Get some lights.
That said, the Sony A7s is the king of low-light photography at the moment, and that's the one I would buy.
I know your joking about this, but Leica M....exceptional low light camera...Really?
Exceptional at how bad it is in high iso noise maybe? 🙂
That said, the Sony A7s is the king of low-light photography at the moment, and that's the one I would buy.
I know your joking about this, but Leica M....exceptional low light camera...Really?
If you consider the lens selection I would go with D750.
Why? For night photography you can use numerous manual lenses, and even Canon lenses.
http://www.adorama.com/alc/0012810/article/15-Low-Light-High-ISO-All-Stars
Lenses:
http://briansmith.com/sony-a7-a7r-lens-mount-adapters/
It's not really bad, it's just everything else is so much better. I mean, I've never used the current M240, but i think you can go to 3200, maybe even 6400.
I was thinking in terms of actual, real world use of the camera, i.e., being able to see the scene, accurately focus, and get usable shutter speeds. Personally, I couldn't care less about "noise", and the M240 is usable at ISO 6400. Sure, newer bodies like the Nikon D8XX will be cleaner, but for shooting in indoor, nighttime environs? I'll take an M any day.
Could you explain what you mean by "actual, real world use"? I'm also confused about most of your post actually. See the scene, accurately focus, usable shutter speeds, indoor, nighttime environs? What exactly is the advantage of the Leica M?
An the the Noctilux? Hmmm, accurately focus at F0.95, at night? Better have eagle eyes and a stationary subject, and a lot of time, to get the focus in that wafer thin 0.95 DoF.
Well, not necessarily. This past year, I have used my 35mm Summilux (with a M6) in Gothic cathedrals, on dull, overcast days, without tripod or flash, at fairly normal speeds (30/60/125) and the pictures came out flawlessly.
Moreover, I find that I can photograph indoors in natural light without flash, and the pictures (of, say, my mother) come out perfectly.
In fact, I bought the camera and lenses precisely for the challenging situation of dark, light deprived northern Europe in the half of the year when natural light is often awful.
The camera is light, (as in exceedingly portable), reassuringly solid in the hand, and the 'fast' lenses are extraordinarily forgiving. (That is why I bought them). I didn't want a massive doorstopper of a camera.
Now, I will readily grant I won't get action shots - but, to be honest, that is not what interests me.
Now change the M6 for an M240 and you will see pretty quickly there's nothing exceptional about it (the M240). It's heavy, it's certainly not small, it's not discreet, reliability is questionable, and the sensor is anything but class leading. Let's face it, in the digital world there are many options for low light photography that leave the Leica standing. Oh, what about the lenses? Well, there are many options that can use the lenses, are smaller, lighter, more discreet, have better sensors and smoother high ISO.
I daresay. Never having had - nor used - a digital camera, I'll willingly concede that I know not the first thing about them, and have no sense whatsoever of the possibilities they permit.
Indeed, I remember having to google the word 'noise' as none of the jargon laden sites I consulted could offer an explanation which made sense; it was as though an esoteric priesthood conversed in some crane language understood solely by initiates.
However, my Leica is an enormous improvement - for ease of use and portability - on my previous camera, which was a Nikon F100 (and which, as it happens, was stolen some years ago). It is also extraordinarily ergonomically friendly and is a camera that I find myself willingly taking with me, whereas I found the F100 inconveniently heavy to lug around cities.
I will say that for my needs at present, I am hugely enjoying the M6 and the Summilux lens - and will say that it renders people, and the interiors of houses, Gothic cathedrals and other antique buildings, superbly.