You know, I used to think that the more time spent on the fence meant I'd either get used to it (develop callouses or something), or I'd start wearing out a smooth patch on the palings, but now I'm not so sure!
I agree about the ease of archive: the tape comes out and, hey presto, instant archve. It looks like HDV is still to be preferred in terms of ease-of-use if you're going to be editing.
BUT having been using a fairly basic AVCHD camera over the past few days (a little Panasonic HDC-SD5), I have to say it's nice not having to bother with tape when shooting and reviewing.
So it's still swings and roundabouts.
On the archive side of things, from one point of view AVCHD is easier to archive than tape (or perhaps it would be more accurate to say "almost as easy"). I'm not sure how Sony's AVCHD format is implemented, but with the SD5 / SD9 or the forthcoming 3-CMOS Panasonic SD100, which also promises a focus ring and a mic input (all of the Pannies record to SD cards) you can copy the card's contents to harddrive, label them, and leave them there until you feel like dealing with them. If you want to review them (which for me at the moment means in-camera until the files are converted to something the Mac can digest) you can copy them back across to an SD card, stick it in the camera, and review to your heart's content.
Oh, and no delicate tape transport mechanism to go haywire.
Have I made a decision? Well, no one said it'd be easy, eh. The main stumbling block with AVCHD seems to be solid NLE support, still . . .
Andrew.