Judging from the small previews at Imaging Resource, I must say that ISO 6400 is about the same as ISO 1600 is on my XTi. I'd have to look at full size samples to be sure, though.
$1049 according to the Canon site, available in October. For that price, it has to be at least twice as good as my 100mm macro lens for me to consider it, and I'm not getting my hopes up.
MTF charts:
Old 100mm f/2.8 USM:
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New 100mm f/2.8 IS USM:
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That's gotta be one sweet lens.
I wonder when they'll discontinue the old one. I'll have a collector's item! 🙂
I wonder when they'll discontinue the old one. I'll have a collector's item! 🙂
those are Jpegs. meaning they're useless if you shoot RAW.
are you aware of the law of diminishing returns?
Noise matters to those who know.
yes, noise-handling is important, but it's of utmost importance to those who spend too much time looking at 100% crops and too little time printing. and for some reason, no one can understand that looking at a 10MP image at 100% is very different from looking at 15MP at 100%.
Yikes. Can you be any more snide? I'm not the best photographer out there, but I do know a thing or 2. I know I hate noise, and the less the better, but we're hitting ridiculous numbers in terms of ISO speed. And I also know that at the resolutions 95% of all digital photos are viewed at (screen) having pixel perfect noise at 100% magnification just isn't a big deal. It's just... not a big deal. My 20D was the noise king 4 years ago and it tops out at 3200, now folks like you would call the quality reprehensible.
DING! Noise matters to those who complain.
Yikes. Can you be any more snide? I'm not the best photographer out there, but I do know a thing or 2. I know I hate noise, and the less the better, but we're hitting ridiculous numbers in terms of ISO speed. And I also know that at the resolutions 95% of all digital photos are viewed at (screen) having pixel perfect noise at 100% magnification just isn't a big deal. It's just... not a big deal. My 20D was the noise king 4 years ago and it tops out at 3200, now folks like you would call the quality reprehensible.
DING! Noise matters to those who complain.
Since the camera will be available RSN why don't we wait until we can actually, you know, measure the diffraction before we condemn it prematurely? Instead of using rules of thumb to knock a camera that you've never even seen, let alone been out shooting with?Well... at 18MP the photodiode size is 4.3 microns. Using the rule of thumb for airy disk diameter (2.44 * wavelength * f/#) at 650nm (red light) at f/2.8 you've already hit the diffraction limit. Taking bayer mask antialiasing into account (which is not a perfect assumption because of the asymmetry with having more green sites than red or blue) you're still looking at hitting the diffraction limit at f/5.6. Most lenses don't even have resolution that reaches the diffraction limit, and when they do, it's at f/8-f/11. So basically, all of those extra photo sites are a complete waste. All they're doing is making the file size bigger, slowing post production, and making the noise even worse. But go ahead and keep arguing for the 7D... whatever helps you sleep at night...
But noise doesn't mean crap. Judging by the fact that two pictures of mine were accepted at alamy at 1600 and 3200 ISO, with very slight noise reduction, just tells me ISO means squat.
Since the camera will be available RSN why don't we wait until we can actually, you know, measure the diffraction before we condemn it prematurely? Instead of using rules of thumb to knock a camera that you've never even seen, let alone been out shooting with?
Sheesh, there is some serious 40D anxiety around here.
"Snide" is irrelevant. Not sure why you're rattled by my comment about grain noise at ISO 400 and 800 (which are commonly-used ISOs), and a general observation that initial impressions about image quality are good, but not great. You seem to think we're fixated on ISO 6400 or 12,800. No idea why. 🙄Yikes. Can you be any more snide? I'm not the best photographer out there, but I do know a thing or 2. I know I hate noise, and the less the better, but we're hitting ridiculous numbers in terms of ISO speed. And I also know that at the resolutions 95% of all digital photos are viewed at (screen) having pixel perfect noise at 100% magnification just isn't a big deal. It's just... not a big deal. My 20D was the noise king 4 years ago and it tops out at 3200, now folks like you would call the quality reprehensible.
"Snide" is irrelevant. Not sure why you're rattled by my comment...
I mean for $400 more one could even go full frame by selecting Sony (though that camera is geared for a different genre of photography admittedly), and for $700 more they could do it really well with a D700.
I suppose the days of Canon being the default brand of choice for professionals are long behind us eh?
another $700 more is quite a lot.
what Canon did was address the gap between APS-C and APS-H cameras, with some extras thrown in. there's nothing underwhelming, unless you expected them to start putting 1-series features in a sub-$2000 body.
AF is the same if not superior to the D300 in tracking, the body has weather sealing, the viewfinder as large as it can get, and the ergonomics are improved. AF points can be linked to the camera orientation and it gains double-cross center AF point and spot AF. what's so "underwhelming"?
when was Canon the "default brand of choice"? 2005, when the 5D came out?
Canon has only been a standard in sports. portraiture, weddings, etc. have always been split.
The 7D shows just how good the Nikon 300(s) is, but I don't see a reason to be underwhelmed. There are some questions about image quality, but at least the new sensor is promising. Canon has stuffed just about everything into this body and I'm not sure what else they could or should have stuffed...okay, I can think of GPS. Because I travel somewhat frequently, geotagging in iPhoto would be pretty cool. (External GPS attachments are much less desirable when traveling.)I don't know, I'm still just underwhelmed by this new camera.
Well... at 18MP the photodiode size is 4.3 microns. Using the rule of thumb for airy disk diameter (2.44 * wavelength * f/#) at 650nm (red light) at f/2.8 you've already hit the diffraction limit.