The Voigtlander acts like a 50mm 1.9 would work on a FF body and a 50mm 1.8 is only $100.
A 50mm f/1.9 is two stops slower than f/0.95, hence the illuminance at the focal plane is 1/4th as much. That was the OP's *only* point -- how to optimize low light performance on his GH4, not DOF or any other compositional issue.
The OP is getting a GH4. It's not about FF vs m4/3, he's asking how to optimize the GH4. We are trying to give him useful advice along those lines.
The Voigtlander was just mentioned as one possible example of how someone who owns a GH4 and other m4/3 lenses could use a specialty lens in low light conditions.
The cost of a single lens must be evaluated against the overall cost of the camera and collection of lenses in that system. E.g, my Canon 50mm f/1.4 is pretty cheap but my 70-200 f/2.8 IS II is very expensive. On a GH4 the Voigtlander 25mm f/0.9 and Lumix 35-100 f/2.8 are actually less expensive overall and deliver similar light gathering ability (which was the OP's only stated point) at similar effective focal lengths.
My documentary film group uses several D810s, 5D3 and GH4, so I am very familiar with those. I edit hundreds of hours of material from those cameras. No camera or lens is perfect but the GH4 is pretty good especially for documentary video. Given the right lenses it does OK in lower light conditions. Of course my 5D3 is better but we rarely shoot in near darkness, and the OP already mentioned that wasn't a priority for him, he was just a little concerned. As a new GH4 owner hopefully we have cleared that up for him.