But you get the point.
Lets say say both a VP8 file and h.264 file are each a 100 megs. The VP8 files is going to look better because it would be like a 500x500 resolution. The h.264 file would be at 250x250. Now if you compared both of them at 500x500 resolution the h.264 would look better but be twice as big.
Now I now that those numbers are not going to line up as I choose things that made the math easy.
Dude, you seriously don't know what the heck you are talking about. Resolution and bit depth are
whatever you set them to be when you encode the video. If you have hardware support (cough, cough, H.264, cough, cough) you can actually get more aggressive with some of the settings, but the concept is still the same. VP8 is going to be at a disadvantage, in part due to the technology it's built on and partly due its lack of maturity as a spec.
Why don't you spend some time encoding various videos (DVD rips or whatever) in Handbrake with various settings (target size, bitrate, constant quality) with both H.264 and MPEG-4 to see if can't better understand the relationship between these settings, as well as how it affects the amount of time it takes for encoding to finish.
What we know today about WebM/VP8 is that it is less mature and less sophisticated vs the other codecs so it doesn't have have the same quality when it comes to compression or encoding efficiency. And it's useless for encoding HD video, which is the one place where a "free" codec could actually help the little guy in terms of small movie production outfits.
The other catch is VP8 is well cheaper. Firefox currently is not supporting h.264 because it would cost them 5 million a year to do it and that will increase in 2015.
First, MPEG-LA is widely licensed via a patent pool by a number of
large hardware manufacturers and is a known quantity. We don't have any idea who could crawl out of the woodwork claiming patent license issues with WebM/VP8, esp. if the reports that VP8 borrowed code or ideas from either MPEG-4 or possibly even H.264.
Ironically, it seems that the MPEG-LA group is already assuming that WebM/VP8 violates one or more H.264 patents and is working on setting a patent licensing pool to
collect royalties on WebM/VP8 in the future.
So much for "free". To quote a famous Slashdotter, "Entertainment wants to be paid, information wants to be free, you want to be cheap."
Then you are splinting hairs and you know it. You are nit picking. To a layman point of view it is known TIFF is a much higher quality file but it comes with the draw back of being by far much much larger in just raw file size than a jpeg.
It's not a
drawback, it's a
tradeoff in image quality.
The JPEG (like an MP3 file) throws away large amounts of detail (lossy compression and lost bit depth) in the image in the hopes that you won't notice or don't care that it's missing. Maybe, maybe not. But I guarantee if you make adjustments to that JPEG image in Photoshop (or whatever), you'll notice the degradation when you start to see posterization -- blocky banding where you should see smooth gradation between color tones.
A TIFF retains all that detail, allowing you to make repeated adjustments on the same image without losing detail (and with the right tools you can do this non-destructively so you can "undo" changes or revert back to the original without making intermediate copies of the image).
Maybe stick to analogies that you are technically familiar with in the future? This one is a bust when you presenting it to a bunch of photographers and graphics artists who deal with this on an everyday basis...