orangedv said:I am a 'serious' graphic designer and I feel I need to make a point here. Several people have commented on us serious designers avoiding flat displays because of colour accuracy. This is simply untrue. Various ads and web sites tell us that there are all sorts of clever gizmos and software that will match the colour on screen with printed output. Ok confession time......NONE OF THEM EVEN COME CLOSE TO WORKING! There said it. I, and every pro I know works 'colour blind' on whatever montior is at hand. We check our colours with pantone calibrated print proofs off the office laser. We decide which colours to use with a pantone swatchbook, never ever ever with one we mixed up on screen. That is suicide! You show a client a proof on screen and he agrees to it, then send it off to the printers, you can bet your bottom dollar you will get a reject along with a comment along the lines of "Hey! That's not what it looked like on screen!" I know one designer who had to swallow the cost of 3 new power macs for making this mistake. Whole print run rejected.
The calibrators can only accurately match on part of the spectrum at the expense of another part. Usually you end up with very yellow whites if you fine tune it to match most colours. Most of us gave up on that and trust the printed output. Screens and printers use different colour mixing physics. (additive and subtractive) any attempt to make one pretend it is the other will have limits. Beware!
Great post, I'm glad somebody said it. The designers still holding onto their CRT's for other reasons besides cost are the same ones that are still running OS 9 and Quark 4.1.
OS X, InDesign and 23'' Cinema Displays are what 'serious' designers should be using