No. Now I've seen what they have in mind, it's exactly what I expected. The big cop-out is the "Based on... " thing. It shares the name - "Foundation", and the names of some of the characters... and that's it. Everything else is the product of the production company. These changes are not 'alterations' for the purposes of making the task of filming easier. It's just pointless fiddling with the basics of the story to suit the personal agendas of the makers, and pandering to the appetites and social mores of the times.
Recasting / gender swapping... one of the major changes is in making Eto Demerzel female. You might consider this a trivial change, purely done in the interests of balance and inclusivity. However, if you've read any of the books set in what we might call the "Foundation" universe then you'll know what a huge deal this is, as in, utterly fundamental to the vast bulk of what comes before and after "Foundation". Read "The Caves of Steel" and go on from there, and you'll get the picture. With that one change, the producers have painted themselves into a corner which they can only escape from if they make the central theme of the whole series gender politics and sexuality. Which it isn't.
'Foundation' is not "Star Wars", or Dune, or indeed anything else. There's a school of thought which says that without changing aspects of it to make it palatable to a modern audience, it's unfilmable. This is incorrect. If you stay close to the source material, then of course, you don't get "Star Wars", or anything involving bands of plucky exiles etc. etc., but you would get something closer to say... "I, Claudius". A series which placed 12 in the list of 100 Greatest British Television Programmes. Incidentally, featuring a young Patrick Stewart! Google it if you don't know it.
Someone once commented that Asimovs books don't have any action , just lots of talking. The reply was that the talking is the action! And indeed, that is the case. No strong or pivotal female characters? Then you haven't read the books. Two characters, central to the overall story that encompasses the original three Foundation novels are Bayta and Arkady Darell. There are others. But we digress... Foundation isn't about technology, connectivity, gender politics, black holes, spacecraft, people running around with guns and stuff on fire. With depressing predictability, it's about what I'd expect from whoever thought that making shallow, forgettable 'Batman" movies was credential enough for this. Imagine deciding to film Gibbons "Decline and Fall of the Roman Empire", and then, bizarrely, deciding that the guy that did that Batman movie would be perfect for the job.
Sure, it'll look fabulous, as it should, and all the money will be right up there on screen, giant spacecraft, moody lighting, black holes from that other movie and everything. It might even have an engaging story of some sort, in the vein of "plucky band of outsiders, beset on all sides by sinister, monolithic and implacable foes, seek to right wrongs and save the galaxy against all the odds". I wonder why they didn't just write their own story... but it seems they've done just that, and tacked the name "Foundation" onto it to lend it some gravitas and authority.
I was not convinced when it was first announced that they were going to do this. As more information has become available, I became less and less convinced, and more sure that they'd produce pretty much what we see in the trailer. It could have been, should have been great... but instead, it looks like we'll get something like Will Smiths 2004 "I, Robot" - also notionally from an Asimov book, and about as far from it as this will be. Another missed opportunity.
NB: If you think Asimov couldn't make predictions about the future, then you should read some of his non-fiction. Also, I know these books inside out, and can, and will, quote passages verbatim.
E.g: "Foundation" - Part 1: The Psychohistorians. First line after entry for Hari Seldon is as follows:
"His name was Gaal Dornick and he was just a country boy who had never seen Trantor before."
First word of the first line of the first chapter of the first book - changed, for no reason. Downhill from there.
Then you haven't read the books. At least two characters, pivotal to the series as a whole, are female, and it is the fact that they are female that's important. Bayta and Arkady Darell. And then we have Wanda Seldon, Hari's daughter, the creator of the Second Foundation, Mayor of Terminus in the later books, Harla Branno, Dors Venabili, Susan Calvin... and many others. He did not ignore half the population. Seriously, you need to read the books.I wonder how they'll pull these stories into the 21st century. Apparently Asimov was rather awkward at representing women in his stories. Seems odd to ignore half the population.
Then you haven't read the books. [..]
How will they pull them into the 21st Century? By loading them up with every trope and device necessary to make them appeal to a 21st Century audience and virtue signalling what they've done, with little or no regard to the source material.
I’m not familiar with the original work, but when it comes to adaptations you have to understand the “if we don’t do it, someone else will” angle. Goyer may be as much an enthusiast as yourself, and these screenwriters want nothing more than to bring their favorite books growing up to life.First word of the first line of the first chapter of the first book - changed, for no reason. Downhill from there.
