Why do I get the sinking feeling that soon the Mac app will require a subscription...
Impossible because a lot of people paid 300$ for Final Cut Pro on Mac. What will happen to them?
Why do I get the sinking feeling that soon the Mac app will require a subscription...
This! I use FCP all the time and it was a big transition from Final Cut Pro 7 but it was worth learning since editing is faster than DaVinci. Every time I try to sit down and learn DaVinci Resolve, too complicated, past versions prevented me from even starting it up sometimes, don't have the time to learn the new complex way of doing to same thing etc. End up back in FCP.Why? FCP still is the fastest for EDITING around. I love DaVinci but the editing is just as old and busted as Avid, Premiere, etc.
Does Apple need role-based mixing, AI transcription, etc. Sure. But again it's the most solid and fastest editing you'll find.
Impossible because a lot of people paid 300$ for Final Cut Pro on Mac. What will happen to them?
You forgot the most important new feature (I know, there are so many! /s):As for Final Cut Pro for the Mac, it includes Enhance Light and Color, an AI feature that improves color, color balance, contrast, and brightness in one step. Smooth Slo-Mo, another new feature, blends frames of video intelligently to provide higher-quality movement.
They will make a Final Cut Pro 2… I’m in that $300 boat too. Adobe did it, Microsoft did it, Apple did it for iPad.Impossible because a lot of people paid 300$ for Final Cut Pro on Mac. What will happen to them?
It’s not that they stopped caring, it’s that Jobs stubbornness screwed up royally the introduction of fcpx.The saddest thing about this is FCP used to be the gold standard. Apple slowly stopped caring, and it's fallen from the top. Which is mind boggling given how much user-created video has exploded in recent years and their focus on iPhone cameras and videos. It's like they're simultaneously going in opposite directions.
According to the inside story years ago, it wasn't Jobs that messed that up, it was the marketing department that refused to have the older version for sale alongside the new FCPX.It’s not that they stopped caring, it’s that Jobs stubbornness screwed up royally the introduction of fcpx.
They made a pretty big deal of it, but in its initial state fcp lacked many essential features, and was radically different to fcp 7 (or any other nle for that matter).
To add insult to injury, apple stopped selling fcp 7 at once, loosing customers’ trust in the process.
They cared for a long time after that, updating frequently and substantially fcp for years after that. But then we got the mac pro fiasco.
I guess market share never recovered, because in the last five years or so apple definitely stopped caring.
And now we get a glorified auto color correction as the stellar feature of a point update. Well, apple can switch to subscription, my guess is it won’t be a success, to put it mildly.
Final Cut Camera on iOS has a whole lot of controls that let you lock white balance, ISO, shutter speed and control focus manually, and it will stay with the lens you choose rather than switching on the fly, too.I don't get the excitement over this app. Compared to the blackmagic app it is very basic.. in fact it looks like the regular camera app can do all the same stuff with video except for multicam. Oh and no level with the FC app. No reason one can't use the BM app and import into FC Pro.
Final Cut Pro is at the 10.8 version and never you needed to pay again...They will make a Final Cut Pro 2… I’m in that $300 boat too. Adobe did it, Microsoft did it, Apple did it for iPad.
Do you have a link to that? Should be interesting to read.According to the inside story years ago, it wasn't Jobs that messed that up, it was the marketing department that refused to have the older version for sale alongside the new FCPX.
FCPX was also supposed to be something that was a separate app, alongside Final Cut Pro 8, which had the facelift of FCPX but had all the functionality of 7 plus new features. But Apple didn't think it was revolutionary enough.
I’m using what they did the iPad as an example of what they could possibly do for the Mac someday so they get regular revenue from the software, I didn’t mean it literally I know it’s at 10.8.Final Cut Pro is at the 10.8 version and never you needed to pay again...
Maybe an alternative option to 300$ but people who has bought this software wouldn't lose it.I’m using what they did the iPad as an example of what they could possibly do for the Mac someday so they get regular revenue from the software, I didn’t mean it literally I know it’s at 10.8.
Thanks much for the link to the article. I like the smooth-slo-mo & pre-ML optical flow comparison using actual footage examples; also glad to see the new drag & drop effects as well as Avance Timeline search features.Here's an in-depth article about all the new features in FCP 10.8: https://www.provideocoalition.com/final-cut-pro-10-8-released-an-in-depth-look/
Oh trust me I get it. I used FCP7 extensively and for years was mad at Apple for what they did.It’s not that they stopped caring, it’s that Jobs stubbornness screwed up royally the introduction of fcpx.
They made a pretty big deal of it, but in its initial state fcp lacked many essential features, and was radically different to fcp 7 (or any other nle for that matter).
To add insult to injury, apple stopped selling fcp 7 at once, loosing customers’ trust in the process.
They cared for a long time after that, updating frequently and substantially fcp for years after that. But then we got the mac pro fiasco.
I guess market share never recovered, because in the last five years or so apple definitely stopped caring.
And now we get a glorified auto color correction as the stellar feature of a point update. Well, apple can switch to subscription, my guess is it won’t be a success, to put it mildly.
Google “Steve Jobs fcpx”. It’ll be one of the first links but all of them provide an interesting view into the past, including Steve Jobs telling video pros to stop whining!Do you have a link to that? Should be interesting to read.
Had they gone with the 8/fcpx strategy, things would have been radically different. Maybe 🤣
I still use and love FCP. Although I’m also across Premiere I see it as a worse option in most ways — it has some nice features but the UI is still a clone of FCP 7. CapCut has some nice tricks but it doesn’t scale to larger jobs and the UI is a copy of the modern FCP.Oh trust me I get it. I used FCP7 extensively and for years was mad at Apple for what they did.
But somewhere around 2017 I grew to love the new Final Cut. It’s speed and their willingness to forego legacy features made it better - even if sometimes they were early.
But since 2017 it’s fallen so behind.
Who’s FCP for these days?
-Not production houses or studios - lack of collaboration
-YouTube and Social media? OK but still no auto captions and a poor vertical video window layout. CapCut offers more for free.
-Event videographers? Maybe? But multicam synching is so poor, Plural Eyes was light years better.
But then they will put all their marketing into iPhone cameras, shooting ProRes, and “shot on iPhone” for events.
I don’t understand.
It had to do with Randall Hayes Ubillos. I don't have the link/s with me right now (was it mentioned on MacRumors or was it FCP.co or some other place? I don't remember right now but the info stayed in my memory bank) but it was a very interesting read.Do you have a link to that? Should be interesting to read.
Had they gone with the 8/fcpx strategy, things would have been radically different. Maybe 🤣