You just made my day.![]()
Thanks, but I was sort of riffing off a funny line from the Firefly TV series.
You just made my day.![]()
If it closes I'll start stealing music again for 2 reasons
1) iTunes is the best place to get music
2) To spite the stupid a holes who made it close
So it's true that if you just download a bunch of songs and burn it to a CD, you're DRM-free? Then why the fuss over DRM?
I mean, not only are you backing up all your music, just in case, but you can do what you want with it, too.![]()
who cares about artists?
Because you can't play it on a non-iPod. And, as we've already seen from Wal-mart, and to an extent, Plays-for-sure, when the DRM rules change, you've got a lump of unplayable bits on your harddrive(s).
Actually, there is a statutory royalty rate (9.1 cents per song), which is divided between both the artists and the label. Royalties are how the label gets paid, too.Before any of you start bashing the increase in royalty fees, I suggest you research the topic. Royalties are how the artist gets paid, not the label.
Record companies do typically own the copyright in the sound recordings prepared by artists signed to their label. What they do not own is the copyright in the musical work.Record companies typically do not own the copyrights. (Unless of course the musician was a complete moron and sold the rights).
Sure they can. Apple currently grosses 29 cents per 99-cent song. Analysts have suggested about 5 cents for bandwidth, 5-8 cents for operating expenses, and about 10 cents for credit card processing. That leaves 6-9 cents per track and puts a royalty increase dangerously close to the red line. With the sagging dollar, any increases or errors in those costs.I highly doubt that Apple would be operating at a loss if the per track royalty went up a few pennies. Their margins can't be that tight.
You're not paying for the data, and neither is Apple. Just like a music CD doesn't cost anything related to the $1 in plastic and paper, a download doesn't cost anything related to the number of bytes. 70 cents of each song goes to someone other than Apple right off the bat.I don't understand the implication that iTunes isn't that profitable? Why not? Its just software and servers and bandwidth (plus a relatively small staff of people). And who else can charge $.99 per 5MB of data transmitted?
You mean 1/5 of the money. The mechanical royalty isn't the only one applicable. Record companies not only get a share of the 9 cents, but they get negotiating royalties for other aspects of digital delivery. This "small" increase" will kill Internet radio and small cover bands, and only 45% of it actually goes to the musical copyright holder. The labels need to take a smaller cut.As people have mentioned above, it doesn't take much work on Apple's part to run the ITMS, and yet they take 10/11 of the money.
A CD has as many as six copyrights in play, assuming all the songs are prepared by the same group. Where covers and collaborations are involved, or where different songwriters wrote the works, there can be close to twenty. Most of these are indeed held by or assigned and/or licensed to the label, and when the "CD copyright" is discussed, it's usually the entity holding the copyright in the sound recording--the label--that is referenced.Next time you flip open a CD, look at who "owns" the copy right.
Care to elaborate? You make it sounds like iTunes store is a bad thing.
The fuss has to do with the sound quality of the music- I've never actually sat down and compared MP3 sound to CD sound, but there is a quality difference whether you notice it or not. But say you burn DRM-protected music to a CD and then re-rip it, there will be a quality difference.
I'm not too concerned... iTunes is too big of a money maker for Apple and the artists on it. However, I was actually advised against buying from iTunes in case something like this were to happen. So I'm slowly replacing some of my iTunes purchases with CDs (plus I rather prefer buying CDs to buying music over the web- there's something I like about being able to hold the music, in its original source, in my hand)... not going to completely stop buying from iTunes, though; it's too convenient. Heck, I wouldn't mind paying a few extra cents for conveniences' sake.
who cares about artists?
Be interesting to hear how this affects other countries. Pretty certain that the song writers cut is agreed on a song by song / contract by contract basis in the UK so the chances of it happening over here are remote.
Something I'd like to see is a breakdown of where the 99¢ goes. It says 9¢ goes to the artist. I'm sure some goes to the record label & the rest to Apple. But I'd like to see what the record labels & Apple do with their shares.
Personally as someone who works in the industry I think it's great to see this sort of move, as for once it rewards the correct people, and a pay rise in line with inflation is long overdue. I hope Apple backs down on this one. If that has to mean a price-hike for downloads then so be it.
Those who subsequently decide to steal the music rather than paying the writers another 6 cents should be ashamed of themselves.
Care to elaborate? You make it sounds like iTunes store is a bad thing.