I fear you've misunderstood my (and others) misgivings about what they're producing. They could not make the show for me if they tried, so I was hardly expecting that. The problem with it is that by introducing predictable, pointless changes, they've missed an opportunity to do something really great, something really brave. This isn't material that you can approach in the same way that you would approach 'Batman" (or is it "The Batman" these days...) or MCU or all the rest of it. It's more akin to "War & Peace" or "Decline and Fall of the Roman Empire".Ah ok. They are pretty much not making the show for you. I’m sorry to be the one to have to tell you this. Not just you but anyone in the “if they change X the whole thing falls apart” camp. That’s the viewer no one making a film or tv show wants. Good thing for trailers right? Saves you some time.
Yep. Watched it. Forgot it. There you go.I’m not familiar with the original work, but when it comes to adaptations you have to understand the “if we don’t do it, someone else will” angle. Goyer may be as much an enthusiast as yourself, and these screenwriters want nothing more than to bring their favorite books growing up to life.
Your also the only person I’ve ever heard call TDK trilogy “forgettable.”
This is the central problem with the Foundation novels. A spacefaring civilization (traveling with nuclear power) is not going to lose the means to store information electronically. If you can cross the stars you can come up with a better solution than a book. It’s just a failure of Asimov’s imagination, ditto for the exclusion of half the human species from the first novel. Even in Asimov’s time it was considered kind of odd to have zero significant female characters, which is something he admittedly tried to correct in the second book.Well, we don't know what will happen between now and 30,000+ years from now. Anything could happen, including the loss of distributed knowledge through electronic means. Or, as it happens in the universe of Frank Herbert's Dune, you might even have a future in which travel in space happens but without any electronics.
Ah... then you will need to also actually read the books, and also the books that come before the "Foundation" trilogy. And also the sequels. And then you'll understand why, if you gender-swap one character in particular, for no other reason that empty virtue signalling, you create an enormous problem for the whole series. It just doesn't work, it is not an improvement, and there's no need for it.
Many works of art produced centuries ago have aged extremely well. Foundation was made much more recently and hasn’t aged well at all. That’s because its fundamental premises were always flawed.so I guess you never read or watch anything that wasn’t made in the last 5 years.
This is the central problem with the Foundation novels. A spacefaring civilization (traveling with nuclear power) is not going to lose the means to store information electronically. If you can cross the stars you can come up with a better solution than a book. It’s just a failure of Asimov’s imagination, ditto for the exclusion of half the human species from the first novel. Even in Asimov’s time it was considered kind of odd to have , which is something he admittedly tried to correct in the second book.
You can, but if it defies basic logic people are probably going to comment on it.Man, it's sci-fi. You can imagine whatever you want, however you want it. You can have a nuclear powered civilization handled by talking lions and singing monkeys without computers. Or you can have a future 10,000 years from now in which virtually nothing has changed from today. You can have a plethora of Susan Calvin like female scientists or all-male scientists, or a mix, or whatever. It's sci-fi.
You can, but if it defies basic logic people are probably going to comment on it.
Oh, you can absolutely lose the means to electronically store information, or at least, the means to recover it:This is the central problem with the Foundation novels. A spacefaring civilization (traveling with nuclear power) is not going to lose the means to store information electronically. If you can cross the stars you can come up with a better solution than a book. It’s just a failure of Asimov’s imagination, ditto for the exclusion of half the human species from the first novel. Even in Asimov’s time it was considered kind of odd to have zero significant female characters, which is something he admittedly tried to correct in the second book.
Heinlein's heroines are all copies of his wife, Virginia.Not to be nit-picking but Stranger in a Strange Land isn't Asimov, it's Robert Heinlein. And half of its principal characters are women.
This is the central problem with the Foundation novels. A spacefaring civilization (traveling with nuclear power) is not going to lose the means to store information electronically. If you can cross the stars you can come up with a better solution than a book. It’s just a failure of Asimov’s imagination, ditto for the exclusion of half the human species from the first novel. Even in Asimov’s time it was considered kind of odd to have zero significant female characters, which is something he admittedly tried to correct in the second book.
Crikey! Which would you recommend to start with? Or, if I was to only read one of them, which one?Make sure you get all seven foundation books, not just the first three...
...and don't forget Naked Sun, Robots of Dawn, and Robots and Empire, which fit between the Caves of Steel and the Foundation series...
Any/all! You can read the initial novels before or after Foundation, they'll still make sense. Ideally the four I mentioned (starting with Caves of Steel) in sequence. But you probably should read those and the original Foundation trilogy before moving on to Prelude to Foundation and the subsequent novels set after the Foundation.Crikey! Which would you recommend to start with? Or, if I was to only read one of them, which one?
PS: On a related note, while I encourage people to read Asimov’s novels and especially his short stories it is also important to note that Asimov has a disturbing legacy when it comes to women
Ugh, thanks. I did not know about this, and I hate it when cherished artists turn out to have been *******s. I mean, I don't need them to be saints, but Asimov seems to have gone well beyond what maybe could be excused as unfortunately normal for his time.