This is not making history. It's like a pianist saying "instead of playing on a Steinway this evening, I'm going to play on an upright Yamaha".
Ref flashing an iPhone to show yellow & red cards and capture player reaction? To deliver fancy footwork footage via the iPhone shin guard cam?"With cameras positioned throughout the venue, the broadcast will deliver the pristine video quality fans expect, alongside dynamic new perspectives that bring viewers closer to the action, made possible by the small form factor of iPhone."
I threw an iPhone at a government drone. OMG History…now I am going to get arrested…..and I need a new iPhone.Do I really make Space history, if I'm the first person capturing a rocket start entirely with an iPhone?! 🤔 🤣
Honestly, I don’t believe that recording and televising any sports event with an iPhone vs any other camera that has ever existed would qualify as “Sports History”. Maybe whatever camera was used to record the first televised soccer game ever broadcast would qualify but that’s about where that ends.Exactly this. If the event itself was something of really significant world-wide importance - an international competition such as the Olympics, or a World Cup for some sport, then it might have a claim to being properly historic. No offence intended, but it's just a footy match.
The $30K of equipment is still needed using an iPhone or not. No?Really inspiring how they can pull this off with a $1,000 device.
And $30,000 of rigging equipment.
I am not discounting the actual act of filming with an iPhone; I am just pointing out that iPhones do have the controls nor technical robustness to properly shoot the main shots for live events, let alone sports. They might be great for break aways or b-roll shots later in post.
Proper video engineering has nothing to do with marketing. Please explain how they are going to shade those iPhones so the images match.As a video engineer without any sense of marketing whatsoever
Please explain to me how you are going to replace the lens below with anything attachable to an iPhone rig.The 17 Pro can do a 200mm equivalent, which is the normal big lens. Do they use a 500mm to get shots of the catcher/batter?
They have to have a grip, because adjusting the zoom level on the phone is awkward.
An interesting question... but the answer is simple: Time.Please explain to me how you are going to replace the lens below with anything attachable to an iPhone rig. ...
The phone sensor is not physically big enough so the quality is going to suffer a lot. It is basically the reason that my DLSR which is less megapixels than my phone can take better pictures because the sensor is bigger and the available lenses are much better.An interesting question... but the answer is simple: Time.
No, seriously. According to Google's AI, there are currently lenses that can get an iPhone out to 600mm; so, taking that to 1000mm is just a matter of time and demand. If this experiment works out in Apple's favor, it'll prompt a further expansion of the existing accessory market to potentially include things like the lens you've depicted. In fact, it would not surprise me if the first 1000mm lens for an iPhone is simply a modified version of that very same lens. (And of course, you can probably bet that it'll work with more than just the iPhone.)
Because here's the thing; no industry stands still... change is a simple fact of life, driven by the passage of time. If you've lived for more than a couple of decades or so, you've seen some examples of this first hand, and likely missed out on some others that are before your time; buggy whips, rotary phones and floppy disks have all been largely left behind by change, among many, many other examples. Emulator, griping about the term "filming" being used incorrectly, is quite right to observe that the industry continues to use the term while less and less frequently using the corresponding technology -- we don't so much "film" anymore, we increasingly record digitally instead.
The iPhone is just one exemplar of that ever present shift.
Yes, but why use a comparatively tiny iPhone sensor alongside an otherwise professional setup? It’s a handicap in exchange for a marketing deal.The $30K of equipment is still needed using an iPhone or not. No?
Absolutely. And I’m okay with it.Yes, but why use a comparatively tiny iPhone sensor alongside an otherwise professional setup? It’s a handicap in exchange for a marketing deal.
Obviously the camera persons are going to be running up and down the field with the camera held in their hand. I don’t think a reasonable person would think that.The whole “shot on iPhone” idea is supposed to make people think “I could pull this off with that same iPhone I bought”, but it realistically requires shelling out exponentially more money. Think it’s a bit disingenuous.
It does say exclusively:Seems to be deliberately ambiguous. It does not say exclsusively.
And it's definitely not the first live professional sporting event captured entirely on an iPhone. Just the first legal one. Well, second, apparently.
When they used them to shoot parts of MLB Games, they were just iPhones mounted to poles and things: [Apple’s iPhone 17 Pro is now an official MLB artifact](https://gadgetbond.com/apple-iphone-17-pro-mlb-hall-of-fame/)I doubt this is going to be an iPhone on a tripod. Surely it will have accessories attached to it for better zoom and clarity.
There will likely be a follow up BTS video on how they did it. For live broadcast, there will almost certainly be a [Blackmagic Camera ProDock - Apple](https://www.apple.com/xc/product/HS8B2ZM/A) to provide the genlock’d video out.Neat, but a bit silly without also annouancing everything they are using to complete the filming process. Unless its a iPhone on a tripod its a bit useless to discuss what they're actually doing.
No. But you *do* make it if you’re the first person *onboard* a spacecraft videoing and photographing using only a consumer phone.Do I really make Space history, if I'm the first person capturing a rocket start entirely with an iPhone?! 🤔 🤣
Assuming it’s like the previous MLB game where they used iPhone 17 Pros, no. https://baseballhall.org/discover/apple-donation-highlights-broadcast-evolutionYupp with $20-200k in lighting, filters and stabilisers.
Great, how are they going to shade the multiple cameras and make them match? I suppose it could be done in-switcher but that is kind of pain in the ass and not the way things are normally done.When they used them to shoot parts of MLB Games, they were just iPhones mounted to poles and things: [Apple’s iPhone 17 Pro is now an official MLB artifact](https://gadgetbond.com/apple-iphone-17-pro-mlb-hall-of-fame/)
Most likely, if they’re doing lots of live, it’ll be mounted on a gimbal rig, with a [Blackmagic Camera ProDock - Apple](https://www.apple.com/xc/product/HS8B2ZM/A) with genlock providing a broadcast quality feed. Probably a circular polarization or ND32 or similar filter in front of the lens as well. They’re commonly used by photographers; I have a clip-on set that I use with my iPhone 17 PM.