Become a MacRumors Supporter for $50/year with no ads, ability to filter front page stories, and private forums.
The Patent Examiner side

Hello,

I'll just add my grain of salt to the discussion...

I appreciated the comments of psxndc on the subject, because he seemed to be the only one to have a clue about the subject.

My own little summary:
- as psxndc mentioned, the only relevant part of a patent for licensing and litigation is the one of the patented claims, and all the rest is a support for them; the description is mostly of use before the issueing of a patent, to adjust the claims to an allowable patent with regard to what exists already;
- the two most important rules are novelty and inventive step , i.e. "does that already exist" and "based on what already exists, would I have had any reason to propose the same solution"; novelty is quite easy to assess, but assessing the inventive step is more subjective: there are some "tools" for the examiners, to help build up a proper reasoning which is fair to the applicant and to the public, but some cases are hard to decide upon;
- like in any other fields, you do have some (very few) bad patents once in a while, because some parts were overlooked; they are mistakes, and there are several structures to avoid that and several procedures to correct that, such a opposing an unfair patent; there should not be any mistake, but this is not humanly possible (unless you tell me you never, ever make any mistake in your work);
- the patenting system has (really) been built up to promote development: if you make your invention public, you receive an exclusive right for a limited amount of time on it. The other way is to keep your invention secret (with the risk that it gets discovered anyway) but then everyone else has to discover all the steps; it'd be like proposing to stop the publication of researches: you could forget about rapid development;
- there is no international patent, but there is the Patent Cooperation Treaty (PCT, check the WIPO website), under which a first international search and a first international opinion are provided together before individual national phases of examination, and there is also the European Patent Convention (EPC, check epo.org) under which applications are searched, examined and brought to national patents (for Europe); there is also the project of a (European) Community Patent, but that's not done yet.
- in PCT and EPC, there is no period of grace, i.e. the filing date of the application is the important date, and any document made public before the prior date should be considered;
- you cannot get a patent on anything; try to get a patent on a fork, or a vague method to close a toilet seat, or a software for doing something with something, and you will not make it through the novelty issue, as all this is already known;
- btw, there are patents on methods indeed;
- seeing the patent from Courtois, I tried to remember what was the state of computer music jukeboxes in 1995 (and even in 1999), and there was nothing so close that I knew - only usual 1-list mp3 players or CD-players. I must say that the 1st claim is exactly what I like from iTunes: this double data window, and what I always thought inventive, definitely different. But maybe I was wrong, and if a company made the effort to put their thoughts together to conceive such a concept, paid the fees for a patent and got it, it should get the benefits of its work; a willingful infrigement from Apple or a greedy activity from Courtois are another (humane) side of the problem;
- I don't think Apple would do anything different if the cards were in different hands ? Their legal department is quite active to avoid any reproduction of their own developments.

When I read comments from the supporters of a "no-patent" world, I really wonder what they'd expect the world to do. Who would make the most profit, the developper and producer, or the copier and producer? Who would disappear first, the meritful developper or the shameful copier? Maybe nobody would develop anymore.

Arnaud,
patent examiner somewhere in Europe.
 
They lost before they got started

Correct me if I'm wrong, but Apple's patent references Contois's patent, which I'm sure was already carefully reviewed by the USPTO, and courts very rarely overturn a patent. Which leads me to conclude that since Apple was granted a patent that their patent does not infringe upon Contois's.

Let's give eMusicGear.com a call 1(877) 266-8647 and tell them what you think.

I hope that doesn't run up their phone bill too much.
 
danko_d_hun said:
Which leads me to conclude that since Apple was granted a patent that their patent does not infringe upon Contois's.

Their patent won't but their product might. Not the same thing.

-p-
 
psxndc said:
Their patent won't but their product might. Not the same thing.

-p-

or the patent can be invalidated, wouldn't you say?

this partially depends on how contois is referenced in apple's patent. if the examiner just threw the reference in without explaining why/how it differed from apple's, apple could be in bad shape. if examiner says apple's patent differs from contois because ..." then that should be of more use to apple.

back to examining!!
 
