Whilst Final cut is gaining ground in some areas, the main work is still done on the Avis system, with small pockets of Media 100 holding out.
Quite a lot of TV stuff is now being done on FCP, and a lot of off-line editing is being carried over to FCP, but the main donkey work is still done with Avid.
Like the Audio Post industry, film editors are very resistant to change, and they are hard to convince, however, ProTools is now becoming a "standard" in most new Post facilities, and I have a feeling FCP attractive pricing and hardware will contunie to win friends, it is a much beter system than Avid, which is a stabdard only by virtue of it being first in the marketplace.