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Sounds like a wide open door for Adobe to exploit for gaining more market share. Apple seems to be less interested in the Pro market, and more interested in the general market.

Yeah, but in all honesty how much marketshare are we talking about. I think we Aperture users are very much in the minority. Most photographers already moved to LR
 
That's what I mean. I shoot with a D800 and have an S2 in the studio. Every time I touch a camera, it's a few gigs of data. If I have to have that syncing back and forth over wifi every time I shoot anything, I can kiss every other service Apple's also trying to jam through the pipeline goodbye.

Paying a subscription fee, to subscribe, to seeing my own content... still seems weird.
That is not how it works !

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Anyone know how easy it is to switch the Adobe subscription between machines (i.e deactivate one computer and activate a new one)?
Very. You simply deactivate/activate your software and that's it.

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The only thing that made Aperture superior was the organization of the pictures. In this respect Lightroom is so horrible that's beyond embarrassing. You need real talent to make something so bad. Then Lightroom has this division between Library and development which has o logic or practical basis.
Except you have all your collections available in the Dev and the other modules and because collections are much like how Aperture's organising worked, you are making up a problem where none existed.
LR's organising is definitely way better than Aperture as you have more options in how to organise your work. A one size fits all method [Apple's] fails when it comes to such things as organising because people do these things very differently and all equally validly. Apple's 'do it our way' organisation paradigm was the main reason it failed.

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The issue is RAW processing, if you buy a camera with a new RAW file format, then you HAVE to upgrade to a newer version of LR.
Yet again another myth.
This is not true as all, because Adobe provide a free DNG convertor to sidestep this issue.
 
Yeah, but in all honesty how much marketshare are we talking about. I think we Aperture users are very much in the minority. Most photographers already moved to LR

True, but even if the current active Aperture base is only 50K and Adobe can get even a few % of those to sign up for PS/LR CC @ $10/mo that's a few extra million in annual revenue for basically no effort at all. It's literally like free money for Adobe even if a couple million is a blip on the income sheet. (Not to mention the likelihood those that don't sign up for CC will probably get the offline version -- though I'd bet that isn't long for this world so those users would eventually have to sign up for CC too to continue using a current version compatible with the latest Mac OS.
 
Pricing up Lightroom for my and my wife's usage it comes to £421.44 a year (around $720 US).
Utter nonsense. Buy a box version or upgrade for £95/£58 respectively and you are both sorted until you next decide to upgrade. A copy works on two computers so that is all you need.
But be aware that LR6 is imminent

That's rather a lot more than Aperture, and comes with additional restrictions.

I can't see licensing terms for the standalone version instead of the subscription, but I assume it has broadly the same restrictions and would be similarly expensive.

A professional may well be prepared and able to fork out that, but for amateurs like us who do photography for pleasure rather than to make money, it's not an option. Besides which I think paying extra just because we have more computers (when we're still only ever using it on one at a time) is stupid. Apple didn't make us do that.

I'm going to have to wait and see with the new app, but I really don't hold out much hope that it's going to be enough of Aperture replacement to replace it in our workflow.

I can't really blame Apple for getting out of a business it doesn't want to be in, but boy do Adobe's licensing terms suck in comparison.
I think what really sucks is people's inability to use Google and find out what things really cost, how they really work, how you are not trapped in the cloud and so on.
 
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Very. You simply deactivate/activate your software and that's it.

It seems that this needs to be done from the computer you are deactivating, which means that if I grab one of my laptops but another one is currently activated, I'd have to ring them up to get it sorted?

I assume at least that there's no limit to how often I can do that.

But it still looks like double the cost for two users, even though we overlap on the machines we're using it on?

Still seems like extra cost and a lot of faff.
 
I agreed that the monthly fee is something most of us don't want. As a prosumer I have been fine with Lightroom 2. I can upgrade to Lr5 for $79 but am even rethinking the need for it.
You should however look into student discount. I believe it is $79 for the full version.

Can you post the link to the $79 version? Many people have said that, but I can only bring up the subscription model on Adobes website.

Thanks.
 
Can you post the link to the $79 version? Many people have said that, but I can only bring up the subscription model on Adobes website.

Thanks.

I was going to ask the same thing...I see the $10/month for PS and LR (not a bad deal) but where's that mythical stand-alone version?

Replacing add-ons might be difficult...or expensive.
 
Doubling down... not! Your biggest competitor pulls out. No competition means higher pricing and dragging your feet when it comes to innovation.

