It's subject matter is... surprise, surprise.
Working title is "INLAND EMPIRE" (his caps), he goes on to say...
As for the quality of the DV image, Lynch says,
To me, this comes as surprise considering the lengths he's gone to in the past to get his pictures just so... although maybe not to a Kubrickian level of perfection.
Anyways, a little more over at:
http://www.lynchnet.com/

"It's about a woman in trouble, and it's a mystery, and that's about all I want to say about it," he comments diffidently.
Working title is "INLAND EMPIRE" (his caps), he goes on to say...
"I started working in DV for my Web site, and I fell in love with the medium. It's unbelievable, the freedom and the incredible different possibilities it affords, in shooting and in post-production."
"For me, there's no way back to film. I'm done with it," Lynch says. "I love abstraction. Film is a beautiful medium, but it's very slow and you don't get a chance to try a lot of different things. With DV, you get those chances. And in post-production, if you can think it, you can do it."
As for the quality of the DV image, Lynch says,
"It looks different. Some would say it looks bad. But it reminds me of early 35mm, that didn't have that tight grain. When you have a poor image, there's lots more room to dream."
"But I've done tests transferring DV to film, and there are all kinds of controls to dial in the look you want."
To me, this comes as surprise considering the lengths he's gone to in the past to get his pictures just so... although maybe not to a Kubrickian level of perfection.
Anyways, a little more over at:
http://www.lynchnet.com/