Is it good to make a new color setting every two weeks?... I mean, is it necessary?
I ask the same question. Does the monitor go out of sync or something?
i use the default Cinema HD profile on my Cinema Display and the default Color LCD profile on my MacBook Pro but they both look different. how can i make both displays look similar?
i tried using the advanced settings in Calibration Assistant but its very hard to make them match. if i put the Cinema HD profile on the Macbook Pro's display its looks awful, all blue and washed out.
For some reason, Apple seem to have included a slightly washed out default colour profile in their latest range of Macs (i.e. from the aluminium iMac onwards).
Calibrating screens can be a complex task depending on how 'into it' you have to be. Calling someone out to calibrate for print purposes for example where clients depend on a correctly calibrated passage from screen to the press.
However!
Just click Adobe RBG (1998) in 'any instance' (for desktop and laptop use). This is a very credible all-purpose colour calibration for rich dark tones, good colour saturation and an even balance of mid-tones and highlights.
The difference between that setting, and spending hours calibration yourself is negligible. That is, unless you are a professional desperately in need of the perfect alignment of colours.
This is the calibration tool mentioned by 'ifonline' (above):
http://www.letsgodigital.org/en/13402/xrite_i1_color_calibration/
As screens have an organic nature of 'drifting a bit', it's always prudent to calibrate on a regular basis.
But again, this is for professional use only - and in any case, the differences are minute.
Where do I find this setting? I looked everywhere for this. MCFor some reason, Apple seem to have included a slightly washed out default colour profile in their latest range of Macs (i.e. from the aluminium iMac onwards).
Calibrating screens can be a complex task depending on how 'into it' you have to be. Calling someone out to calibrate for print purposes for example where clients depend on a correctly calibrated passage from screen to the press.
However!
Just click Adobe RBG (1998) in 'any instance' (for desktop and laptop use). This is a very credible all-purpose colour calibration for rich dark tones, good colour saturation and an even balance of mid-tones and highlights.
The difference between that setting, and spending hours calibration yourself is negligible. That is, unless you are a professional desperately in need of the perfect alignment of colours.
Where do I find this setting? I looked everywhere for this. MC
I made my own custom color profile using the advanced mode in the color calibration tool. It took about an hour to finally get it right, but now my display looks great. It's amazing how washed out and yellow-tinted the default color profile was on my MacBook.
Alan Sparks said:Just click Adobe RBG (1998) in 'any instance' (for desktop and laptop use). This is a very credible all-purpose colour calibration for rich dark tones, good colour saturation and an even balance of mid-tones and highlights.
You would need to either get a hardware calibration tool such as the i1 Display 2 or Spyder3, or spend a lot of time trying to do it by hand only to discover, as you have, that it is very difficult to do. Bear in mind, though, that using a hardware tool isn't necessarily easy either, but it is easier and more accurate.
I made my own custom color profile using the advanced mode in the color calibration tool. It took about an hour to finally get it right, but now my display looks great. It's amazing how washed out and yellow-tinted the default color profile was on my MacBook.
thanks for this. do you think this profile should be used on a Cinema Display? i tried it and it looked a bit dark and vibrant. i could get used to it but im jsut wondering whether the Cinema Displays should use this? also what about AppleRBG?
Dark and vibrant - as opposed to washed out?
Surely that's a positive step?
It's usually a good idea to use AdobeRGB (for it's vibrancy and depth), but to drop the brightness on your monitor to about a quarter strength, raising only to tackle any photo editing you might want to do or for when viewing high quality movies etc.
I suggested AdobeRGB to you because it's a tried and trusted setting used in the print and design industry, where a monitor is crucial in the process.
And incidentally, if you buy the latest Photoshop, you will see the AdobeRGB setting sat in readiness from 1998!
That should tell you something.