iMovie and Final Cut both support AVCHD
What was this person talking about? here is there review I found on amazon;
POOR AVCHD VIDEO SUPPORT, June 5, 2010
By kev6677 "TECHNO JUNKIE" (NEW YORK) - See all my reviews
This review is from: Apple MacBook Pro MC371LL/A 15.4-Inch Laptop (Personal Computers)
ok this is an unbiased but critical review of the MAC operating system I have been a PC user for 20 years and after having windows crash from viruses a few times I decided to take the plunge and get a MAC as I heard how great they are for video and audio editing and are not as vulnerable to viruses as windows. Well that turned out to be not totally true first the only good thing the imac has going is it's asthetic looks and thats about it. The most disappointing thing is that MAC i mean all macs DO NOT support AVCHD natively which is curentlly the standard output format of almost all consumer camcorders. yes folks. I could not believe it either if you own an HD camcorder bought in the las 3 years goodluck. Apple claims that there is a workaround which is useless as it either creates a very noticeable loss in video quality almost like watching a SD video or having to convert to an apple only format which produces files approx 5 times the size of your original file so if your original file is 1GB it will be 5GB by the time it is converted. What a shame $1500.00 for a computer that cannot even do basic video editing I mean high definition is the new standard common apple you are suppose to be good at video editing... you gotta do better than this.
Supported Formats and I/O*
Apple ProRes family, a 10-bit, full-width VBR codec that supports all major frame sizes and frame rates at target bit rates from 10 Mbps to 754 Mbps
DVCPRO HD (P2), XDCAM EX, AVC-Intra, AVCHD, RED (with additional software from RED) import through Log and Transfer with automatic logging, custom naming, browse, mark, and background ingest
Easy Export supports presets for background export to Apple TV, MobileMe, iPhone, iPod, YouTube, DVD, Blu-ray disc
Apple-designed menus for DVD and animated menus for Blu-ray discs
Broadcast Wave Format with drop and non-drop frame timecode options
Native editing for DV, DVCAM, DVCPRO, DVCPRO 50, and DVCPRO HD
Native editing for HDV including 1080i 50/60, 1080p 24/25/30, 720p 24/25/30/50/60
Native AVC-Intra playback for both AVC-Intra 100 and AVC-Intra 50 at 1080p 24/25/30, 1080i 50/60, 720p 24/25/30/50/60
Sony XDCAM HD at 25-Mbps CBR, 18- and 35-Mbps VBR at 1080i 50/60 and 1080p 24/25/30/VFR with free Sony software
Sony XDCAM HD422 1080i 50/60, 1080p 24/25/30, 720p 50/60 with free Sony software
Sony XDCAM EX 1080p 24/25/30, 1080i 50/60, 720p 24/25/30/50/60 with free Sony plug-in
JVC created, Apple QuickTime-wrapped XDCAM EX media imported with drag and drop to a Final Cut Pro bin
AVCHD and AVCCAM editing is supported using Apple ProRes
Sony IMX playback support at 30, 40, and 50 Mbps for SD
Sony IMX ingest and output supported with free Sony software
Panasonic P2 playback support at 1080p 24/25/30, 1080i 50/60, and 720p 24/24N/25/25N/30/50/60/VFR from P2 cards
1080pA 24 (Advanced Pulldown) supported via FireWire from Panasonic AJ-HD1200A and AJ-HD1400
Uncompressed 8- and 10-bit HD (4:2:2 YUV) via Apple-certified third-party PCI card/device
Uncompressed 8- and 10-bit SD (4:2:2 YUV) via FireWire or Apple-certified third-party PCI card/device
Apple Intermediate Codec
OffineRT Photo-JPEG codec
Telecine 29.97i to 24p pulldown removal
25 fps @24 fps conversion for editing film in PAL
Frame-accurate log and captures
Frame-accurate insert and assemble edit-to-tape
Serial device control (RS-422, RS-232)
FireWire device control
Log and capture tool with support for batch, clip, and on-the-fly capturing
Still images: PSD, BMP, JPEG, PICT, PNG, SGI, Targa, TIFF
Automatic Transfer ingests file-based media with custom clip naming
Closed captioning preserved for capture and output to tape
Media Management
Export OMF with volume and pan levels
Media management tools for moving, copying, and consolidating media at sequence or project level
Render file manager
