We are talking about pro Studio monitors. If you have $800, you should look into them. They will blow most "speakers" away as far as sound reproduction.
There isn't a huge difference between consumer speakers and pro studio monitors. Manufacturers more and more accent the difference in their marketing material. In the 1970s the JBL 4311’s domestic equivalent, the L-100, was used in a large number of homes, and the Yamaha NS-10 also served both domestically and professionally during the 1980s, there are no present-day equivalents, that I know of. Companies such as Genelec, Klein and Hummel, Quested, PMC, and M & K sell almost exclusively to the professional monitor market, while most of the consumer audio manufacturers confine themselves to supplying speakers for the home. Even companies that provide for both, like Tannoy, ADAM, Focal/JM Labs, surrounTec, Dynaudio, and JBL, tend to clearly differentiate their monitor and hifi lines, or at least try to.
Generally, studio monitors are physically robust, to cope with the high volumes and physical knocks that may happen in the studio, and studio monitors are used for listening at shorter distances (near field) than hifi speakers, though nothing precludes them from being used in a home sized environment. Also, studio monitors are usually self-amplified (active), although not always so, while hifi speakers usually require an external amplification of some sort.
Remember, what you hear on a pro Studio Monitor is an exact reproduction of what you are supposed to hear. In most cases, it might sound worse - because they don't "sweeten" the sound.
I'd never buy a pair of plain 2.1 speakers for my computer. Never. Especially if you have a fairly large budget.
For an example, I own a pair of these in my home...
http://www.guitarcenter.com/Mackie-MR5-Active-Studio-Monitor-603999-i1513025.gc
Like I said, low end on the scale of monitors, but will blow away most "high end" computer 2.1 sets.
There isn't a huge difference between consumer speakers and pro studio monitors. Manufacturers more and more accent the difference in their marketing material. In the 1970s the JBL 4311’s domestic equivalent, the L-100, was used in a large number of homes, and the Yamaha NS-10 also served both domestically and professionally during the 1980s, there are no present-day equivalents, that I know of. Companies such as Genelec, Klein and Hummel, Quested, PMC, and M & K sell almost exclusively to the professional monitor market, while most of the consumer audio manufacturers confine themselves to supplying speakers for the home. Even companies that provide for both, like Tannoy, ADAM, Focal/JM Labs, surrounTec, Dynaudio, and JBL, tend to clearly differentiate their monitor and hifi lines, or at least try to.
Generally, studio monitors are physically robust, to cope with the high volumes and physical knocks that may happen in the studio, and studio monitors are used for listening at shorter distances (near field) than hifi speakers, though nothing precludes them from being used in a home sized environment. Also, studio monitors are usually self-amplified (active), although not always so, while hifi speakers usually require an external amplification of some sort.
Remember, what you hear on a pro Studio Monitor is an exact reproduction of what you are supposed to hear. In most cases, it might sound worse - because they don't "sweeten" the sound.
I'd never buy a pair of plain 2.1 speakers for my computer. Never. Especially if you have a fairly large budget.
For an example, I own a pair of these in my home...
http://www.guitarcenter.com/Mackie-MR5-Active-Studio-Monitor-603999-i1513025.gc
Like I said, low end on the scale of monitors, but will blow away most "high end" computer 2.1 sets.