I've been craving Retina support for Traktor for ages. Not holding out much hope of them supporting Apple Music!Now if only Native Instruments could get on board.
That's precisely not how DJ's are using music subscriptions. They DOWNLOAD tracks BEFORE the gig, so they are all local. Nothing to do with having internet use during the gig.Streaming won’t work. Professionals use CDJs running off USB sticks. Local music databased out into set lists. And usually there’s two or three of those USBs on hand just in case. Makes it easy to transition from one artist to the next and allow for B2B performances.
Worrying about the internet dropping out is the last thing production wants add to their list of fears. Decks break, speakers blow, power goes out, but at least the music is in one place.
Not better sound than CD's since lossless was introduced, or even better hi-res, both in the last two years.Been using Apple Music to program a local radio show for 2 years (I was late to the streaming game). Still prefer cd's for their better sound, but having access to the other 99 million songs I don't own on cd is awesome.
No problem syncing or searching here either btw... 😏
That would be so great!Integrate it with Roon instead.
So i just tested this out on Rekordbox and i can confirm you can add reverb etc, the only thing its missing compared to the likes of Tidal which iv been using for a couple of years now is Stems. I can now safely drop Tidal sub' which was only used for DJing (playing requests i don't have on SSD) and us AM as i already have a sub for that and don't need to pay extra for DJ software integration. (which i guess will come when Apple figure out everyone else does it)Not as cool as it seems.
Apple's license doesn't allow DJs to alter the sound of the track. So while they can mix it into another or blow the infamous air horn, they cannot isolate vocals, add reverb, etc. Kinda worthless.
Enshirtification? Did you do that intentionally or did The Good Place invade Macrumors? Not that I object even a little. 😂
Not better sound than CD's since lossless was introduced, or even better hi-res, both in the last two years.
DJs indeed require high-quality music; not necessarily lossless -- that may actually be a bad idea in certain scenarios -- but high quality mp3s should do just fine. The reason is not what most people think. DJs transform the music, they change the pitch and tempo all the time. High compression artifacts become more pronounced when doing so. A good example with Serato DJ is, using Pinch'n'Time, bring a 128kbps mp3 house track with intense baseline and drums down to -10% and listen to what happens.[...] Beyond the idea that a DJ using streamed content is playing with fire, I wonder if they've fixed the lossless implementation when playing in these apps; [...]
The only thing you cannot use is stem isolation.Not as cool as it seems.
Apple's license doesn't allow DJs to alter the sound of the track. So while they can mix it into another or blow the infamous air horn, they cannot isolate vocals, add reverb, etc. Kinda worthless.
I wanted to sign up for Tidal after Spotify support was dropped - alas, never available in my region.So i just tested this out on Rekordbox and i can confirm you can add reverb etc, the only thing its missing compared to the likes of Tidal which iv been using for a couple of years now is Stems. I can now safely drop Tidal sub' which was only used for DJing (playing requests i don't have on SSD) and us AM as i already have a sub for that and don't need to pay extra for DJ software integration. (which i guess will come when Apple figure out everyone else does it)
Exactly what I was thinking. I used to VJ and I wouldn't be comfortable relying on an interent connection or whatever else such a setup would mean.Streaming won’t work. Professionals use CDJs running off USB sticks. Local music databased out into set lists. And usually there’s two or three of those USBs on hand just in case. Makes it easy to transition from one artist to the next and allow for B2B performances.
Worrying about the internet dropping out is the last thing production wants add to their list of fears. Decks break, speakers blow, power goes out, but at least the music is in one place.
Right that’s what i’m saying, they don’t want to have to deal with internet during the gig. Music is already on the USB.That's precisely not how DJ's are using music subscriptions. They DOWNLOAD tracks BEFORE the gig, so they are all local. Nothing to do with having internet use during the gig.
Actually, to my ears most cds still sound better, though it may just be because the DACs in my disc players are better than the ones in my iPhone, Mac, and Apple TV.Not better sound than CD's since lossless was introduced, or even better hi-res, both in the last two years.
For club audio, it's not gonna matter to anybody but the DJ's ears. Nobody else in the room is even close to being in an optimal listening situation, they won't hear the difference. 128k mp3 is more than good enough.Actually, to my ears most cds still sound better, though it may just be because the DACs in my disc players are better than the ones in my iPhone, Mac, and Apple TV.
yeah, I do a broadcast show, so with that and home use there's a bit of a difference. Again, it's small, but if I have the disc I'll play that instead of the Apple Music stream 99% of the time, the exception being if my CD is an older unremastered version.For club audio, it's not gonna matter to anybody but the DJ's ears. Nobody else in the room is even close to being in an optimal listening situation, they won't hear the difference. 128k mp3 is more than good enough.
If only lossless playback actually worked. Ever since it was introduced, a bug causes skipping whenever a track is streamed for the first time in a session. It's infuriating. I and many others have reported it to Apple, but they haven't done anything about it. It seems to be related to how Apple Music pre-caches the start of a song, then switches over to the downloaded portion. A small part of time in the song is literally skipped, it sounds like a CD skipping. When you hear it, you can't un-hear it, and being a musician I heard it right away. It doesn't happen when streaming lossy, only lossless...but since a part of the track is literally skipped, we can't really call this lossless can we? 🤷♂️
Integrate it with Roon instead.
Roon integration would truly be great. And might give Roon extra subscribers if people had access to AM for their subscription music.That would be so great!
But AFAIR reading a while ago (I could be wrong though, so don't quote me on it!), the Roon devs have given such an idea a definite "never-going-to-happen", unfortunately (both AM & Spotify).
Apple integration is easy for us on iOS/macOS – but we couldn’t do any of the audio magic. We’ve spoken to them and they are willing to give us the data dumps we need. The biggest issue with Apple is that they won’t give us audio streams or playback outside their platforms.
Since Apple would control the audio stream, and not Roon’s MUSE audio engine: no DSP, no hi-resolution audio, no multi-zone, no bit-perfect playback, no using your devices’ clocks for networked audio, no signal path, no volume leveling, etc.
Well found on the quote, thanks. Yes, maybe in future, or maybe not – depends whether Apple ease back on their control mechanisms. I suspect not, though, TBH.Yes, I know.
Roon and Apple were already in touch in the past. Unfortunately the deal was not reached because Apple wants a tight control about how the stream works.
Just to quote the issue from Roon reps:
[...]
I still hope that in a way or another the Roon-Apple Music matching will be done in the future. Mine was more a rant than an actual request.
Haha true - i've been bringing that up constantly. It's horrible to sort music libraries out on that pixelater mess. We've been through two major versions and nothing.I've been craving Retina support for Traktor for ages. Not holding out much hope of them supporting Apple Music!