Has anyone been watching "The War," the new 14 hour Ken Burns documentary film about World War II? The run started on PBS on Sunday and continues this week and next.
Isn't Ken Burns the guy who inverted the zooming in on pictures effect?
So far I'd say it's better than "Jazz" which was too slow for my tastes, especially considering the subject matter. Burns' style is more suited to the scope of an event like a war. It would be hard to top "The Civil War" which also had the benefit of having been beyond living memory, but I will reserve judgement for now. Interesting that he decided to forgo talking-head historians in favor of witnesses to the events.
And that's the thing about Burns -- he's not a conventional historian. The emphasis of his work has always on the social history, rather than the events themselves. This kind of approach certainly has its place, but it can't take the place of more events-driven history. I believe this is explains the virtually "All American" approach to the story. He's more interested in exploring how events change societies and affect lives than in the events themselves.
Isn't Ken Burns the guy who inverted the zooming in on pictures effect?
I am one who actually lived in this time. My brother was on the USS Chicago which was out to sea when Pearl Harbor was bombed. We didn't know this and the waiting was agonizing. Eventually four of my brothers were in the war with one killed. We had a half dozen Gold Stars on windows on my block in San Francisco. There was blackouts all over town and we were all fearful of the Japanese invading the West Coast. Ken Burns is trying to show what was felt at that time, something you kids never had to experience. Perhaps it is his way for you to feel what we feltI agree, but the "four town" gimmick kind of places an extra layer on it that I feel isn't necessary. And it possibly explains why he initially missed or chose not to include the Latino and Native American war efforts, because they didn't fit nicely into the four town structure. That's also why "The War" basically begins in 1941. If the "four town" structure weren't in place, he could have culled experiences from Americans at home and travelers in both Europe and Asia pre-1939. By beginning at 1941, he deprives us of most of the big-picture social arcs, because he hasn't firmly established a "before" to compare to the coming "after".
I also think, by relying mainly on interviews with living persons, we are seeing too many talking heads and that's having a negative effect on the pacing. The fact that he has so much archival footage to use is also impacting the pacing to some extent. I would have preferred more modern day footage of the battle sites and more letters home, etc.
I'm still looking forward to the rest of the series, though. I guess I'm nitpicking because I can remember sitting down one weekend when my local PBS station was rebroadcasting "The Civil War" and watching it for hours on end. I can't see myself doing the same for this series.
I believe that technique was invented by a Canadian. But, sadly, it's been 13 years since my Canadian Cinema class, so I can't tell you off-hand who it was. And no, I'm not going to dig through my files to find my notes from that class, either. You're on your own.
OK, you're not on your own...you're lucky that Wikipedia had an article on him: Colin Low
I am one who actually lived in this time. My brother was on the USS Chicago which was out to sea when Pearl Harbor was bombed. We didn't know this and the waiting was agonizing. Eventually four of my brothers were in the war with one killed. We had a half dozen Gold Stars on windows on my block in San Francisco. There was blackouts all over town and we were all fearful of the Japanese invading the West Coast. Ken Burns is trying to show what was felt at that time, something you kids never had to experience. Perhaps it is his way for you to feel what we felt
I agree, but the "four town" gimmick kind of places an extra layer on it that I feel isn't necessary. And it possibly explains why he initially missed or chose not to include the Latino and Native American war efforts, because they didn't fit nicely into the four town structure. That's also why "The War" basically begins in 1941. If the "four town" structure weren't in place, he could have culled experiences from Americans at home and travelers in both Europe and Asia pre-1939. By beginning at 1941, he deprives us of most of the big-picture social arcs, because he hasn't firmly established a "before" to compare to the coming "after".
I am one who actually lived in this time. My brother was on the USS Chicago which was out to sea when Pearl Harbor was bombed. We didn't know this and the waiting was agonizing. Eventually four of my brothers were in the war with one killed. We had a half dozen Gold Stars on windows on my block in San Francisco. There was blackouts all over town and we were all fearful of the Japanese invading the West Coast. Ken Burns is trying to show what was felt at that time, something you kids never had to experience. Perhaps it is his way for you to feel what we felt
I love Ken Burns' documentaries, hopefully this will turn up on the BBC before to long. Although titling the series The War 1941-1945 may upset a few people on this side of the pond.
Excellent piece, and stark contrast to how we are conducting the current war.