Sirus The Virus
macrumors 6502a
This is why I buy Cd's. I don't want to mess with DRM or pricing issues. I can get used Cd's way cheaper and get better sound quality with no DRM while I'm at it.
What about them? By definition they're not on major labels and tend to get a better deal already. It's safe to assume that if variable pricing was available, indy labels and distributors would be able to use it too.Tommyg117 said:This is not fair. Superstars are going to get more money, great. But what about the lesser known independant bands?
pounce said:people on this thread seem to have no ****ing clue as to how expensive it is to make a cd. studios, production, distribution, it's endless. it's very expensive, even for small indie labels. which aren't making it anymore. and the big labels aren't doing as well as you'd think
if you are stealing music you are no more a music fan than a carjacker is an auto enthusiast. there is not charm or vindication in stealing music.
NVRsayNVR said:Which record company did you say you worked for?😀 😀 😀
otter-boy said:I think it's all in vain anyway. I see musicians moving toward giving away their music at iTMS quality (128kbs AAC or similar) on the internet then earning their money through touring and sales of full-quality CDs at their shows or through their websites. As mentioned earlier, most musicians (and performers) on big labels don't pay back the record companies' expenses (both real and inflated) through album sales and therefore don't really make money off of their albums anyway. While you can copy a song from the internet, you can't replace the live experience--people will continue to pay for concerts.
javiercr said:may be i could understand that old songs were cheaper since the music industry no longer need to recover marketing costs, however it doesnt make sense that any song is more expensive than they are now, they are already too expensive and not good value for money compared with the physical CD (that is not compressed, has no DRM restrictions and comes in a nice little box)
gekko513 said:I'll steal instead of buy any song I want that's more than $.99
mac-er said:I really don't have a problem with this, and its not a foreign concept, like many people are treating it.
Traditional CDs and DVDs work the exact same way -- new releases and more popular items are more expensive than older, less popular CDs and DVDs. Hence, the bin of $ 5.99 CDs/DVDs at the store.
Why should digital music and movies be any different? (And, why aren't you people out bitchin' about the traditional CDs/DVDs cost structure if this model will be so "evil")
In addition, this rumor says nothing about "superstars" getting more money. It says "more popular". Supply and demand. Number 1 song would cost $1.99 when its first released and then probably drop to 79 cents when no one wants it no more (just like traditional CDs)
Limewire will be gone within the year, just as Grockster just went. Sorry, but the industry is rightfully winning cases against people who steal.
lolex said:- Who will produce and marketing for artists , would they manage to do it online
by themself ? Yes.
- Would there still be artist performs on TV ? Will there be any agency do a good job to bring new artist to TV and TV company will paid for it ? Yes.
- would the vanish of Big Label companies cause in a market deflation and a recession in assets values ( this may be hard to someone , but it's healthy in longterm), so the production cost will then be lowered ? Yes.😉
lord patton said:BTW, is this magical $.99 price point indexed for inflation? 🙄
iMeowbot said:If that is true, why isn't it already happening? Someone needs to come up with a viable business model to make that happen. What would work (i.e., not be charity)?
But it gets circular really fast. The only reason there are record labels now is that most artists aren't business people (very few people are good at both). What will keep any replacement for record labels from looking pretty much the same as what is there today?lolex said:Just in an arguable time. 🙂