If you check out the iTMS the complete U2 is now the #1 selling album. before xmas it had dropped off of the top 10 completely! Must be all those new ipod owners cashing in their 50 bucks off coupon.
im the opposite...i like to buy the albums because if i like one song from an artist i usually end up liking most of there stuffmkrishnan said:I still wonder what the numbers are like on album sales...I rarely have even the temptation to buy full albums from iTMS, although I've steadily bought individual songs....I wonder if there are a lot of people the opposite out there.
crachoar said:I don't see a reason to support the iTMS, considering the ass-quality encodes they offer...
I refuse to pay for downloads until they're encoded at 256vbr MP3.
Or, what would be really nice - is to be able to download the raw data files. 700mb CDs, mmmm...![]()
They should (at the very least) allow you to choose what kind of files / bitrate you'd prefer. The standard is just far too low.
daveway00 said:Dont you think your being a bit unreasonable. Apple encodes all of their songs the same, to offer a customer a choice of bitrate/encoding would cost unknown amounts of money. I think the coding used now is just fine, much better than the competition.
pdp said:i too refuse to pay for any itms tracks.
the 5 free ones i downloaded sounded as if i recorded them off a radio station onto a cassette tape.
pdp said:dont worry bout the speaks, they are more than adequate. headphones are also on the same page and through both of them the quality is funk.
and i was talking abot 1986 and i heard a song on the radio i liked so i'd hit record on the boombox type of playback quality.
I thought 160 kbps MP3 was equivalent to 128 kbps AAC and 160 kbps was the "CD standard" for MP3 files. Where did you get this information from? I found my information here.Norouzi said:Ok, All the songs on the iTMS Music store are not encoded in MP3 they are encoded in AAC. The standard for CD quality sound in MP3 format is 192kbs. 128kbs in AAC is the equilivant to 192kbs in MP3. I've encoded CD's at 192 as MP3's and downloaded songs from iTMS in 128 AAC and I really can't tell the difference. Offering different bitrates would actually hurt sales as most people using iTMS are not experts in MP3's or Encoding them. Most of their customer base does not know or care what a bitrate is all they want is to be able to easily download music.
wrldwzrd89 said:I thought 160 kbps MP3 was equivalent to 128 kbps AAC and 160 kbps was the "CD standard" for MP3 files. Where did you get this information from? I found my information here.
wrldwzrd89 said:I thought 160 kbps MP3 was equivalent to 128 kbps AAC and 160 kbps was the "CD standard" for MP3 files. Where did you get this information from? I found my information here.
You're right there - so what the heck is this "CD standard" Norouzi refers to? Given the information you posted and the link Norouzi mentioned in the post before yours, the information seems to conflict - so I don't know what to thinkbousozoku said:Paying too much attention to Apple will damage your brain.
I think 160 Kbps mp3 is far too low to be CD quality, especially when you consider that CD sound has no compression and therefore, no artifacts/artefacts. Even 320 Kbps mp3 files have artifacts but they're hardly noticeable.
wrldwzrd89 said:You're right there - so what the heck is this "CD standard" Norouzi refers to? Given the information you posted and the link Norouzi mentioned in the post before yours, the information seems to conflict - so I don't know what to think![]()
For some things, even 56 kbps sounds just fine. Personally, I won't go any lower than 96 kbps MP3/80 kbps AAC. Of course, when HE-AAC becomes available in iTunes, 40 kbps will be its lower limit.bousozoku said:I think 192 Kbps is the minimum bitrate at which more relentless listeners tend to find the music adequate. There have been many blind tests and that rate is probably more universally acceptable. I've found some difference between that and 256 Kbps but it depends on how good the playback equipment is and the material. After all, broadcast t.v. looked good until we got better televisions.
The more dynamic the sound--the range of volume--the more likely compression is to kill it. It could also cause the sound to lose the crispness somewhat, similar to what you've probably seen in a photograph stored in a 256 colour .gif file when you go too far down on the bitrate. (Yes, this is not technically accurate information. It's an interpretation. Just trying to make a point.) How anyone can find a 64 Kbps mp3 file acceptable is beyond me. "What's that Sony? I can't hear you through the static."![]()
wrldwzrd89 said:You're right there - so what the heck is this "CD standard" Norouzi refers to? Given the information you posted and the link Norouzi mentioned in the post before yours, the information seems to conflict - so I don't know what to think![]()