Kingsly said:Thanks. Actually I'm re-tracing at a much lower framerate, so In the end Ill have ~350 images instead of ~700
EDIT: Erm... I am really starting to loose it with Bridge/illustrator. When I batch it randomly decides to just NOT process some files. For instance, it may go 301, 302, 304, 305, 306, 307, 310.
So my source folder contained 356 images.
My processed folder contains 243 images.
Arrrrhghhhhhh!!!!!!
How do I do that? Illustrator only lets me batch 'live trace' via bridge.beatsme said:when you batch in Illustrator, you generally want to turn the speed down some. I've found that having a batch action run as fast as possible is unwise as it tends to skip over some files, much as you just said.
rig your batch options for either "step by step" or put in a 1 second delay...it should fix your problem.
Kingsly said:How do I do that? Illustrator only lets me batch 'live trace' via bridge.
Yes, and it kindly asks be to do it via bridge. It makes absolutely no sense whatsoever.and I think you can batch this through Illustrator...have you tried?
thanks, now If only I had after effects... 😛corywoolf said:Creative Cow has a video podcast on this.
http://feed.stashmedia.tv/feed/2006/7/17/a-scanner-darkly-developing-the-look.html
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=111087911
Kingsly said:thanks, now If only I had after effects... 😛
Perhaps If I could edit the default trace to have color... then setup an action using the 'insert menu item... I don't know anymore... I think Im loosing my mind.
The funny thing is this clip means nothing to me. Its simply a proof of concept for a future film which hasn't even been shot yet.beatsme said:it might be a little late in the game for this question, but:
why trace so many frames? what are you trying to do? can you post one of the frames you want to trace (and one you have traced would be good too) so we can see what it is you're doing?
I'm asking because there might be a better solution to your problem...
Thanks. I've been using ink outlines... which gives an interesting effect...but at this point I am willing to do anything!Blue Velvet said:You can get an almost identical effect in Photoshop running the Cutout filter over your original BMPs.
Filter>Artistic>Cutout
You may have to experiment with the settings to get the effect you want and you also may have to fade the filter afterwards but it's a fairly close match and obviously it will then be a lot easier to batch the whole lot in Photoshop.
Blue Velvet said:You can get an almost identical effect in Photoshop running the Cutout filter over your original BMPs.
Filter>Artistic>Cutout
You may have to experiment with the settings to get the effect you want and you also may have to fade the filter afterwards but it's a fairly close match and obviously it will then be a lot easier to batch the whole lot in Photoshop.
Yes, but vector is the only way he can get more realistic cartoon effects. Using pixel based effects will only result in mush, or a really cheesy looking cartoon effect. I would stick with Illustrator and download the trial version of AE. Just use the Creative Cow Video Podcast to walk you through it all. Good luck.beatsme said:I agree completely...converting all this to vector doesn't make much sense.
and you can, by the way, set up an Action in Photoshop to apply the same effect uniformly to all the frames.
EDIT: Photoshop files will be a lot easier to work with, too. There'd be tens of thousands of points per frame if you vectorized all of those images...you don't want your poor machine to have to slog through all of that.
The cutout looks good and all and is probably fine for what I'm doing, but not as good as live trace.corywoolf said:Yes, but vector is the only way he can get more realistic cartoon effects. Using pixel based effects will only result in mush, or a really cheesy looking cartoon effect. I would stick with Illustrator and download the trial version of AE. Just use the Creative Cow Video Podcast to walk you through it all. Good luck.
I just set up an action that applies cutout, then sharpen more, and closes. Is there a better way?beatsme said:and you can, by the way, set up an Action in Photoshop to apply the same effect uniformly to all the frames.
Kingsly said:I just set up an action that applies cutout, then sharpen more, and closes. Is there a better way?