crazytom said:To go off topic: about photographers (Jimbowe). This issue is even murkier, in my mind. A studio engineer records a bands album; captures all the sound through his mic's onto his tape machines and mixes through his speakers, but this engineer DOES NOT OWN the recording, but he only was PAID for his SERVICE of doing such. Now on the other hand, you have a photographer who captures light and now he has been PAID for his SERVICE, OWNS those images of light, and will SELL you those images if you want it. There's a huge dichotomy between business models here and I don't think you can reasonably compare the two.
I had a run-in with a wedding photographer some time back. I wanted a small (not original) digital copy of an image (for personal use). He got all huffy and steamy spouting that the images were his and violation of copyright would meet the wrath of the courts..... Hmmm. It was MY image he owns? I don't recall giving him the rights to MY image?!?!?! He did nothing more than capture my image with the press of a button. Fortunately, I know that my image won't fetch top dollar on the market, so I did the next best thing : I didn't buy anything from him.
In my situation, I shoot for artists and tend to allow them generous rights to reproduce as they need to. I think the photographer needs to consider who is asking for the image and what the use is. I see too many wannabe photogs who lose a lot of work because of attutude.
I think the music industry has created that same situation of ticking off its customer base and it's reflected in low sales of CD's. Now I fear they will try and trash the iTunes store with a push for higher prices.