many nominations is that they pursued so many nominations?

Don't they specifically lobby to be considered for each category, and have to submit a specific example in each case? Is it not Apple's marketing department just submitting everything possible?

It sounds like you have some idea of these things. This is certainly the impression I have gotten about how this works. It's not like the committee is going out and selecting the films for consideration, there's a lot of marketing involved, yes?

Not to diminish the work, but not all good work has great marketing behind it.
 
CarAnalogy said:
Is it not accurate to say though that one of the reasons they have so many nominations is that they pursued so many nominations?

Don't they specifically lobby to be considered for each category, and have to submit a specific example in each case? Is it not Apple's marketing department just submitting everything possible?

It sounds like you have some idea of these things. This is certainly the impression I have gotten about how this works. It's not like the committee is going out and selecting the films for consideration, there's a lot of marketing involved, yes?

Not to diminish the work, but not all good work has great marketing behind it.
Click to expand...

Yes to all of the above! You could say marketing has always been a strong point for Apple, so they've definitely applied that strength here.

And you're right, the show/studio submits for consideration for each participant for a specific category, which could sometimes benefit or hurt the candidate. Just to go back a bit to one of my personal favorites, John Noble was never nominated for Fringe, but he always requested they submit him for Best Actor. If he was submitted for Best Supporting Actor, he might have been nominated.

The Friends cast often flip flopped whether they were submitted for Lead or Supporting roles, even though they were always considered an ensemble.
 
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