Aperture was very unlikely LR's biggest competitor (that's probably DXO Optics Pro or CaptureOne Pro) - it's been clear for a while that Apple would eventually cancel it and there really weren't that many photographers using it anymore. The problem with the ones mentioned is that Adobe will eventually buy them and close them down, just like they did with Raw Shooter (which eventually emerged as Lightroom) back in the day.
 
I'll never rent software and I'm quite happy using older operating systems.

Except that it's not 2002 anymore. With OS X now free Apple is rapidly convincing major devs and device makers to only develop s/w compatible with the last couple of OS versions. It's easier for devs plus more lucrative because it forces consumers to upgrade sooner than they previously did with OS versions dropping annually.

So you can say you are happy using older OSes but that really isn't practical now. And, of course, you may actually do it, but most consumers, consume so eventually they'll run into s/w or h/w that requires the latest OS, which is also not compatible with some of their older s/w.

I don't like the new "rental" scheme either. I'm old school, fondly remembering the 50 page s/w MacConnections catalogs, but "rental" is the future whether we like it or not. Saying "never" possibly means stop using your computer all together 5-10 years from now.
 
What a daft thing to say.
A: Adobe would be insane to rely on Apple given they have a history of dumping things [Aperture being just the latest] without informing or caring about others. The Cocoa/Carbon fiasco being a good example of where companies got screwed over by Apple.

Okay, then how about Dropbox?


B: How on earth would that be of any use to the millions who use PCs?
C: 'like everyone else' Such as?

Nearly every other app on iOS except for the ones that use Dropbox for the reasons you mentioned.


PS is a pro standard programme and Pixelmator certainly does not even come close to PS's capabilities. Not to mention that the vast majority of PS users are not photographers.

Actually, it does. Pixelmator supports CMYK and 16-bit-per-channel color. It supports most or all of the layer effects. Last I checked, it was missing most of the new features past about CS2 or so, and it doesn't have the 3D modeling stuff that 99% of users don't need or care about, but it does a remarkable job for the 99% case.


Besides if you are not a pro why not buy PS Elements

Because Elements won't do CMYK. It is watered down to the point of being useless for prepress work.


Loads of software can read or open Adobe's files.

Photoshop files? I've never seen any others that handle 16-bit color channels or CMYK, though I'm not saying that they don't exist....
 
It's even more amazing that Adobe is now among those companies scaming european customers.

What you mean by "now"? They've always been doing that. Lightroom costs some 50% more here than in the US, the same goes for Photoshop. I'm amazed the EU hasn't opened anti-trust investigations against them yet.
 
I agreed that the monthly fee is something most of us don't want. As a prosumer I have been fine with Lightroom 2. I can upgrade to Lr5 for $79 but am even rethinking the need for it.
The increase in image quality of LR5 over LR2 is amazing. If you shoot raw, it's like upgrading your cameras to a much better model for a bargain price - no exaggeration. Not to mention the many, many other improvements.

Here's a screenshot of a flawed image [underexposed cat] I use to demo some of the big improvements in process versions, with from left to right the untouched raw file, process version 2003 [LR1 + 2], Process version 2010 [LR3] and Process Version 2012 [LR4+5]. Only the last one looks like the scene as I saw it, when Idiot Cat no. 3 wandered into shot as I was shooting some cloudscapes for my image bank.
This particular shot does not demonstrate how well PV2012 handles highlights compared to previous versions, but it's also very impressive.
 

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I was going to ask the same thing...I see the $10/month for PS and LR (not a bad deal) but where's that mythical stand-alone version?

Replacing add-ons might be difficult...or expensive.

It's on Amazon as a download or retail box... Cheaper than Adobe.

Oh and can we settle one last thing for everyone? This is from Adobe's official FAQ on Lightroom 5:

Q. Will Lightroom become a subscription only offering after Lightroom 5?

A. Future versions of Lightroom will be made available via traditional perpetual licenses indefinitely.
 
Can you post the link to the $79 version? Many people have said that, but I can only bring up the subscription model on Adobes website.

Thanks.
Ever heard of Google, it's this neat little website that can do searches for you and there' this wee website called Amazon, they might have a copy for sale.... :p
 
Utter nonsense. Buy a box version or upgrade for £95/£58 respectively and you are both sorted until you next decide to upgrade. A copy works on two computers so that is all you need.

Except that this isn't allowed in the license terms, and in any case doesn't match our current usage of Aperture.

You may be happy working within (or ignoring) the licensing conditions, but for me there would be extra cost and/or a lot of lost flexibility.
 
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The increase in image quality of LR5 over LR2 is amazing. If you shoot raw, it's like upgrading your cameras to a much better model for a bargain price - no exaggeration. Not to mention the many, many other improvements.

