Maybe you didnt searced very well... There is fade to/from colour effect!
Its the same , you dont need to keyframe anyhing!
Its the same , you dont need to keyframe anyhing!
5. The bundled transitions are a joke. Simple things such as fade-in/fade-out are absent. Why?
2. The concept of sequences is gone and you get ONE timeline per project. Basically, you're forced to create a brand new project for each timeline. Ouch.
NO fading to color - just FADE. And drag and drop to the fade location.
- I also found it annoying that when you click and drag a clip it selects in and out points and doesn't actually move the clip meaning you have to click and click again to move it if you want the whole clip and don't want to pick in and outs.
Happens to me every now and then, agreed, the selection in the Event-Browser is sometimes weird
- I like parts of the magnetic timeline but I don't like the fact that I can't drag something into the middle. It has to jump to the start so for instance I wanted to start my project with just sound but at first was unable to. So I had to generate a black background before I could lay down the sound with gaps as I wanted.
Use the Positiontool!"P"
- I then spent probably 2 hours constructing a 30 second sequence which would have taken about 10 mins in FCP 7
To me it looks like I use 10mins for stuff that took an hourmin FCP7
- Controlling opacity is a nightmare as now you have to push several buttons just to get to the controls and once you have made a keyframe you can't move it in the x and y direction at the same time it is only one or the other.
I guess that is a feature, not a bug, similar to FCP7 audio-keyfreaams/nodes.
I just played with FCP X at a friend's house. Although I wasn't able to spend as much time messing with it, I've been noticing a lot of the same things the OP has.
Has anyone got any experience of FCP 7 vs. Premiere? I am still a student so the price isn’t so much of an issue. Plus it would probably be a good idea to get as many NLEs under my belt as possible!
I'm confused. In this video at the 1:08 mark FCPX clearly shows 'Fade to Color'. The guy even demonstrates it.
I've also read that using Cross Dissolve can be used for fades at the front and end of a clip.
Not having FCPX, I can't play to find out personally. Hell, I don't even have the hardware for it, yet.
I think you nailed it right there. This is in response to the death of the TV and rise of YouTube an Vimeo videos with specific user created channels getting millions of hits.
If Apple does not bother to offer a higher end version or one more suited for the pro editor, I almost see it as they might loose lets say a 500,000 pro editors, but gain how many millions of up coming editors and creators whose sole aim is the web?
Not necessarily so. Look around. How many "filmmakers" are there turning out some great short films without ever having seen a film class from the inside?Depends on if the people teaching NLE editors in colleges and universities decide to switch their labs from FCP to Premiere (which is what I'm considering right now). If academia decides to stop supporting Apple with this new software, then there will be a ripple in future users.
I am interested in what will have happened in six months.
How will Apple have responded to the feedback after the release.
What will the two upgrades (summer and autumn) have contained?
If Apple does not bother to offer a higher end version or one more suited for the pro editor, I almost see it as they might loose lets say a 500,000 pro editors, but gain how many millions of up coming editors and creators whose sole aim is the web?
Why can't we:
Multiclip editing
Import or Export EDLs
Import or Export OMFs
Import or Export XMLs
Having multiple timelines open at the same time
Assign video or audio tracks
Customize workspace
In and Out section exporting
Among many other things!
When I heard that Randy Ubillos was redesigning Final Cut Pro I knew that we were headed for disaster. This loser has ruined this wonderful editing tool. It's dumbed down to be nothing than a glorified version of iMovie. Shame on Apple for letting this happen. Oh, did I mention that you most likely have to buy either a new video card or new MacPro to run it.
I'm am currently doing a movie at Universal on Final Cut Pro 7, and will advise the studio executives I work with to go back to Avid.
Good Bye Final Cut Pro, or it's new name...Final Cut Amateur.
John Gilbert, a.c.e.
Editor
So when you heard that the same "loser" that created Premiere 1-3, and been leading Final cut development since it's inception, was working on the new version, you knew we were headed for disaster?