Maybe it will work in Germany. The marketing hacks do say people's buying habits differ in Europe.
I know that if I'm going to go to the trouble to buy a CD, personally I do want the art and liner notes and lyrics, but could give two figs for so-called "enhanced" content. The no-frills "anti-piracy" version doesn't offer me anything I can't duplicate on my own computer, and the "luxury" version doesn't offer me anything I'd use.
Do the people in those record company meeting rooms actually
talk to their friends and acquaintances and neighbors, or anyone actually outside the recording industry (and I don't mean in focus groups)? Don't they realize that CD sales aren't falling due to the format, but because the business model based on high-volume sales of a very few acts is killing their industry?
The more they figure on getting all of their profit from blockbuster sales of the 40 bands they pick to hype on MTV/radio/tours/etc, the more the public gets used to hearing only those bands, and the more the public will want everything they hear to sound just like those bands, and the more everything else will not sell. It's a vicious cycle created and sustained by their own marketing engine, and just too damn bad that they're falling victim to it.
In most businesses, there is a natural cycle of conglomeration followed by fragmentation. Little guys get bought up by big guys until there are only big guys, and then the big guys collapse under their own weight (or under anti-trust legislation) and then the little guys jump back in to fill the void. Except now the big guys have powerful lobbying groups to which the entire government seems to bow, so they try and prop up unsustainable business strategies through protectionist legislation and anti-consumer technology.
I hope I live to see it all go belly-up within my lifetime. I just wish that it weren't the artists who will probably catch the brunt of the collapse.