Contois...

Ah yes, Contois, Courtois, why did I come up with this other name ?

Bah, anyway, my comments still apply to Contois...

And it is right, for infringing, the product of the potential infringer matters, not his patent(s).

A. :)
 
Looking at the contois patent it is clear that the software is meant to be used in combination with a music playing device, more precisely a midi device. It speaks of a "player piano" as the playing device, which to me means a midi controlled digital piano.

This software is not a MP3 / sound player, and doesn't play actual music stored in the computer but only midi files. It's basically medium control software.

It also say in the patent text: "The invention resides not in any one of these features per se, but rather in the particular combination of all of them herein disclosed and claimed and it is distinguished from the prior art in this particular combination of all of its structures for the functions specified. "

This to me means that the patent is only valid for the combination of the control software and the playing (midi) device. And not for playing music stored within the computer without a additional device that creates the actual sound.

I think that this makes a big difference with what iTunes does. Therefore I don't think they have a case.
 
Mac-Xpert said:
Looking at the contois patent it is clear that the software is meant to be used in combination with a music playing device, more precisely a midi device.

as claimed, it's a music playing device right?

my computer is a music playing device.
 
Zoboomafoo said:
as claimed, it's a music playing device right?

my computer is a music playing device.
Maybe, but I think the patent suggests that the software is only meant as a controller for a external device, and not capable of reproducing sound stored in the computer itself.

I think that differs from what iTunes does.

I think that this could be compared to a Midi control keyboard that could fall under a different patent than a actual synthesizer although the last is capable of controlling other midi devices in a similar way than the Midi control keyboard.
 
Not the description...

Mac-Xpert said:
Looking at the contois patent it is clear that the software is meant to be used in combination with a music playing device, more precisely a midi device. It speaks of a "player piano" as the playing device, which to me means a midi controlled digital piano.

It also say in the patent text: "The invention resides not in any one of these features per se, but rather in the particular combination of all of them herein disclosed and claimed and it is distinguished from the prior art in this particular combination of all of its structures for the functions specified. "

Mmm, the claims refer to:

1. A computer user interface menu selection process for allowing the user to select music to be played on a music device controlled by a computer, comprising the steps of:

a) simultaneously displaying on a display device, at least two individual data fields selected from music categories, composers, artists, and songs;
b) selecting at least one item from at least one of the data fields;
c) in response to step b), redisplaying all data fields not having an item selected therefrom with data related only to the at least one item selected in step b), and simultaneously maintaining all items originally displayed in the data fields with at lest one item selected therefrom;
d) selecting an item in the songs data field in response to step c), and
e) playing the selected song item from step d) on the computer responsive music device.

I think the loud-speakers connected to your computer might be understood as "a music device controlled by a computer". Once again, the claims and their understanding (in the light of the description but also as they would be understood by the man skilled in the art) are inportant for the litigation.

Yeah well, now I am curious about the issue of a trial...
(Although I'd bet the whole case might be settled by Apple for an "undisclosed" amount of money before reaching the court).

A.

(PS: in the description, you often find a last paragraph with broad statements, but they are not part of the claims, hence do not matter).
 
Arnaud said:
Mac-Xpert said:
I think the loud-speakers connected to your computer might be understood as "a music device controlled by a computer".
I think I have to disagree. A loudspeaker is a device that converts analog electronic signals into audible sound. Its not a device creating analog electronic (music) signals. And the loudspeaker itself doesn't contain elements that are directly controlled by the computer.
 
Mac-Xpert said:
Arnaud said:
I think I have to disagree. A loudspeaker is a device that converts analog electronic signals into audible sound. Its not a device creating analog electronic (music) signals. And the loudspeaker itself doesn't contain elements that are directly controlled by the computer.

Mmm, for the sake of discussion... :)

Your argument is that the loud-speakers are not "a device creating analog electronic (music) signals", but the claims only mention "music device". If I plug my loud-speakers on my computer, I will hear music from them. It is therefore, to my understanding, a device (the loud-speakers) which produces music (whatever its form; basically, music should even be seen as a rythmic and harmonic sequence of air compression waves, no? The electronic part is just due to our choice of an electronic media).

