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Wigmore Hall Live today relaunches as a digital-only platform in partnership with Apple Music Classical, with all recording royalties passed directly to artists, Gramophone reports.

wigmore-hall.jpg

Wigmore Hall is a prestigious 550-seat concert hall on Wigmore Street in London's Marylebone, widely regarded as one of the world's foremost venues for chamber music, early music, and vocal recitals. Opened in 1901 and noted for its particularly good acoustics, the Grade II listed building hosts over 500 concerts each year. The new partnership with Apple was announced as part of the Hall's 125th anniversary celebrations this year.

Under the artist-first model, Wigmore Hall will cover all production costs for every release and take no share of recording income, passing 100% of royalties received directly to the performing artists. The platform will release four digital-only recordings per year, drawn from live performances at the Hall and developed in close collaboration with artists. Each new Wigmore Hall Live release will premiere exclusively on Apple Music Classical for three months.

Director John Gilhooly said the partnership would allow listeners "to experience Wigmore Hall concerts as close to the live event as possible," citing Apple Music Classical's sound quality as central to that goal.

The first release under the new model is Pianist Boris Giltburg's recording of Beethoven's Piano Sonatas Nos. 4, 8, 9, 20 ("Pathétique"), and 26 ("Les Adieux"), recorded live at Wigmore Hall in February 2025. The Piano Sonata No. 26 in E-flat major is available now, with the entire album to launch tomorrow. The release includes an artist commentary track in which Giltburg offers deeper insight into the repertoire.

Apple Music Classical has previously partnered with institutions including the Berlin Philharmonic, Carnegie Hall, the Chicago Symphony Orchestra, the London Symphony Orchestra, the Metropolitan Opera, the New York Philharmonic, and the Vienna Philharmonic. The app launched in most countries in March 2023 and is included with a standard Apple Music subscription at no additional cost, offering access to over five million classical music tracks. It is based on Primephonic, a classical music streaming service acquired by Apple in 2021.

Article Link: Apple Music Classical Announces New Partnership With London's Wigmore Hall
 
Not sure this is enough to get me to switch back to Apple Music from Qobuz but it is enough to make me think about it. Especially now that the BBC, which often airs Wigmore Hall concerts, has axed the listen-on-demand BBC Sounds app for listeners outside the UK.
 
Not sure this is enough to get me to switch back to Apple Music from Qobuz but it is enough to make me think about it. Especially now that the BBC, which often airs Wigmore Hall concerts, has axed the listen-on-demand BBC Sounds app for listeners outside the UK.

I currently have both: Apple Music (due to Apple One subscription) and Qobuz. If only Apple were less stubborn and deploy a simpler way to feed a streamer/DAC with hi-res/bitperfect signal (enhance the sample rate of AirPlay for starters) or open to Roon...
 
I currently have both: Apple Music (due to Apple One subscription) and Qobuz. If only Apple were less stubborn and deploy a simpler way to feed a streamer/DAC with hi-res/bitperfect signal (enhance the sample rate of AirPlay for starters) or open to Roon...
I'm all Sonos and originally switched to Qobuz because it streamed to Sonos in hi-res and Apple Music didn't (does now). Also, 90% of the music I listen to is classical (in its widest sense) and, despite waiting for Apple Classical with bated breath, I was majorly disappointed with its user interface, finding it far inferior to Idagio's (which may have changed since).

My lack of enthusiasm for the interface continues but, I have to admit that when searching recently for recordings of works by an obscure early Baroque composer (Giovanni de Macque maybe?), Qobuz's search engine found only one or two while AM listed more than a dozen. Still, that's the exception rather than the rule.

Because I don't want to rebuild my favourites and playlists in Apple Music (last I checked, no conversion utility exists), I suspect I'll be staying with Qobuz.
 


Wigmore Hall Live today relaunches as a digital-only platform in partnership with Apple Music Classical, with all recording royalties passed directly to artists, Gramophone reports.

wigmore-hall.jpg

Wigmore Hall is a prestigious 550-seat concert hall on Wigmore Street in London's Marylebone, widely regarded as one of the world's foremost venues for chamber music, early music, and vocal recitals. Opened in 1901 and noted for its particularly good acoustics, the Grade II listed building hosts over 500 concerts each year. The new partnership with Apple was announced as part of the Hall's 125th anniversary celebrations this year.

Under the artist-first model, Wigmore Hall will cover all production costs for every release and take no share of recording income, passing 100% of royalties received directly to the performing artists. The platform will release four digital-only recordings per year, drawn from live performances at the Hall and developed in close collaboration with artists. Each new Wigmore Hall Live release will premiere exclusively on Apple Music Classical for three months.

Director John Gilhooly said the partnership would allow listeners "to experience Wigmore Hall concerts as close to the live event as possible," citing Apple Music Classical's sound quality as central to that goal.

The first release under the new model is Pianist Boris Giltburg's recording of Beethoven's Piano Sonatas Nos. 4, 8, 9, 20 ("Pathétique"), and 26 ("Les Adieux"), recorded live at Wigmore Hall in February 2025. The Piano Sonata No. 26 in E-flat major is available now, with the entire album to launch tomorrow. The release includes an artist commentary track in which Giltburg offers deeper insight into the repertoire.

Apple Music Classical has previously partnered with institutions including the Berlin Philharmonic, Carnegie Hall, the Chicago Symphony Orchestra, the London Symphony Orchestra, the Metropolitan Opera, the New York Philharmonic, and the Vienna Philharmonic. The app launched in most countries in March 2023 and is included with a standard Apple Music subscription at no additional cost, offering access to over five million classical music tracks. It is based on Primephonic, a classical music streaming service acquired by Apple in 2021.

Article Link: Apple Music Classical Announces New Partnership With London's Wigmore Hall
“This album is unavailable in your country or region.” Wtf. If Apple wants to win on services, play to win FFS.
 
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