Here's a screenshot of a flawed image [underexposed cat] I use to demo some of the big improvements in process versions, with from left to right the untouched raw file, process version 2003 [LR1 + 2], Process version 2010 [LR3] and Process Version 2012 [LR4+5]. Only the last one looks like the scene as I saw it, when Idiot Cat no. 3 wandered into shot as I was shooting some cloudscapes for my image bank.
This particular shot does not demonstrate how well PV2012 handles highlights compared to previous versions, but it's also very impressive.

Thank you for posting that! I was going to say something to the same effect. Adobe worked some kind of voodoo magic on RAW processing since LR1+2. It was a much bigger upgrade to my images than replacing my Canon 5D2 with a $3500 5D3.

Your comparison was even more dramatic than I remembered. Now I really want to go back to some of my older photos.
 
Can you post the link to the $79 version? Many people have said that, but I can only bring up the subscription model on Adobes website.

Thanks.

That is the upgrade price. The full version is like $130.

I don't know if it's possible to find the full version at the Adobe site, but the only way I saw to reach the upgrade there was by going through the US pages first.

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Except that this isn't allowed in the license terms, and in any case doesn't match our current usage of Aperture.

You may be happy working within (or ignoring) the licensing conditions, but for me there would be extra cost and/or a lot of lost flexibility.

But you can buy 2 copies. I don't know where you got your pricing from or what are your licensing problems.
 
Except that this isn't allowed in the license terms, and in any case doesn't match our current usage of Aperture.

You may be happy working within (or ignoring) the licensing conditions, but for me there would be extra cost and/or a lot of lost flexibility.

Your current usage of Aperture caused Apple to have to shut it down. :D
 
Okay, then how about Dropbox?
Why would they bother with DB? Same potential issues as Apple.

Nearly every other app on iOS except for the ones that use Dropbox for the reasons you mentioned.
Now seeing as we are talking about OSX and not Apple's locked down mobile OS, not really relevant.

Actually, it does. Pixelmator supports CMYK and 16-bit-per-channel color. It supports most or all of the layer effects. Last I checked, it was missing most of the new features past about CS2 or so, and it doesn't have the 3D modeling stuff that 99% of users don't need or care about, but it does a remarkable job for the 99% case.
You seem to confusing what you require and what others actually need. The vast majority of PS users are not photographers, it was down to less than 10% 3-4 years back and LR, Capture 1 etc have improved enormously since then. Quite possibly, more 3D people use it than photographers these days. LR does the majority of what most photographer's need now.
And if you think Pixelmator is comparable despite missing most of the features past CS2, then your dafter than a box of frogs. :p Every version of PS has been a big improvement on prior ones when it comes to workflow and power. I wouldn't go back one version of PS, let along 6 versions due to the vast time savings they made. And that's speaking just as a photographer, for other jobs there are amazing differences, I can now grade video using ACR in PS which is simply brilliant.

Because Elements won't do CMYK. It is watered down to the point of being useless for prepress work.
Well duh! It's not a pro programme. Any pro using that is a bit amateurish and should be using the proper tools for the job. And if you can't afford PS, particularly at $10 a month, you are in the wrong business.

Photoshop files? I've never seen any others that handle 16-bit color channels or CMYK, though I'm not saying that they don't exist....
Lots of programmes open PSDs, but TIFFs are recommended over them even by Adobe.
 
But you can buy 2 copies. I don't know where you got your pricing from or what are your licensing problems.

Pretty sure two copies costs twice as much. Replacing one license of Aperture for me requires between two and four licenses for LR, depending on how much faff I want to put up with, regardless of whether it's standalone or cloud.

This bleating about "oh, just get this stand-alone version" is completely missing the point. The payment model is not the issue. The issue is the number of copies I'm expected to buy to replace a single copy of Aperture.
 
Thank you for posting that! I was going to say something to the same effect. Adobe worked some kind of voodoo magic on RAW processing since LR1+2. It was a much bigger upgrade to my images than replacing my Canon 5D2 with a $3500 5D3.

Your comparison was even more dramatic than I remembered. Now I really want to go back to some of my older photos.
I haven't bothered with a Mk III as the difference for the much bigger price was marginal. A couple of new L lenses or a new laptop make more business sense.

There have been a few images where older cameras 5D I weren't up to the low light conditions or a flash failed to fire and PV2012 has made them look good when revisited. Yay! :D
This was a shot on a pocket camera [Canon S60] of the actor Adewale Akinnuoye-Agbaje [Mr Eko in Lost, Thor etc] in bugger all light and had dreadful banding and ickyness when first processed. But it looks OK now.
 

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