
476C5444 by kevinfl2011, on Flickr
Decided to take the 50mm 1.8 out for a spin. It really is the best value lens you can buy.
This is interesting. My brain is struggling to get perspective and figure out what's what ... (that's a good thing).
Mine for today...
[url=http://snyder7.smugmug.com/Landscapes/Olympic-National-Park/i-LTxfJMj/0/L/OlympicPeninsula-1367-Edit-L.jpg]Image[/url]
The focus is a little soft because I never bothered to double check my camera settings and so I shot this at 3200 ISO which resulted in quite a bit of noise which had to be removed with Lightroom.
Yeah you are missing something LOL.
Firstly I shoot at the widest angle possible with my lens to get an awesome wide angle scene. I then load the image into photoshop and totally transform the colour a standard image just wont do.
I first alter the aspect ratio to 16:9 to make it more like a widescreen movie. Then I desaturate it by about -60. After this I play about with the levels & curves I like darkish tones as it looks more cinematic. Then I alter the exposure and up it maybe by 1 or 2. From this I lower the offset by about 1 to get nice dark black areas. Next I change the colour Balance I tend to go for coldish blue or green colours, again I think it looks more like a screen grab from a motion picture. After this I duplicate the primary layer and add lens blur of about 14-19 depending on the sort of image. I then create a clipping mask and use the brush tool of about 2500-3500 size to erase out the sections I want in focus, leaving parts of the image slightly blurred.
The last things I do is create another layer and make it black, then overlay that and change the opacity down to about 25%. I create another clipping mask and give sections of the image slight lighter areas generally the parts what are in focus aka the primary subject in the photo.
Last stage is to add the black letter boxing along the top and bottom of the image. Its not simply just a case of a quick edit, it can take quite a bit of work to get one image to look convincing enough i've spent several months perfecting it, by combining different techniques and overall pretty pleased with my technique.
I think with the work and edit technique it should have credibility as its own genre especially in this digital age. You have to take into account stuff like crop factor in terms of whats gonna be left visible in the image when you add boarders and what not etc and whats going to be the key subject of the image etc. in the example below its the Shard Tower.
This was one of my first cinematic attempts, as you can see I got the aspect ratio slightly wrong, but I really love the tones and grain I added [url=http://farm6.staticflickr.com/5197/7412825872_5e071e679c_b.jpg]Image[/url]
City Hall: Cinematic Effect by Ryan J. Nicholson, on Flickr
You can have a look here at my growing Cinematic set on flickr if you're interested http://www.flickr.com/photos/macmad/sets/72157629512142706/
I think I'm missing something, too. That's an awful lot of work to end up with a grainy, washed-out, desaturated, blurry image. Also, a 16:9 frame would not have black bars on a 16:9 HDTV.
I'll throw my hat in the ring here.
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This was taken over the side of a bridge that crosses a sluice channel near a lock on the Mohawk river in NY. I took it with a Canon PowerShot S410 and did no post-processing except to resize it.
I'll throw my hat in the ring here.
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This was taken over the side of a bridge that crosses a sluice channel near a lock on the Mohawk river in NY. I took it with a Canon PowerShot S410 and did no post-processing except to resize it.
I find myself fascinated by this photo. I see a whole landscape within it: snowcapped mountains, a green plain below with a farm on it, post-storm light overhead, and an inexplicable, epic waterfall below it all. It's abstract and representational all at once. [ ...] Very well seen.
I find myself fascinated by this photo. I see a whole landscape within it: snowcapped mountains, a green plain below with a farm on it, post-storm light overhead, and an inexplicable, epic waterfall below it all. It's abstract and representational all at once. This would look terrific enlarged as far as it will go and hanging in a modern-style frame (I would probably clone out that little bit of something floating at the top, though). Very well seen.
I'll throw my hat in the ring here.
I just meant the aspect ratio in terms of the widescreen. I have a 50" tv in my lounge and 95% of films I watch on it have black bars at the top and bottom. HD footage is of course fine though
Superficial treatments in Photoshop might determine the style of a photo, but content, more than anything else, will determine its genre.
Dont know if your lens held you back but was it not possible to get a wider shot with the whole car in the frame? Would have made it really nice!
Haha sadly, I only had the 50mm with me at the time, and it was an extremely narrow one lane street. Had to act fast before he got away so it was a lens limitation unfortunately.
This is the Thames at Chelsea Harbour, at sunset.
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