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Installing ETV Comskip and running OTA through 2x Silicon Dust Tuners + cutting cable and paying $9 a month for Netflix and $99 a year for amazon prime = smartest money i've ever spent.

Kids don't get advertised to nearly as much, we watch what we want and that's that.
 
Dish Network is preparing an internet package soon. From what I read, they are not experiencing the growth they want and are trying to reach those who no longer subscribe to a TV service.
 
Dish Network is preparing an internet package soon. From what I read, they are not experiencing the growth they want and are trying to reach those who no longer subscribe to a TV service.

Interesting..... Will be available to customers all across the U.S.?
 
Let's look at the publishing industry as an example. The publisher typically gets 30-40% (depending on a number of factors) of the cover price as their revenue. The remainder of the book's price goes to the distributor (total for publisher and distributor is roughly 60%) and as mark-up to the retailer (40%). Now, take that same publication to electronic (i.e., direct to consumer) distribution: the rule of thumb is to charge 50% of the print cover price, and the publisher gets 70% of the sales price, with the distributor getting the remaining 30%. Guess what? 70% of 50% is 35%, or right in the middle of the range the publisher would normally get. And without any of the costs of physical printing. And the consumer pays half the original price. This is what happens when you cut out middlemen and archaic delivery systems.

The publishing industry wants to sell books to customers. The cable/broadcast TV industry wants to sell an audience to advertisers. Book publishers don't care if you buy the book at Walmart or Target but AMC wants you to tune in to watch The Walking Dead at 9pm on Sundays because the bigger the audience the more revenue the channel can make.

The publishing and music industries operate on a vastly different business model than the TV industry (which is now turning into a hybrid model). In some cases (like broadcast TV) there isn't really a middle man because the content producer and the content distributor are the same entity and in other cases (like cable TV) the middleman for cable TV delivery is also the middle man for IPTV delivery and the middleman might also have its own IPTV/VOD service. Comcast is not going to suddenly close up shop like Borders did.
 
The publishing industry wants to sell books to customers. The cable/broadcast TV industry wants to sell an audience to advertisers. Book publishers don't care if you buy the book at Walmart or Target but AMC wants you to tune in to watch The Walking Dead at 9pm on Sundays because the bigger the audience the more revenue the channel can make.

The publishing and music industries operate on a vastly different business model than the TV industry (which is now turning into a hybrid model). In some cases (like broadcast TV) there isn't really a middle man because the content producer and the content distributor are the same entity and in other cases (like cable TV) the middleman for cable TV delivery is also the middle man for IPTV delivery and the middleman might also have its own IPTV/VOD service. Comcast is not going to suddenly close up shop like Borders did.

This model sounds a lot like the old magazine business model. Just like AMC wants you to tune in at 9pm, Newsweek wants you to turn to the headline story on page 36. Both ultimately want to engage you as an audience to sell the adjacent ad-space. We know how poorly that business model has worked out for magazines in the digital age - I don't know if Cable TV can use their monopolies to keep out competing business models for much longer. History may repeat itself. At least, I hope so.
 
This model sounds a lot like the old magazine business model. Just like AMC wants you to tune in at 9pm, Newsweek wants you to turn to the headline story on page 36. Both ultimately want to engage you as an audience to sell the adjacent ad-space. We know how poorly that business model has worked out for magazines in the digital age - I don't know if Cable TV can use their monopolies to keep out competing business models for much longer. History may repeat itself. At least, I hope so.

And we are heading back into a world full of subscriptions. Subscribe to Netflix. Subscribe to Amazon Prime. Subscribe to Hulu, to Spotify, to HBOGO, to the CBS app to the WWE Network, etc,..

The newspapers and magazines got hammered for a number of reasons. First off, they are in the information game and no one has a monopoly on reporting information. If I want to find out who won an NFL football game or what the weather is going to be like there are dozens of different places to go for that information. By contrast if I want to see a new episode of The Big Bang Theory I have no choice but to wait until CBS releases a new episode of BBT because they are the only ones making BBT.

Secondly, not only can online sources for news get breaking news to the public faster than a daily newspaper or a weekly news magazine, they can do it with relatively little overhead because putting text on a web page is pretty cheap to do (especially if you are just copy and pasting an article from the AP newswire). By contrast, TV shows can be some of the most expensive forms of entertainment to create (ex. average network TV, prime time drama costs $3 million per episode and have about 23 episodes per season). The cost of creating and distributing TV shows and movies severely limits the competition.

