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Can't say I'm surprised. I use premiere / after effects extensively and while they produce a great end result, the road getting there is a rough one. It's a classic example of what happens with outsourced code that is written with speed in mind and not quality.
 
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Luckily I cancelled my creative cloud subscription and got their crap off my computer last week.

You obviously don't need the Apps to make a living.

Why you ever had them on your computer in the first place (especially a subscription to CC) has yet to be determined.

Like it or not - Adobe PhotoShop, Illustrator, InDesign and AfterEffects (all part of the creative cloud subscription) are fantastic programs.
 
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Was it Macromedia. Flash, Freehand, Director, etc.
Which, in turn, had acquired FutureSplash Animator and SmartSketch in '96. I still kind of resent/mourn Macromedia's purchase of FutureWave back then, it was so slick to use, even on the PowerMac 8600 I owned at the time... FH7's follow-up implementation of SmartSketch was a joke IMHO... :sniff:

Funny, that FutureWave's work still defines that niche 20+ years later.
 
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Don't like softwares which do more than they should be.
I removed Chrome because it constantly creates apps in ~/Application folder.
Also only have CS5 in my Mac.
 
So this is the one of the reasons why I crack my Photoshop and delete the app manager, updater, Creative Cloud, and anything else that isn't the Photoshop executable. You never want anything but the app itself running when it comes to Adobe.
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This shows the problem with auto updating software, and is why many creatives go months or even years between updates.

Stability is a feature.
Exactly, and it's a more important feature than anything Adobe has added in the past several years.
 
My Time Machine seems to work fine and ".com.apple.backupd.mvlist.plist" is only missing in present time when I start TM.

When I go back in time with TM ".com.apple.backupd.mvlist.plist" is top of root everywhere so I didn't restore it.

But how important is that file if TM is working properly and why is it only missing i present time before TM backup ?

TM before.jpg TM now.jpg
 
The "some reason" is that Photoshop, Illustrator and InDesign are the industry standards and if you work as a designer, you have to be in their system.

Anybody remember when QuarkXPress was the untouchable king? Yeah.
In addition to Photoshop and Illustrator 6.0, I started off my design career using Quark 4.1 (circa 1998'ish). Brash, clunky and as unaesthetically pleasing as it was, got the job done and files out the door for print. I was a master with the program's keystroke command lines, and probably known them better than I do with InDesign's today. (BTW, went full CS suite in 2009 leaving my old pal Quark (then 7.5) behind for good.)
 
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You obviously don't need the Apps to make a living.

Why you ever had them on your computer in the first place (especially a subscription to CC) has yet to be determined.

Like it or not - Adobe PhotoShop, Illustrator, InDesign and AfterEffects (all part of the creative cloud subscription) are fantastic programs.
Lightroom is a train wreck.
 
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Yep Apple and Adobe are greeeat friends now...

I'm surprised anybody still uses Adobe products TBH.
 
2016 is the year of change.
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The first two I already use for about 20 % of my Jobs.
I'm fully engrained in Lightroom, for me, I don't see any easy transition, nor do I see Affinity Photo being a good solution for me, i.e., does it have DAM capabilities?
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Lightroom is a train wreck.
It seems good for me for me, and most photographers seem to use it
 
It will be years before newcomers are able to equal the professional-level features of Adobe’s print-centric apps. RGB images for web and digital purposes have lightweight requirements for publishing.

The Affinity apps support colour-managed CMYK, PANTONE and custom spot colour workflows. Trapping controls are adequate, if nothing to write home about. I'm currently running Designer and Photo alongside CS6… the overhead of ditching twenty years of muscle memory (and one single client who insists on live AI files being supplied) keeps me on the Adobe suite for now, but OSX 10.12 will almost 100% certainly break AI CS6 and I'll definitely make the move at that point. Had a lot of muscle memory when I moved from Quark to InDesign 2.0, but the adjustment period was relatively brief.
 
It will be years before newcomers are able to equal the professional-level features of Adobe’s print-centric apps. RGB images for web and digital purposes have lightweight requirements for publishing. When you prepare art for press, the technical requirements and options are more complex…if you want predictable results. It has taken Adobe decades to tackle those requirements and—equally impressive—make the task less laborious and more flexible for users.

If someone is a recreational artist, it makes sense for them to use a cheaper alternative. If you’re a fulltime professional, you’re wasting your time with wannabe apps.

Yes, it will. But you have to start somewhere and I applaud upstarts like Affinity.

Also bear in mind, the demand for print-centric apps is not what it use to be. Mobile, web and digital applications rule. There are web apps like Webflow that almost does away with Photoshop.

Even Adobe knows the future is digital with the introduction of apps like Muse and Edge Reflow. I'm not discounting Adobe as they do make decent professional software. But no company is invincible.
 
Adobe: making crappy software that for some reason people still use since 1982.
Incredibly absurd comment. But you must be right. All those people who have successful jobs using Adobe software are all living an illusion. Do some of you have so much hatred, frustration, and need to bash that you'll say anything stupid just to post?
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And *THAT* is why I'm still on CS5.5...until I can dump Adobe forever. Al...most...there.
So tell me. What should I use instead of Photoshop? What has the power of Photoshop? Please oh mighty one, tell me.
 
Incredibly absurd comment. But you must be right. All those people who have successful jobs using Adobe software are all living an illusion. Do some of you have so much hatred, frustration, and need to bash that you'll say anything stupid just to post?
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So tell me. What should I use instead of Photoshop? What has the power of Photoshop? Please oh mighty one, tell me.
Calling me stupid is stupid. See how that works?
 
Lightroom is a train wreck.

Thats your opinion, which is totally cool, but in all fairness, I'd imagine that their are a lot of students and serious hobbyists browsing these pages - and to make statements about the software being crap and that Lightroom it is a train wreck is not at all fair. You could at least explain why it seems like a train wreck to you.

On another note (in relation to the general Affinity vs Adobe conversation), I think there is room for both of these companies, and they both play an important part in helping people develop their computer literacy skills in relation to visual communication.

This cliche bugs me but it is true all the same - software is just a tool to get the job done. Whatever works for a particular individuals workflow is fine with me. That being said, industry standards are industry standards and Adobe is not going away anytime soon.
 
Can some please explain in non technical terms (or not too technical..) how to check whether CC deleted any of my files?

Thanks
 
The Affinity apps support colour-managed CMYK, PANTONE and custom spot colour workflows. Trapping controls are adequate, if nothing to write home about. I'm currently running Designer and Photo alongside CS6… the overhead of ditching twenty years of muscle memory (and one single client who insists on live AI files being supplied) keeps me on the Adobe suite for now, but OSX 10.12 will almost 100% certainly break AI CS6 and I'll definitely make the move at that point. Had a lot of muscle memory when I moved from Quark to InDesign 2.0, but the adjustment period was relatively brief.
If I were your client, I'd be requesting the live files of completed project's I paid you for, too. If there's edits to be made, I might have an in-house creative do the production or source the files to another vendor. Sorry, you probably didn't intend it this way. But I had read that as a complaint.
 
If I were your client, I'd be requesting the live files of completed project's I paid you for, too. If there's edits to be made, I might have an in-house creative do the production or source the files to another vendor. Sorry, you probably didn't intend it this way. But I had read that as a complaint.

It's very unusual for clients to want live files in my industry.
 
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