And just the same, the music coming out from the loud-speakers comes from my choice on the computer side (play/stop, volume on/off), therefore the computer does control the loud-speakers, no?

That's the problem with claims: they have to be taken as they are. (Hence the consequence, if you have a real invention in the description but the claims are too broad, giving an unfair protection after all).

A. :p
 
Mac-Xpert said:
Arnaud said:
I think I have to disagree. A loudspeaker is a device that converts analog electronic signals into audible sound. Its not a device creating analog electronic (music) signals. And the loudspeaker itself doesn't contain elements that are directly controlled by the computer.

a popular saying here at the PTO: read the claims with the broadest reasonable interpretation.

speakers are a reasonable interpretation. i'd sure buy it.

and yes, the invention is in the claims.
 
Well maybe I haven't been clear enough. I think the difference with iTunes is that iTunes contains elements (audio codecs) in the software that allows it to translate digital content (mp3/acc/aiff files etc.) into actual sound.

The software described in the contois patent doesn't contain any of those elements and relies on a additional device to create the actual sound. The software only gives a user interface to control that external device.

Neither the patent claims nor the discription speaks of the music being reproduced by the computer (or its speaker) itself.

But maybe I'm wrong and this isn't of any importance ;)

ADDED:

Im really looking at this from the perspective of the difference between controlling a midi device or creating actual sound with the software itself.

Playing synthesizer myself and using software that both controls external midi devices but also allows for sound reproduction with the computer itself I find that there is a distinct difference between the two.

Software that plays midi data to a external device doesn't create actual sound and therefore you can't say that it controls a loud-speaker. Midi data is not actual sound data. So software that plays this type of data to a external device that translates the data to actual sound waves is something different than software that is capable of converting certain digital data into actual sound (be it through the computer speaker or a external audio interface)
 
ID3 tags..

Someone tell me how a media player that grew out of an MP3 player (SoundJam) infringes upon anything made before the Napster revolution during the end of the 90s.

ID3 tags contain all the info this patent talks about and a player would OF COURSE use them as an organizational tool. The way apple did it was intuitive and quite obvious from the nature of the metadata beast.

Where is the originality in the 1994 design? Or even in iTunes, its plain and boring and plays Mp3s and keeps the organized. So friggin wut, id expect every MP3 player worth a damn to do the same. ITS EXPECTED of a media player. I dont see anything similar in any two MP3 players except that they play MP3s.
 
again...

People now always want to sue Apple because of how good the iPod and iTunes are doing. It pisses me off. This really doesn't make since,it is like me making a patent about a moving device,then I can sue everyone for having automobiles and everything else that moves? Why does always pick on the little guys? Now that Apple is doing good this company just wants there money,I hope Apple wins!
 
skubish said:
Since I deal with patents often I will answer some people's questions.

Why 5 years? Because now that iPod is successful this guy is looking for a piece of the pie. He hopes to stop distribution of iTunes until Apple licenses the patent from him. If he sued when iTunes was first released no one could predict how successful it would be so the license fee would be less than it would be now. $$$

The pictures don't mean anything in terms of patent law. The one legal ground is what is contained in the claims. The body, introduction, examples, drawings, and pictures are just filling for clarification. The question for the lawyers will be whether using iTunes with an iPod is an "obvious" extention of this patent.
Isn't there a statute of limitations, though? Or, does this not apply to patents?

I haven't read all 10 pages, but the claims still seems vage. I hate to quote Bill Gates here, but "all cars have steering wheels." It seems like his claim is general to a lot of music players, not just iTunes in specific.

It makes me wonder if there's people who just have it out for Apple... And yes, I'm being a little rhetorical here.
 
Daveway said:
Clink

I think this suit screams extortion. There are some similarities, but there are only so many ways of displaying music info. Also the search method also in the suit is a standard view of a file system used on many systems.

This is garbage.
A guy saw this at COMDEX in 1995. Baseless suit!
 