Finally, people also became used to getting information free on the internet. This put newspapers and mags in a bind because if they put a paywall up then people might just go else where, but if they didn't put a paywall up then their web sites were cannibalizing their physical subscriptions. Plus, online ads don't pay crap and the cash cow sections of local papers (the want ads) got killed by online competition like Craigslist, Monster.com and Match.com. Newspapers and mags (like music) were some of the first to get clobbered by the Internet and really had no idea how to react to it. TV and movies, on the other hand, have much more information to go on.

The decline of actual journalism in the U.S. due to newspapers and magazines going under is frightening but that's a whole other topic.


Getting back to the TV side of things... Besides content creators having a 'monopoly' over their original content and the high cost of content creation, cable TV also has the advantage of being the largest broadband providers in the U.S. Sure, people can cut the CATV cord but how many are cutting their broadband cord? Comcast is working out the best way to monetize the move into a primarily IPTV/VOD world and so are Time Warner (assuming the merger falls through), ATT, Verizon, DirecTV, and Dish Network. Whether you pay Comcast for cable so you can get AMC and watch The Walking Dead or you pay Comcast for broadband so you can pay iTunes or Amazon so you can watch The Walking Dead you still end up paying Comcast.

Lack of ISP competition should be seen as a pretty critical issue in the U.S. because we are quickly getting to a point where that single point of entry gives us all of our news and entertainment when we used to get our news and entertainment from a variety of separately owned and controlled TV stations, radio stations, movie studios, newspapers, books and magazines. The ISP is becoming the ultimate gatekeeper.
 
The publishing industry wants to sell books to customers. The cable/broadcast TV industry wants to sell an audience to advertisers. Book publishers don't care if you buy the book at Walmart or Target but AMC wants you to tune in to watch The Walking Dead at 9pm on Sundays because the bigger the audience the more revenue the channel can make.

In most cases, the cable/broadcast TV industry is the distributor, not the content creator. The majority of shows are produced outside of a network and shopped around and sold to the broadcast or cable networks. The content creator is in the business to sell their show/movie/whatever, it's the distributor (middleman) who finances that sale via advertising. If the content creators can cut out the middlemen or work with an alternate distributor, they may be able to work out a different financial model.

I do agree wholeheartedly about the ISP issue, though. I've been saying since the mid 90's that there is fundamentally no difference between TV/phone/internet - they all use (or can use) the same "pipe", just in differing amounts. Control of that "pipe" is critical.
 
In most cases, the cable/broadcast TV industry is the distributor, not the content creator. The majority of shows are produced outside of a network and shopped around and sold to the broadcast or cable networks. The content creator is in the business to sell their show/movie/whatever, it's the distributor (middleman) who finances that sale via advertising. If the content creators can cut out the middlemen or work with an alternate distributor, they may be able to work out a different financial model.

Few shows are completed beforehand and shopped around as ready-to-air products because of the high costs involved. Show ideas are typically pitched to various cable channels/TV networks and if there is interest a pilot episode will be made (traditionally the network pays for the pilot to be made but that's not always the case these days). If a channel/network likes the pilot they will order X number of episodes for Y amount of dollars. The channel/network not only pays to cover some or all of the costs of making the show but they also get creative input over the show. The channels/networks fill a hybrid role where they play a role in the creation of their content as well as the distribution of their content.

People that want to make TV shows need money and channels/networks are integral in supplying that money. No matter what changes happen on the distribution side of things, someone still needs to get cash up front to create the content first. That's the reason music labels still exist even though it's never been easier or cheaper to record and distribute your own music. Since 1999 I've been hearing about how the music labels are dead and artists are all just going to sell their music directly to fans. It's nearly 2015 and not only are the major music labels still around but middlemen (iTMS, Amazon, Spotify, Pandora, etc.,) are still alive and well. Why? Because artists need money in order to record music (and pay rent), distribution so people can listen to the music and marketing so people know the music exists.

Amazon, Netflix, Hulu, etc., are all starting to create and distribute their own original content and I think that's about as shaken up as the industry is going to get (new media companies fulfilling similar roles as old media companies). Which isn't a bad thing because it is competition and it gives content creators more options when it comes to finding business parters.

I do agree wholeheartedly about the ISP issue, though. I've been saying since the mid 90's that there is fundamentally no difference between TV/phone/internet - they all use (or can use) the same "pipe", just in differing amounts. Control of that "pipe" is critical.

Ah, the 90's... sure it was only dial-up, but at least we had a real options for ISPs.
 
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