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And if you don't believe me I can send you example tracks and you can convert/upscale the iTunes ones and strip both files of all metadata so they look exactly the same and you can send them back and I will tell you which is which.

Dude, if someone "upscales" AAC files to some sort of lossless codec, they're going to be degrading the sound quality of that AAC so badly that I'm not surprised you can tell the difference.

It is much easier to tell the difference between a non-transcoded lossless file and a very poorly transcoded lossy file. It's been scientifically proven that the human ear cannot differentiate between a file at iTunes Plus quality (actually, even lower that iTunes Plus quality) and a totally uncompressed WAV file, given that all other things are equal including mastering and playback equipment.
 
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I love some of his music, and he's definitely a wonderful musician, but yeah I think this whole thing is lame. Pono was a joke and it always saddens me when people get all "audiophile-y". I would consider myself to be someone who can notice the sound differences in higher quality bit rates, or the sounds coming from an analog device such as a record player hooked up to nice tube amps etc. but I still think its mostly ******** lol. I would really only say its useful for CREATING music, more than just listening to it. The difference is not worth the money for the devices if you're an average person who just wants to listen to their favorite albums for enjoyment. I can't remember how much the Pono Player cost, but I know there were cheaper options for listening to high bit rates on the go. Ones that didn't look as fugly too. If you have a lot of money and care about quality sound you should be spending your money on vinyl, tube amps, etc. It was just weird hearing Neil on podcasts, and in written articles talking about how great Pono is and how digital music is crap cause no ones doing it right etc. Not only could you tell he personally had no real understanding of how the digital side of all this tech works, he also just seemed like he was doing it for the money. (which I personally don't care about, but he could have at least backed something more sensible like a fancy turntable or something)
 
Or... AM radio had awful sound quality. FM radio is also pretty bad. Tapes had terrible sound quality. CDs, although they had great sound quality, were so fragile that skipping from scratches ruined the sound quality sometimes.

Spotify isn't great, but I'll take Spotify quality over radio or tape any day.

Well, your right on tapes but as far as fm or am radio goes, his fans wouldnt be spending money to hear his music on those outlets so he wouldnt restrict them. Its because people had to pay, and then get a crummy experience that he did that.
 
Pono was too niche to have any noteworthy success in first place. Hopefully the crowdfunders knew what they were getting into.
 
Young stopped streaming his songs in July 2015, and at the time said "it's not because of the money" but rather "about sound quality"

Funny how that coincided with his Pono player release. Now that http://www.ponosucks.com exists and his site no longer sells any players, it's definitely about the money. Guess the revenue from old CSNY vinyl records has dried up too.

Also, he lost the audiophile crowd with
1) creating the ugliest DAP ever. http://www.digitalmusicnews.com/2014/03/12/ponoworst/
2) charging too much $$ when there's lossless players like FiiO X1 for $80
3) Audiophiles' increased ridicule because of Pono: http://www.slate.com/articles/arts/..._brought_unfair_scorn_for_lovers_of_high.html

I used to call myself an audiophile decades ago, but got tired of the arguments.
Fact is, when listening to music on the go, be it in your car or on your iPhone on a train, the "lossless" portion does not make it sound better over VBR256, so producing a player that gives your "superior" sound while on the move, is really about perception, rather than "reception"... by your "golden ears" that is.

Many people can hear a difference when lossless music is reproduced on adequate amplification and high-end loudspeaker systems or in a quiet room on high quality headphones, otherwise, it's all self-delusion.
 
Or... AM radio had awful sound quality. FM radio is also pretty bad. Tapes had terrible sound quality. CDs, although they had great sound quality, were so fragile that skipping from scratches ruined the sound quality sometimes.

Spotify isn't great, but I'll take Spotify quality over radio or tape any day.

SiriusXM also sounds terrible. I thought something was broken when I heard SiriusXM in someone's car.

But then I learned that SiriusXM broadcasts at 64kbps. Yikes! Total garbage.

Yeah... I'd pick streaming over that nonsense!
 
Any scientific blind ABX testing of supposed "ultra high fidelity" music, such as that sold by Neil Young's Pono outfit showed that people could not tell the difference between good quality sources like normal CD-Audio or modern iTunes downloads. And yes, even supposed audiophiles with "golden ears".

The only reason Neil Young pulled his music from streaming services was to force his fans to pay a premium to download oversized ultra-high bitrate music from Pono at exorbitant prices. Everyone saw right away that it was snake oil and it failed.

Quite. Someone explain the Nyquist-Shannon Sampling Theorem to him.
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Funny how that coincided with his Pono player release. Now that http://www.ponosucks.com exists and his site no longer sells any players, it's definitely about the money. Guess the revenue from old CSNY vinyl records has dried up too.

