The real question should be - why is this even a story worth covering? It's a freaking font.
Yeah, it's about as minutiae as it gets.
On the other hand, fontography is a huge part of Apple's DNA. After Steve Jobs dropped out of Reed College he audited and studied calligraphy, and because of that he had a big focus on the Mac's typography. It was the first computer with proportional fonts, and writing apps had black "ink" on white "paper" instead of the lit text on a black screen everyone else was doing. At the time it was revolutionary for a typed "i" to have a shorter pitch than an "m," but typesetters, writers, and calligraphers have known it for centuries. Apple Garamond was instantly recognizable as their corporate font for years, on which the "Think Different" campaign was built, and was as representative of Apple Computers as the rainbow apple. I remember how their fonts took the name of cities (Chicago, New York) and San Francisco is part of that. (One of the goofier original bitmapped Mac fonts was also called San Francisco, btw.) On Macs it's still far easier to add symbols and diacriticals, using simple key combinations instead of Windows' maddening "Insert symbol" menu command. Meticulous attention to typography and fontography is, I think, one of the reasons Apple attracted creative professionals to their camp. Heck, there's a whole Wikipedia
article on it.
So yeah, it is a tiny thing in the current grand scheme. But for Apple it's an important thing too and something a lot of people, especially devotees, notice.
I just think it's the pinnacle of asinine pettiness to use it as a springboard about all things Apple one whines about.
Edit: Reading that article, I learned another cool connection between Apple and fonts. The bite out of Apple's apple was originally designed to fit against the
"a" of Apple in Motter Tektura typeface (also used by Reebok) and has looked that way ever since.