DGFan said:
By international you mean which country? Except for a few groups of countries which act together for patents there is no such thing as an international patent.
I couldn't remember exactly, but I believe it's pretty uniform, particularly in europe... which is why I just said "international".
 
apple is good at stealing

iQuit said:
People now always want to sue Apple because of how good the iPod and iTunes are doing. It pisses me off. This really doesn't make since,it is like me making a patent about a moving device,then I can sue everyone for having automobiles and everything else that moves? Why does always pick on the little guys? Now that Apple is doing good this company just wants there money,I hope Apple wins!

have you ever heard of konfabulator? it was around for a while and apple ripped it off and called it dashboard.

apple has a history of ripping off technology and calling it their own. jobs is an ass. he stole the mouse/gui interface from PARC, and he's sure to continue because of his uneducated, self serving, "let's follow jobs and do what ever he tells us to do" patrons.
 
Arnaud said:
Hello,

...
- you cannot get a patent on anything; try to get a patent on a fork, or a vague method to close a toilet seat, or a software for doing something with something, and you will not make it through the novelty issue, as all this is already known;
...
Arnaud,
patent examiner somewhere in Europe.


WRONG!! check out this US patent : 5,443,036

it a patent for using a laser to excercise a cat!
 
Patents do NOT in general benefit the public

Some people claim the purpose of patents is to benefit the general public. I believe this is crap - really - at least the way the system works today.

There is no proof that either patenting or not slows or enhances any development. The only proof we see is that if patented it MIGHT lead to be a milk cow for a selected few - and even more discerning: available only to a select few.

This applies especially to the pharmaceutical industry - and it also will to the software/tech industry. It enriches a few, that usually are quite well off in the first place (anyone know what a patent actually costs to get and maintain?), and it also makes for greater differences in the world; i.e. the poor people/countries can't afford lifesaving medicines/technology to any necessary extent - keeping them in a limbo.

I see the point of giving the inventor(s) and developers payback - but there is a limit to everything, but todays patent systems are not doing the world - or the public - any good.

Anybody read Stallmans piece of how this would have worked in the literature? It is a good laugh. And I believe it also shows more than anything that patents stifles innovation - not promote it. Remember; real inventors and scientists are not in it for the money - they are in it for the sheer, autistic, selfabsorbing interest of the subject (that sometimes also resembles the average Mac user ;) I believe for most most of these people a patent is what they least think of... to see their invention actually becoming successful they dream of...
 
myapplseedshurt said:
I hope apple has to pay every cent it made to this company.

jobs probably ripped off the interface just like it ripped off konfabulator and called it "dashboard".

I hope apple goes down with a wimper.


You're joking now, right? Why would you?

Besides, Apple did not rip Konfabulator, or do you actually have a case to make - cause the 'fab guys did not... in case you didn't notice...

Everybody rips off everybody - that is the way it is. You have probably ripped some software or music from the net also... be careful before you are the whimper...
 
iMan said:
There is no proof that either patenting or not slows or enhances any development. The only proof we see is that if patented it MIGHT lead to be a milk cow for a selected few - and even more discerning: available only to a select few.

Let me provide this example. You design X. It turns out X infringes on a patent. You find this out. You say "crap, I don't want to get sued" so you redesign X to do something slightly different. You just innovated. Y is covered? you redesign and make it do Z. You just innovated. File your own patent and the world benefits from the disclosure.

iMan said:
Anybody read Stallmans piece of how this would have worked in the literature? It is a good laugh.

Yeah, it sure is because it is so off the mark. You do not patent ideas. You patent ways to solve problems. Stallman's claims are too broad and what he didn't point out was that Hugo could easily have waited for the patent to run out and write the book anyway. Or, he could have, though not legally, written the book anyway and waited for the patent to run out before selling it. Stallman also makes it sound like no one would have written about someone in prison before Hugo. *bzzzzzt* prior art all over the place. Stallman's opinion, like it always is, was alarmist and extreme. A good laugh indeed.

-p-
 
Register on MacRumors! This sidebar will go away, and you'll see fewer ads.