HELP with gradient in Logo

Gradients should be under the paintbucket

 

What does it look like?

 

Gradient

It's not good practice to include a gradient in a logo this is just a good graphic design practice but if you insist to do so or if your client does. This is what I think what your looking for for the look for a glossy paint on the electric guitar, this is achieved easily by creating a "shinny reflection", the back ground can be a flat color (no gradient) just create a object or shape then fill with a gradient of white to white set the angle to 0 on the left side set the opacity to something in between 65 to 80 and on the right side to 0 an you should have the glossy look I attached an example so you can get the idea this can be as refined as you want but I think this will point you in the right direction.

 

Give this a shot.

 

Were you able to use the gradient I attached?

 

It's a shame, because even though LE0n4RD0 was very helpful in getting you where you think you want to go, it doesn't do anything to make your logo better.

You had a good idea to begin with ... using the two guitar bodies to imply the variety of services offered your client. But then you got lost in detail, instead of refining the concept.

The clef symbol is superfluous. They guitars already indicate that music is part of the business.

Work on the graphic and the type first. Add gradients only at the end, and only when their use is appropriate.

 

I agree with you that the logo could use some work and is pretty rough at the moment. However it is still important for Tristin to understand how to create and use gradients. Not that he ever has to use them though.

 

Sorry about that!

I like the concept of the partly abstracted 2 guitars. However, I feel that the typography is weak and the icon is a bit too detailed. I would recommend sketching more designs with the 2 guitars and try to keep them as simple as possible. Reduce the lines and shapes as much as you can but still have them be easily and unmistakably viewed as guitars. Once you have settled on the one or two which you think are the most effective, I would poll people and see if they recognize that they are guitars (at a quick glance). Also try them out at different sizes to make sure they would work well all the way from a billboard to a business card. As always with initial sketches, start out in black and white only.

Experiment with bringing the type outside of the icon and placing it next to it, and making it a big larger. Play around with some sans-serif fonts such as Helvetica, Futura, Gill Sans, Univers, Frutiger...

 

logo

here it is I built the "shine" over the jpeg I saved in pdf so I can post but it would open fine in illustrator you can copy and use on you file. The wood grain you would need to make a clipping mask to your shape quick google should show you how... hope it helps

 

I like the concept too. I think you should also simplify it though and take out the clef, as others have stated, it is a bit redundant. Use a bolder, stronger text as well.

Gradients are not good to use in the foundation of a logo because they are difficult to reproduce, especially on a smaller scale and what you are suggesting will likely make the logo look rather busy imho. Sometimes less it more.

 

If you are really set on the gloss and textured gradient vectors, these two files should help you out a lot.

I am pretty sure they are the look you are trying to achieve.

I attached the .ai files but they are zipped. Just click on them to download and unzip, then open in illustrator. Once you open them in illustrator, you can see first hand how they achieved this look/technique or even use these same files by manipulating the shape and/or gradient colours.

 

Yeah, sorry, my bad. I thought it was a Karate place for some reason but I get it now, it is a guitar dojo, as in a place to teach guitar...lol...I get the play on words and concept...it was late last night, sorry about that.

Sure, throw your new logo up when you have a chance.

 

I hope I don't drive you too crazy with criticism, but ...

The emphasis of the graphic vs. the type is all wrong. The most important part of this mark isn't the illustration, it's the person's name and business. The guitar symbol should be much smaller in relation to the type. It should be the accent to the word mark.

Imagine for a moment that mark on a business card. The type would be way too small. Here's a rule of thumb: size it down to one inch. If it doesn't read at that size, then it still needs work.

 

Here. Let me show you what I mean. Included are two low-res, black and white versions (it's always a good idea to design a logo that works in just B&W. You can always add color to it.) The fonts are Myriad Pro Bold and Light and are only meant to give you an idea of what I'm talking about. Your actual font choices should be more carefully considered. But this should give you an idea about how the graphic can accompany and enhance the type, instead of being the dominant component.

 

Here's another example, using a logo I'm actually working on. The Venn Diagram was a big thing to the client. They initially saw it as the logo. But by reducing it to a small component of the logo it's much clearer what this is all about ... the School of Business.

Insiders will understand the Venn Diagram. Those that don't understand it at least have a colorful addition to the mark to enjoy.

And to answer your question ... No. I haven't yet developed a black and white version of this. But I can and will.