Extensive search, sort, and sift capabilities in Browser
Rename Clips to match media and vice versa
Maintain Master clips across multiple projects
Master and affiliate clips
Reveal Clip or Project in Finder
Clip label colors
Custom comment fields
Integrated film database with Cinema Tools 4.5
Automatic reconnect to high-resolution media
EDL import for batch capture or export for basic metadata exchange
Autosave Vault
XML interchange format for custom integration work
Background rendering, compressing, and transcoding to multiple formats with Easy Export
Batch export
Send to Compressor integration
http://support.apple.com/kb/ht3290 (maintenance going on so may not work atm)
Final Cut:
http://www.apple.com/finalcutstudio/specs/
That guy has no idea what he is talking about. I've heard it isn't troublefree format but Macs and Apple's apps support it
If I get a point & shoot camera or a DSLR with video capabilities, can you suggest any brands or models that would work well with imovie or final cut?
right now I have sony cameras that shoot video at 480 x 640 @ 30 frames per sec the "fine" resolution, & 480 x 640 @ "standard" 25 frames per sec, will imovie & final cut be able to handle these?
Also, it isn't apple's fault that camera manufacturers have elected to eliminate the Apple/Sony Firewire/iLink jack from their cameras. Firewire and FinalCut are a perfect match. Part of the difficulty in maintaing the highest resolutions is that USB is an inferior transfer method for streaming video than Firewire. My old Sony digital video camera has it, but the fore-mentioned Canon does not
Also, it isn't apple's fault that camera manufacturers have elected to eliminate the Apple/Sony Firewire/iLink jack from their cameras. Firewire and FinalCut are a perfect match. Part of the difficulty in maintaing the highest resolutions is that USB is an inferior transfer method for streaming video than Firewire. My old Sony digital video camera has it, but the fore-mentioned Canon does not
Odd considering Microsoft isn't even listed as supporting AVCHD on the official AVCHD Consortium website.
What was this person talking about? here is there review I found on amazon;
POOR AVCHD VIDEO SUPPORT, June 5, 2010
By kev6677 "TECHNO JUNKIE" (NEW YORK) - See all my reviews
This review is from: Apple MacBook Pro MC371LL/A 15.4-Inch Laptop (Personal Computers)
ok this is an unbiased but critical review of the MAC operating system I have been a PC user for 20 years and after having windows crash from viruses a few times I decided to take the plunge and get a MAC as I heard how great they are for video and audio editing and are not as vulnerable to viruses as windows. Well that turned out to be not totally true first the only good thing the imac has going is it's asthetic looks and thats about it. The most disappointing thing is that MAC i mean all macs DO NOT support AVCHD natively which is curentlly the standard output format of almost all consumer camcorders. yes folks. I could not believe it either if you own an HD camcorder bought in the las 3 years goodluck. Apple claims that there is a workaround which is useless as it either creates a very noticeable loss in video quality almost like watching a SD video or having to convert to an apple only format which produces files approx 5 times the size of your original file so if your original file is 1GB it will be 5GB by the time it is converted. What a shame $1500.00 for a computer that cannot even do basic video editing I mean high definition is the new standard common apple you are suppose to be good at video editing... you gotta do better than this.
Apple uses the very efficient ProRes422 in Final Cut Pro and iMovie...
Incidentally the new version of Premiere CS5 does support native editing of AVCHD without having to convert it, I've only played with it to see how it works but I've noticed a lot of artifacting showing up on playback of RAW AVCHD in Premiere CS5 - probably reducing the quality to save on CPU cycles decompressing AVCHD all the time - precisely the reason why it needs to be transcoded to ProRes422.
