Nathan, when digi mentions high definition audio.. its not really their HD range of units.. it just means.. er.. high definition.. as in.. sample rates more than 48.1 khz (upto 96 khz i believe)
Their HD models go upto 192 khz.. and ProTools HD has more than 32 tracks of audio.. they go up to 256 tracks depending on what configuration you buy. With pro tools le.. you're stuck with 32 tracks (which is not bad.. but for my kind of music its hopeless.. my sound effects alone take up 32 tracks!)
Apogee has the best convertors in the industry. When you record any sound into pro tools.. you're basically converting that analog sound into digital.. so the computer can 'read' that. The quality of that sound depends on the quality of the A/D (analog to digital) convertors
So I connect the apogee to the 002 rack via optical cable.. no analog connections. Basically, the apogee handles all the a/d conversion.. and then that digital stream passes from the apogee to the 002 rack, to the computer. This is only when I'm using pro tools (hence i *have* to use a digidesign interface like the 002 rack)
If I'm not using pro tools.. i bypass the 002 rack.. I just use the apogee.
And don't worry about the quality of your recordings.. you'll get better with time. When I started.. there was no internet! I didn't even have any books.. nothing. I just used to compare my mixes to professional ones and figure out what I needed to do.
You should not let your levels on all tracks jump to peak (not all the time) Use a compressor plug-in.. to maximize the sound without making it go over the peak. That's the beauty of analog tape.. is that you can make levels go higher and analog has a lot of headroom.. so it sounds 'fatter' With digital the minute you go over the '0' level.. it sounds harsh.. like static.
Always play your mixes through your car stereo.. if it sounds good in there, it will mostly sound good everywhere else. I used to find myself adding a lot of bass to every song.. would sound good on the headphones.. but when I'd play them in the car.. my speakers would fart with all that bass.. lol.
Their HD models go upto 192 khz.. and ProTools HD has more than 32 tracks of audio.. they go up to 256 tracks depending on what configuration you buy. With pro tools le.. you're stuck with 32 tracks (which is not bad.. but for my kind of music its hopeless.. my sound effects alone take up 32 tracks!)
Apogee has the best convertors in the industry. When you record any sound into pro tools.. you're basically converting that analog sound into digital.. so the computer can 'read' that. The quality of that sound depends on the quality of the A/D (analog to digital) convertors
So I connect the apogee to the 002 rack via optical cable.. no analog connections. Basically, the apogee handles all the a/d conversion.. and then that digital stream passes from the apogee to the 002 rack, to the computer. This is only when I'm using pro tools (hence i *have* to use a digidesign interface like the 002 rack)
If I'm not using pro tools.. i bypass the 002 rack.. I just use the apogee.
And don't worry about the quality of your recordings.. you'll get better with time. When I started.. there was no internet! I didn't even have any books.. nothing. I just used to compare my mixes to professional ones and figure out what I needed to do.
You should not let your levels on all tracks jump to peak (not all the time) Use a compressor plug-in.. to maximize the sound without making it go over the peak. That's the beauty of analog tape.. is that you can make levels go higher and analog has a lot of headroom.. so it sounds 'fatter' With digital the minute you go over the '0' level.. it sounds harsh.. like static.
Always play your mixes through your car stereo.. if it sounds good in there, it will mostly sound good everywhere else. I used to find myself adding a lot of bass to every song.. would sound good on the headphones.. but when I'd play them in the car.. my speakers would fart with all that bass.. lol.