Also, he lost the audiophile crowd with
1) creating the ugliest DAP ever. http://www.digitalmusicnews.com/2014/03/12/ponoworst/
2) charging too much $$ when there's lossless players like FiiO X1 for $80
3) Audiophiles' increased ridicule because of Pono: http://www.slate.com/articles/arts/..._brought_unfair_scorn_for_lovers_of_high.html

I used to call myself an audiophile decades ago, but got tired of the arguments.
Fact is, when listening to music on the go, be it in your car or on your iPhone on a train, the "lossless" portion does not make it sound better over VBR256, so producing a player that gives your "superior" sound while on the move, is really about perception, rather than "reception"... by your "golden ears" that is.

Many people can hear a difference when lossless music is reproduced on adequate amplification and high-end loudspeaker systems or in a quiet room on high quality headphones, otherwise, it's all self-delusion.

It's not the lossless I have an issue with, it's the insistence that 196kHz sampling makes a difference. If you do hear a difference (and assuming it's not a psychological effect) it won't be down to the higher sample rate.
 
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Any scientific blind ABX testing of supposed "ultra high fidelity" music, such as that sold by Neil Young's Pono outfit showed that people could not tell the difference between good quality sources like normal CD-Audio or modern iTunes downloads. And yes, even supposed audiophiles with "golden ears".

The only reason Neil Young pulled his music from streaming services was to force his fans to pay a premium to download oversized ultra-high bitrate music from Pono at exorbitant prices. Everyone saw right away that it was snake oil and it failed.

Yep the reality is music has never sounded so good, been so accessible and on demand than anytime in history! Quality is not the issue, it's that power online is now back in the hands of big corps and trusted outlets are pushing crap artists they can monetise over just good music. It's a shame that you need to actively fight music streaming and playing systems to find better music.
 
If people think the Pono is too expensive (it was $400, not "that" bad), relax. Sony is selling a $3000 premium walkman (with a UI that lags to boot).
 
Good on Neil for allowing his prolific catalogue back on the streaming services for all ages to enjoy again after a 15 month hiatus
He had the bottle to swim
agianst the tide but also the bottle to go back will the flow.
Long may he continue making music and keep his catalogue streaming ad infinitum.
Please re-release the Live album 'Time Fades Away' for streaming.
 
SiriusXM also sounds terrible. I thought something was broken when I heard SiriusXM in someone's car.

But then I learned that SiriusXM broadcasts at 64kbps. Yikes! Total garbage.

Yeah... I'd pick streaming over that nonsense!
SiriusXM wasn't always that bad. Back in the early 2000s, it was actually quit good. Once they kept adding more garbage channels, they had to compress the signal to where it was eventually just garbage. When XM and Sirius merged, it became even worse. I still have XM in my car though mostly for the commercial free music.
 
"Worst quality in history"?! Talk about hyperbole/short memory.

Back when I was a whippersnapper, we had to piece together an album using Limewire. Providing you didn't download Tupac.exe and brick your computer, you'd be lucky to find anything that wasn't in wma format.

Aaah... those were the days.
Back when I was a nipper it was vinyl, a 4 inch speaker in a portable cheapo record player and that was just fine. He probably always heard his music through reference grade studio kit.

Neil Young was big in those days so talking about quality is frankly horse-dung - most of his paying public would have had pretty lo-fi kit by todays standards so he must have a pretty piss-poor (drug addled) memory. Bloody hypocrite out for the money, plain and simple.
 
You had to check?

Not really, it was a counter to the statement that all Americans favor Quantity over Quality as it was framed in a Neil Young Bubble. I was simply making a personal statement that even after all his protesting, and nostalgic commentary on the state of the music industry, Canadians require Quantity as well. ;)
 
His Pono mumbo jumbo didn't work for him?
I gues there isn't as many audiofools as I thought there were.

Plenty around. You are more likely to find a discount on an iPod than a Fiio these days. I would cut him some slack for actually practising what he preached with his Pono project but deduct points for the Toblerone design, which is as ergonomically disasterous as any mouse Apple has foisted on the public.

Too bad that most music today is mixed for low grade output, i.e. smartphones, so putting that on fancy DAPs is only ever going to highlight its shortcomings.
 
"Worst quality in history"?! Talk about hyperbole/short memory.

Back when I was a whippersnapper, we had to piece together an album using Limewire. Providing you didn't download Tupac.exe and brick your computer, you'd be lucky to find anything that wasn't in wma format.

Aaah... those were the days.

Are you comparing whatever piece-wise pirated music you downloaded from who-knows-where with something which is officially streamed?

I'm not saying that Young is right at all, but your comparison makes even less sense than his complaint.
 
It's about sound quality. I don't need my music to be devalued by the worst quality in the history of broadcasting or any other form of distribution.
Uh, ever heard of a radio, Neil?
 
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