those smartphone cameras really have come a long way
but
you can blur all you want, that bokeh still does not convince me and combining the lens characteristics of a lens combination with an equivalent focal length of 26 / 52 mm with a forced background blur gives me the creeps
it just does not look right to me, kind of artificial
A 28 mm is clearly wide angle and does not blur anything but tends to visually bend objects and even a nifty fifty ain't your classic portrait glass with that much blurring, even going for it at f1.8
so why overdo it
I take a lot of pictures with my iPhone and I like them a lot, but for portraits I prefer my 85mm f1.8
And that's OK, considering Apple's iPhone customer base, who are casual photographers and not professional/semi-professional portraitists. Rather, many are just happy snappers taking photos of their family, pets, vacation travels, etc.
With that in mind, and as a photographer who has shot a ton of portraits, I think Apple has done an outstanding job creating effects that let people explore creative photography with a camera that fits in a pocket.
"A 28 mm is clearly wide angle and does not blur anything but tends to visually bend objects and even a nifty fifty ain't your classic portrait glass with that much blurring, even going for it at f1.8"
And the average iPhone shooter would not care in the slightest, know what you're talking about, or even know what bokeh means.
As an aside, I do take some exception to the notion of a
classic portrait lens. It can be anything that works for you and your objectives. A lot of my portraits, where environmental context was important, were shot with a 35mm f/1.4. Hardly your classic portrait lens. It's all about how close you want/need to be to your subject, the amount of environmental context desired, and being mindful of perspective distortion that's a function of subject closeness.