Basically the person in this quote is regrettably uninformed - but basically AVCHD is a compressed format, it is used by cameras using a version of MPEG4 compression to cram 1080i/p into a small memory card. Highly compressed video (such as AVCHD) is highly unsuitable for editing with - it will be very slow and very laggy and shouldn't be done and you'll find the same behaviour on Windows PC's as well.
This is why AVCHD must be converted to another format on import to make it more suitable for cutting with in an editing application such as iMovie, FCP, or Adobe Premiere. Apple uses the very efficient ProRes422 in Final Cut Pro and iMovie and I'd recommend using a second external hard drive to put these files on - preferably Firewire.
Incidentally the new version of Premiere CS5 does support native editing of AVCHD without having to convert it, I've only played with it to see how it works but I've noticed a lot of artifacting showing up on playback of RAW AVCHD in Premiere CS5 - probably reducing the quality to save on CPU cycles decompressing AVCHD all the time - precisely the reason why it needs to be transcoded to ProRes422.
I hope that answers your question.
so if I get a camcorder or a digital point & shoot camera or a DSLR (with video capabilities), should I avoid ones with AVCHD? is this possible? or do all cameras come with a compressed high def video format that needs reencoding in apples video editors?
so if I get a camcorder or a digital point & shoot camera or a DSLR (with video capabilities), should I avoid ones with AVCHD? is this possible? or do all cameras come with a compressed high def video format that needs reencoding in apples video editors?
As he said, AVCHD is more or less bad format for editing, you have to convert it to other format before editing, no matter what platform you are using
Basically the person in this quote is regrettably uninformed - but basically AVCHD is a compressed format, it is used by cameras using a version of MPEG4 compression to cram 1080i/p into a small memory card. Highly compressed video (such as AVCHD) is highly unsuitable for editing with - it will be very slow and very laggy and shouldn't be done and you'll find the same behaviour on Windows PC's as well.
This is why AVCHD must be converted to another format on import to make it more suitable for cutting with in an editing application such as iMovie, FCP, or Adobe Premiere. Apple uses the very efficient ProRes422 in Final Cut Pro and iMovie and I'd recommend using a second external hard drive to put these files on - preferably Firewire.
Incidentally the new version of Premiere CS5 does support native editing of AVCHD without having to convert it, I've only played with it to see how it works but I've noticed a lot of artifacting showing up on playback of RAW AVCHD in Premiere CS5 - probably reducing the quality to save on CPU cycles decompressing AVCHD all the time - precisely the reason why it needs to be transcoded to ProRes422.
I hope that answers your question.
as usual so many people here speaking from their rear end,
the guy from the article is talking about the OS and basic tools inability to play AVCHD files
(mp4 h264 not mpeg2 as mentioned by someone), in other words OS X vs Windows using their default video players QT vs WMP. Windows media player can in fact play AVCHD files (in supported hardware = any pc from last 3-4 years). iMovie can't handle AVCHD (at least without converting and at that point is no longer AVCHD) and windows movie maker I have no Idea or care. Professional NLE's (FCP vs PP) can edit AVCHD but FCP has to convert to AIC or ProRes and PP since CS4 can edit AVCHD natively.
And no, AVCHD is not a way to cram 1080i/p images onto small memory cards, unless u are speaking about their physical size;
So, no, I wouldn't say that that person is "regrettably uninformed " but doesn't have his facts checked completely but is on the right track
since for the most part AVCHD in a mac is useless (not play nor edit)
with out having to buy a professional NLE suite (PP since FCP has to use Log and Transfer to convert) to edit and play, and windows users can play the files and have to buy NLE's to edit only AVCHD (either Vegas or PP CS4-5 edit natively) so they can start editing from the camera or card directly.